Lady Hamilton

Vivien stars as another version of Scarlett O'Hara, a woman who wants to be considered a lady even though she doesn't really act like it. A former dancer, and currently penniless, she wants to make a good impression on the wealthy Lord Hamilton, Alan Mowbray. Her mother, the common but delightful Sara Albright, lives with her and acts as her maid after Vivien is successful in her quest. Married to Alan, she's very happy to act in her new role of Lady Hamilton (which was the original title of the film). She looks beautiful in her gowns and hairstyles, and she soon learns what will make a good hostess and how to best support her husband.

Where does Laurence Olivier come in? We all rented this movie to see the married couple up on the screen together, right? He plays a highly respected soldier, introduced to Vivien through her husband. He's also married, but he's drawn to the beautiful lady nonetheless. This classic celebrates forbidden love, all with the comfort of knowing that the pair who can't have each other onscreen can go home together off screen. They're both very beautiful people, and although Larry has a slight impediment in this movie, it's still a treat to see pretty people falling in love. All tied together with a very pretty, sad, and romantic theme by Miklos Rozsa, this is a classic not to be missed - especially if you like Scarlett O'Hara and wish she'd made more movies.

This picture emphasizes the fact that Vivien Leigh is not only beautiful but a major talent, too. In some ways, the character of Lady Emma Hamilton does resemble Leigh's earlier role of Scarlett O'Hara, but this is not surprising when one considers the actress is often typecast as the scheming vixen.

In a particularly memorable scene, when the Lady argues with her husband (Alan Mowbray) you do get a sense of Scarlett quarreling with Rhett. But the actress' undeniable chemistry with costar Laurence Olivier, as lover Lord Nelson, is perfect and much more intimate than what she shared on screen with Clark Gable in Gone with the Wind.

In fact, we believe that these two sincerely love each other. Both performers are rather eloquent and yet passionate in this film. And Korda's direction is superb. In addition to the great melodramatic moments, we are treated to some very realistic battle scenes that provide a fair amount of adventure amid the realities of war.

I have not seen this amazing film for many years, and then viewed it on a TV broadcast. It was sumptuously produced with first-class talents in front of and behind the (unfortunately not Technicolor) cameras, with production values that were absolutely prodigal in their opulence.

For today's audiences, Vivien Leigh is, of course, this film's main attraction, with her delicate beauty and expressive acting showcased as well as could be imagined. I note that no video version of this is currently offered for the American enthusiast and the Canadian VHS, possibly compatible with U.S. VCRs, is "Out of Stock" at present. (The U.K. VHS tape must be viewed via the PAL format, which most American video equipment cannot accommodate.) With so many films as good as this one in a kind of limbo, lovers of truly "classic" films can only hope that the keepers of this treasure will eventually favor us with the opportunity to enjoy it once again.

Laurence Olivier and Vivien Leigh when they were both young and desperately beautiful are a joy to watch in this film. He plays the great English naval hero, Nelson, and she, Lady Hamilton, the wife of the English ambassador. Another favorite movie moment of mine is after the opera given in his honor when they are in a bar, before they have actually declared their love for one another. They're talking about what they're not missing by having left the ball after the opera. She says, "This is where the real and exclusive party is." Then she tells him about himself: "Nelson in a good mood," and she makes a bored face. "Nelson in a bad mood," and makes the same face. "Nelson in an exuberant mood," with the same face a third time. He says, "Am I really such a dull fellow?" Her reply: "Only when you ask questions like that." His response is the beautiful part. He says something to the effect of, "Now I'll give my performance. What mood is this? One guess." And he leans his chin on his hand and gazes into her eyes. She guesses something like, "Nelson allowing himself to be just a little bit happy?" He shakes his head slowly and says, "Nelson in love." She leans forward and her chin touches his hand, and just then a group of soldiers, including his son, enter the bar. The moment is all the better because you're left wanting more!

This is a beautiful period piece with the incomparable Vivien Leigh at her peak, just after GWTW and Waterloo Bridge. For a 1940's era production, the sets and lighting are outstanding, and the remaining cast is credible. Laurence Olivier may have been the best actor in history, but I do not appreciate it here. Perhaps this was not his best role. Leigh runs circles around him.

This film is worth a look for Leigh fans and those liking British period work, along with war propaganda. Here the noble civilized Brits are threatened by Napoleon (which is easily drawn to comparison with Hitler, being 1941).

Certainly, this is worth a look. Jolly Good Show.