Underground

Watching Underground makes me wish that TCM would do an anthology of great B-movies. Limited budgets imposed constraints on production values -- sound stages and back lots instead of locations, black & white instead of color, character actors in leading roles. What budgets didn't constrain was acting, directing and writing. And what's cool is that there were lots of them, especially from the studio system, where great talent was on staff.

I don't think I've seen a wartime propaganda flick that pulls out all the stops quite like this one. Vile Nazis in their spiffy Nazi uniforms, sadism, torture, whips, dungeons, betrayal, sabotage, righteous rants by old professors...all here! Tight production and right casting make this a delicious grand guignol. Despite the grim theme, there are some pretty funny Hogan's Heroes moments. Example: a thuggish Gestapo underling is bragging to his secretary about a ghastly new torture method he's invented and complaining about Himmler's taking the credit. The secretary, who's in the underground, replies, barely containing her sarcasm, "Don't worry, I'm sure you'll get a promotion."

And then, there's the ending, when one must face an excruciating dilemma -- to do something horrible and cruel for the greater good. It's something I don't know if I'd have the courage to do. Would you?

Vincent Sherman was on his way up as a film director at Warner Bros. when he was assigned to 'Underground', a low-budget feature without stars to bolster its box-office appeal. Nevertheless, he managed to weave an interesting, fast-paced tale of intrigue and suspense with the Nazi menace hanging like a heavy shadow over the whole film. Basically, it's the story of two brothers torn apart by their beliefs--one (Philip Dorn) is involved in an underground movement, an announcer for a resistance radio program. The other (Jeffrey Lynn) is a loyal German soldier who eventually joins his brother's cause when he realizes what Hitler is doing. This did fairly well at the box-office despite not having big names and deserves to be seen as the forceful war melodrama that it is.

Martin Kosleck does his usual turn as a vicious Nazi officer and Mona Maris is convincing as a woman not exactly loyal to the German cause. May not be an "A" feature but it certainly is worth viewing.

This movie was made before the US entry into WWII. But, the story line clearly indicates the concerns we had with the Nazi party in Germany and their blatant disregard for the well being of their citizenry. There are no war scenes and only a couple of short action sequences but, despite this, the story moves at a very comfortable pace. Very good acting all around with Philip Dorn excelling as the leader of an underground group striving to keep the citizens informed as to the real aims of their Nazi leaders. He does this via a clandestine illegal radio operation which, of necessity, must continually move to various locales to transmit. Jeffrey Lynn plays Dorn's brother, a German soldier who, minus most of his left arm, returns home but is still a loyal German who is unaware of his brother's underground activities. This story is a good one and avoids most of the cliches that permeated many similar WWII movies. Martin Kosleck plays his usual role, that of an officious German officer but, even he, tones down his role and does not appear as menacing as he later became in other similar films. I enjoyed this 95 minute story and definitely recommend it to all fans of the suspense melodrama genre.

This top rate production from Warners Bros., tells the story of the anti-Nazi underground and its attempts to sway the German people to reject the Nazi regime and put an end to its war machine. This film is far better than many other later anti-Nazi films cranked out by Hollywood during WW2. The cast all give top rate performances. Martin Koslec is effectively slimey as the Nazi secret police leader who is out to crush the underground. After seeing him here, no wonder he made a career portraying evil Nazi leaders. Perhaps the most memorable performance is by Wolfgang Zilzer as the sad, pathetic former underground leader who becomes a traitor in exchange for release from the hellish torture he is undergoing in a Nazi concentration camp. The scene where he is confronted by underground leaders and forced to commit suicide has real power. The lighting and the music are perfect. Seen today, this film might seem a bit optimistically naive. It gives the viewer the impression the Nazi regime would soon fall from power. None the less the film effectively portrays the terror inflicted on the German people to assure obedience to its corrupt and evil regime.

Note; One odd idea thrown in, is a suggestion about why Rudolph Hess fled Germany and flew into London. During one of the underground broadcasts, Philip Dorn states that Hess fled to escape the gestapo and tell the world the truth. This sounds a bit naive, since everything suggests in real life Hess was always a staunch supporter of the Nazi regime. Of course the whole Hess affair is still to this day shrouded in mystery, and we may never know the real reason why Hess flew into London. That, however is a matter of discussion for another forum.

Quite honestly, I never had heard of this film before. And, having just watched it, much to my regret. It was made before U. S. entry into World War II. Yet, Hollywood was quite aware of the evils being perpetrated by the Third Reich. Coincidentally, the case is dominated by actors born in Europe. The story is not that new. Two brothers are on different sides of the spectrum in Berlin: one is a leader of the resistance movement, the other is a wounded German who maintains strong loyalty to the Reich. The film centers on how their worlds and visions collide, with a backdrop of the Nazis' trying to find and silence the resistance's radio broadcasts. The acting is first-rate all around. I suspect this would have been a 'bigger' film if Warner Brothers had used the 'A' team. All in all, a very good little movie.