Andy Hardy's Double Life

I must admit that aqua-fem Esther certainly made a big "splash" in this, her film debut. I can certainly understand how she's able to turn Andy into mush with her charm assault and why he prefers her company to plain old Polly, who looks pretty pedestrian in comparison to Esther's ethereal (yet s-e-x-y!) beauty.

Despite having graduated from high school three movies ago, Andy Hardy has still not started college. And he won't start it in this movie, either! That comes in the next entry, Andy Hardy's Blonde Trouble. Here, though, we have Andy selling his jalopy to get the money to retrieve his convertible from storage in New York. The problem is the boys he's sold it to keep stalling on paying him and Andy's already written a check that will bounce if he can't get the money in time. Andy's also dealing with his usual drama with the opposite sex as well as trying to help his sister Marian and father Judge Hardy with their problems. Marian's still in love with her beau Jeff, the drunk driver. Judge Hardy is bending over backwards to prove a lumber company truck was responsible for an accident with a little boy (Robert Blake).

This one's notable for being the feature film debut of Esther Williams. Esther plays a psychology student who teams up with Ann Rutherford's Polly Benedict to teach Andy a lesson. Have no fear, Esther fans, she does get into a bathing suit for one scene. Gorgeous as always, Esther also showcases her romantic comedy potential. Her scenes with Mickey are some of the movie's highlights. This is also, sadly, the last of the Hardy films with Ann Rutherford. She left the series after this and never returned. Rutherford was one of my favorite parts of these movies. She was always adorable beyond words with great comic timing and wonderful chemistry with Mickey Rooney. Cecilia Parker gets more to do as Marian than she has in awhile. She was a larger presence in the early films in the series. If I'm to be honest, she was never a favorite part for me. She might appeal more to many viewers as Marian is a slightly more modern (i.e. flawed) character. This would be her last appearance in the Hardy series until the attempted reboot in the '50s. Lewis Stone is perfect, of course. Judge Hardy was often the highlight of these movies, even when Andy was the focus. Here Stone gets a little comedy to work with but the best parts of the movie are his father-son scenes with Mickey Rooney. For his part Rooney is excellent, handling both comedy and drama with ease. Fay Holden gets few scenes as Mrs. Hardy but makes the most of them, stealing the picture each time she's on screen.

This is one of the best Andy Hardy movies. A delightful mix of comedy and light drama. I smiled through the whole thing. I happen to love the Andy Hardy movies, corn and all. Your mileage may vary, though. If you're too cynical to enjoy these innocent movies with their sentimentalism and old-fashioned values, then spare yourself the trouble of watching. Also spare the rest of us as the world has enough snarky cynics as it is.

I agree with the other reviewers,Its not the best in the series,but still is fun to watch.If you have any partiality towards Andy Hardy,it's still a must see.It feels like a continuation from the previous movie "The Courtship Of Andy Hardy". There is Andy getting ready to go to college,plus another subplot involving one of the Judges court cases.And as usual, girl trouble.And what Girls they are!I am in love with both Esther Williams and Ann Rutherford in this one.Both are very beautiful,and the HD version of this flick I saw,brings their beauty more to life.I very much enjoyed it.Although in HD it can tell Andy has a cut lip in some scenes,and not in others.I mean it was as clear as day.I wonder what that was all about.Has to be some back story to that somewhere.

The thirteenth in the series of Andy Hardy films, "Andy Hardy's Double Life" follows the formula faithfully, with Andy (Mickey Rooney) trying to juggle the attentions of two women while dealing with other issues, like jalopies and finances.

Meanwhile, Judge Hardy (Lewis Stone) has a perplexing court case on his mind. Andy lends a hand.

But the real meat of this episode (and the reliable tearjerker) is the drama surrounding Andy's upcoming departure for college. This milepost is the beginning of Andy's manhood and Andy has to have a (real) man-to-man talk with Dad, effectively telling the Judge that the first four letters in father are also the first four letters in fathead.

The real reason for seeing this Andy Hardy installment is the film debut of Esther Williams, whose on-screen charms are immediately apparent. In short order she will have her own series of aqua-musicals to dominate the box office.

Andy Hardy's Double Life (1942)

** 1/2 (out of 4)

Andy (Mickey Rooney) is about to head off to college but he's got a few things to take care of before leaving. For starters, he must try and sell his junk car for $20 to pay for a bill and he must convince his father (Lewis Stone) not to go with him to college. Worst of all is that Polly (Ann Rutherford) wants to make up but her best friend (Ester Williams) decides to give Andy a test. Number thirteen in the series isn't the greatest movie ever made and it's not even a good one but there's enough innocent charm to make it worth viewing. I'd probably put this towards the middle of the series as it's not even close to some of the better entries but there's no denying we get some very funny moments but at the same time, the screenplay offers up some weak stuff. The one sequence that really didn't work for me was an attempt at comedy when mom was trying to sleep in but people keep ringing the door bell. The comedy they were going for here just seemed rather weak and it didn't make me laugh. Some of the film's better moments, of course, happen when Andy must turn to his father and try to get advice on his life, which he just can't understand. I thought it was rather funny that Andy also gets to teach his dad a few things, which was a nice change of events. We also get a side plot about a case Judge is working on as it involves an injured boy and his broke mother. It goes without saying by Rooney and Lewis are at the top of their game and both men turn in very good performances. By this time both were so comfortable in their roles that there isn't a false step anywhere. Fay Holden, Cecilia Parker and Sara Haden are all good as the family. Rutherford gets a slightly bigger than normal part, which is good as she too is delightful. The real standout is Williams. There's no question that she's the highlight of the film and especially the sequence with her and Rooney "test" kissing by the pool. This entire pool sequence is classic Hardy stuff and makes the film worth sitting through.