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7.2/10
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A highly fictionalized account of the life of George Armstrong Custer from his arrival at West Point in 1857 to his death at the battle of the Little Big Horn in 1876.A highly fictionalized account of the life of George Armstrong Custer from his arrival at West Point in 1857 to his death at the battle of the Little Big Horn in 1876.A highly fictionalized account of the life of George Armstrong Custer from his arrival at West Point in 1857 to his death at the battle of the Little Big Horn in 1876.
- Director
- Writers
- Stars
- Awards
- 2 wins total
G.P. Huntley
- Lt. 'Queen's Own' Butler
- (as George P. Huntley Jr.)
Joe Sawyer
- Sgt. Doolittle
- (as Joseph Sawyer)
Eddie Acuff
- Cpl. Smith
- (uncredited)
Tod Andrews
- Cadet Brown
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Aside from the historical inaccuracies well noted by most of the previous commentators, 'Boots' is satisfying in all departments--good script, direction, music, etc. and is elevated by the chemistry between Flynn and de Havilland, both giving their best performances since 'The Adventures of Robin Hood' six years before. Action fans will enjoy the skirmishes with Indians in shoot-em-up western style with Flynn as the flamboyant leader of men in the 7th cavalry. The 'Garry Owens' tune is woven nicely into the rest of the score, an impressive one by Max Steiner that has recently been released by Marco Polo records on a gorgeous CD courtesy of the Moscow Sympony Orchestra with good notes on the film. Arthur Kennedy is excellent as the chief villain of the piece and Sydney Greenstreet scores as General Winfield Scott. Anthony Quinn is effective as Crazy Horse and Gene Lockhart is amusing as Samuel Bacon (Olivia's father), at first opposed to his daughter's suitor. Hattie McDaniel is delicious as Callie, the maid who has some amusing domestic scenes with de Havilland for some much needed comic relief. Changing Custer's real-life story to suit the heroic mold of Errol Flynn's screen persona is forgivable, if only for the final results which turned this story behind Custer's famous last stand into an epic western adventure.
This is Custer's last stand, through the Warner Brothers' mill. As a 'biopic', "They Died With Their Boots On" is pure poppycock. One cannot help but admit, however, that Errol Flynn was the ideal choice to play the part of the dashing leader of the doomed 7th Cavalry. Of course, the part wasn't exactly a stretch for him. After all, Flynn had already led "The Charge of the Light Brigade" and portrayed George Armstrong Custer's real-life enemy, Confederate Cavalry General Jeb Stuart, in "Sante Fe Trail" (in which future-President Ronald Reagan depicted Custer).
Appearing opposite Flynn is his ubiquitous co-star, Olivia De Havilland, as Custer's faithful wife Liddy. It has often been said that behind every great man lies a great woman. In Custer's case, that was true to a large extent. The real Liddy Custer spent the rest of her life promoting her late husband's larger-than-life heroic reputation. In that sense, the genesis of this fanciful film might be laid at her door.
Rounding out the fine cast is a young Anthony Quinn as a surprisingly sympathetic (for a 1940s movie) version of Chief Crazy Horse. In fact, Crazy Horse actually comes off as the most sympathetic character in the entire film. Quinn delivered a rather more restrained performance here than was usual in many of his later films. Of course this wasn't the first time he had appeared as a Native American in a movie, but this role was a definite step up because this time Quinn got to play a Native American as a character, and actually deliver some lines.
Of course, action is what any Errol Flynn movie is all about and, in that respect, "They Died With Their Boots On" delivers in spades. Warner Brothers must have collected every horse, rider and pair of boots in Hollywood for the spectacular climax. Surely Custer himself would have approved of Flynn's final scene. One can almost imagine Custer's ghost saying; "Even if that wasn't the way I really died, it certainly is the way I should have".
Appearing opposite Flynn is his ubiquitous co-star, Olivia De Havilland, as Custer's faithful wife Liddy. It has often been said that behind every great man lies a great woman. In Custer's case, that was true to a large extent. The real Liddy Custer spent the rest of her life promoting her late husband's larger-than-life heroic reputation. In that sense, the genesis of this fanciful film might be laid at her door.
Rounding out the fine cast is a young Anthony Quinn as a surprisingly sympathetic (for a 1940s movie) version of Chief Crazy Horse. In fact, Crazy Horse actually comes off as the most sympathetic character in the entire film. Quinn delivered a rather more restrained performance here than was usual in many of his later films. Of course this wasn't the first time he had appeared as a Native American in a movie, but this role was a definite step up because this time Quinn got to play a Native American as a character, and actually deliver some lines.
Of course, action is what any Errol Flynn movie is all about and, in that respect, "They Died With Their Boots On" delivers in spades. Warner Brothers must have collected every horse, rider and pair of boots in Hollywood for the spectacular climax. Surely Custer himself would have approved of Flynn's final scene. One can almost imagine Custer's ghost saying; "Even if that wasn't the way I really died, it certainly is the way I should have".
Whether one views him as a gallant cavalier of the plains or a glory hunting egomaniac, debates about the life and military career of George Armstrong Custer continue down to the present day. They Died With Their Boots On presents certain facts of the Custer story and has taken liberty with others.
He did in fact graduate at the bottom of his class at West Point and got this overnight promotion on the battlefield to Brigadier General. His record leading the Michigan Regiment under his command was one of brilliance.
It was also true that his marriage to Libby Bacon was one of the great love matches of the 19th century. Libby and George were married for 12 years until The Little Big Horn. What's not known to today's audience is that Libby survived until 1933. During that time she was the custodian of the Custer legend. By dint of her own iron will and force of personality her late husband became a hero because she would not allow him to be remembered in any other way.
I think Raoul Walsh and Warner Brothers missed a good opportunity to have the Custer career told in flashback. Olivia DeHavilland should have been made up the way Jeanette MacDonald was in Maytime, and be telling the story of her husband and her marriage from the point of view of nostalgia and remembrance. Even then the cracks in the Custer legend were appearing, but if done from Libby's point of view, they could be understood and forgiven.
Sydney Greenstreet gave a fine performance as General Winfield Scott. The only problem was that Scott had nothing whatsoever to do with Custer, he was retired and replaced by George B. McClellan in late 1861 while Custer was still at West Point. I'm not sure they ever met. But Greenstreet does a good characterization of the ponderous and powerful Winfield Scott. A nice Mexican War story should have been what they gave Greenstreet instead for his very accurate portrayal of old Fuss and Feathers.
The film though is carried by one of the great romantic teams of cinema, Errol Flynn and Olivia DeHavilland. This was the last of eight films they did together. The last scene they ever did for the cameras was Libby's farewell to George as he leaves to join his regiment for what will prove to be his last campaign. Both their performances, Olivia's especially, was a high point in their careers at Warner Brothers. We know through history that Custer is riding to his doom, that and the fact that this was their last screen teaming give this scene such a special poignancy. If your eyes don't moisten you are made of marble.
As history They Died With Their Boots On leaves a lot to be desired. As western adventure that successfully mixes romance with the action, you can't beat this film at all.
He did in fact graduate at the bottom of his class at West Point and got this overnight promotion on the battlefield to Brigadier General. His record leading the Michigan Regiment under his command was one of brilliance.
It was also true that his marriage to Libby Bacon was one of the great love matches of the 19th century. Libby and George were married for 12 years until The Little Big Horn. What's not known to today's audience is that Libby survived until 1933. During that time she was the custodian of the Custer legend. By dint of her own iron will and force of personality her late husband became a hero because she would not allow him to be remembered in any other way.
I think Raoul Walsh and Warner Brothers missed a good opportunity to have the Custer career told in flashback. Olivia DeHavilland should have been made up the way Jeanette MacDonald was in Maytime, and be telling the story of her husband and her marriage from the point of view of nostalgia and remembrance. Even then the cracks in the Custer legend were appearing, but if done from Libby's point of view, they could be understood and forgiven.
Sydney Greenstreet gave a fine performance as General Winfield Scott. The only problem was that Scott had nothing whatsoever to do with Custer, he was retired and replaced by George B. McClellan in late 1861 while Custer was still at West Point. I'm not sure they ever met. But Greenstreet does a good characterization of the ponderous and powerful Winfield Scott. A nice Mexican War story should have been what they gave Greenstreet instead for his very accurate portrayal of old Fuss and Feathers.
The film though is carried by one of the great romantic teams of cinema, Errol Flynn and Olivia DeHavilland. This was the last of eight films they did together. The last scene they ever did for the cameras was Libby's farewell to George as he leaves to join his regiment for what will prove to be his last campaign. Both their performances, Olivia's especially, was a high point in their careers at Warner Brothers. We know through history that Custer is riding to his doom, that and the fact that this was their last screen teaming give this scene such a special poignancy. If your eyes don't moisten you are made of marble.
As history They Died With Their Boots On leaves a lot to be desired. As western adventure that successfully mixes romance with the action, you can't beat this film at all.
You've heard the mantra against THEY DIED WITH THEIR BOOTS ON...That the only facts they got right were that there WAS a George Armstrong Custer, he DID serve in the Civil War, and he DID die at the Little Big Horn. This is all true, but what of it? Hollywood has never been obsessed with making historically accurate epics (particularly concerning the West), and, at the time of filming, with America recently plunged into WWII, the WB knew that escapism was essential for film audiences. What better way to take an audiences mind off the depressing war news for a couple of hours than with a grand adventure starring their biggest action star?
Errol Flynn, coming off two minor 1941 releases (the blandly pleasant comedy FOOTSTEPS IN THE DARK, and his first war-related title, DIVE BOMBER) was due for a more 'swashbuckling' role, but the actor flatly refused to work with Michael Curtiz, again. While the Hungarian-born director had guided the actor to stardom, he was a very hard taskmaster, and a mutual hatred between the pair had developed, fueled by Flynn's carousing and lazy work habits. Veteran director Raoul Walsh was called in, and the hard-living director and star would develop an immediate rapport, both on and off-camera (Walsh would go on to direct Flynn in eight films, and drink and ride motorcycles with him between projects).
Another milestone of THEY DIED WITH THEIR BOOTS ON was that this would be Flynn's last teaming with long-time co-star Olivia de Havilland. Although the pair were friends, de Havilland had become a major star in her own right, and she demanded more important roles than just being Flynn's 'love interest', a decision Flynn supported, wholeheartedly. The fact that the stars knew this during the shooting gave their scenes, particularly the final one, a poignancy that is unmatched in any of their other films.
Flynn's Custer was a larger-than-life cavalier, prone to getting in trouble with his superiors, but so charismatic that one enlisted man remarks, "We'd follow him to hell." Barely allowed to leave West Point to serve in the Civil War (his academic record is the worst in West Point's history, "even worse than Ulysses S. Grant" one instructor laments), the new lieutenant is accidentally promoted to Brigadier General, and uses his rank to lead his command in a series of charges at Gettysburg, ultimately saving the day, and the Union, in the process.
Mustered out at the conclusion of the war, inactivity leads the soldier to drinking and despondency, so wife Libby pulls some strings, and gets him a new command, in the Black Hills, leading the Seventh Cavalry. Finding them an undisciplined lot, he closes the bar, introduces discipline, and a new unit song (the immortal 'Garry Owen'). In no time, his unit is a crack outfit.
Custer also befriends Crazy Horse (Anthony Quinn), and promises to keep the sacred Black Hills free of white settlers. Unfortunately, greedy land speculators fake reports of a gold strike there, creating a 'rush', and Custer discovers that the corruption runs all the way to Washington. Unable to prevent the impending slaughter (Congress will only accept his charges if presented as a 'dying declaration'), and facing court martial, Custer bullies President Grant into allowing him to return to his command...and leads the Seventh to the Little Big Horn...
The final charge at the Little Big Horn, concluding with 'Custer's Last Stand' is truly spectacular (Iron Eyes Cody, one of the Indians participating in the sequence, told a great story of an inebriated Flynn, surrounded by his dwindling forces, enthusiastically cussing and firing away, even after director Walsh yelled "Cut!"), and, aided by Max Steiner's decisive music, is one of the most rousing scenes in film history.
Accurate? Are you kidding? But THEY DIED WITH THEIR BOOTS ON, flaws and all, is still cherished as one of Errol Flynn's finest films, during his years as a top star for the WB.
Errol Flynn, coming off two minor 1941 releases (the blandly pleasant comedy FOOTSTEPS IN THE DARK, and his first war-related title, DIVE BOMBER) was due for a more 'swashbuckling' role, but the actor flatly refused to work with Michael Curtiz, again. While the Hungarian-born director had guided the actor to stardom, he was a very hard taskmaster, and a mutual hatred between the pair had developed, fueled by Flynn's carousing and lazy work habits. Veteran director Raoul Walsh was called in, and the hard-living director and star would develop an immediate rapport, both on and off-camera (Walsh would go on to direct Flynn in eight films, and drink and ride motorcycles with him between projects).
Another milestone of THEY DIED WITH THEIR BOOTS ON was that this would be Flynn's last teaming with long-time co-star Olivia de Havilland. Although the pair were friends, de Havilland had become a major star in her own right, and she demanded more important roles than just being Flynn's 'love interest', a decision Flynn supported, wholeheartedly. The fact that the stars knew this during the shooting gave their scenes, particularly the final one, a poignancy that is unmatched in any of their other films.
Flynn's Custer was a larger-than-life cavalier, prone to getting in trouble with his superiors, but so charismatic that one enlisted man remarks, "We'd follow him to hell." Barely allowed to leave West Point to serve in the Civil War (his academic record is the worst in West Point's history, "even worse than Ulysses S. Grant" one instructor laments), the new lieutenant is accidentally promoted to Brigadier General, and uses his rank to lead his command in a series of charges at Gettysburg, ultimately saving the day, and the Union, in the process.
Mustered out at the conclusion of the war, inactivity leads the soldier to drinking and despondency, so wife Libby pulls some strings, and gets him a new command, in the Black Hills, leading the Seventh Cavalry. Finding them an undisciplined lot, he closes the bar, introduces discipline, and a new unit song (the immortal 'Garry Owen'). In no time, his unit is a crack outfit.
Custer also befriends Crazy Horse (Anthony Quinn), and promises to keep the sacred Black Hills free of white settlers. Unfortunately, greedy land speculators fake reports of a gold strike there, creating a 'rush', and Custer discovers that the corruption runs all the way to Washington. Unable to prevent the impending slaughter (Congress will only accept his charges if presented as a 'dying declaration'), and facing court martial, Custer bullies President Grant into allowing him to return to his command...and leads the Seventh to the Little Big Horn...
The final charge at the Little Big Horn, concluding with 'Custer's Last Stand' is truly spectacular (Iron Eyes Cody, one of the Indians participating in the sequence, told a great story of an inebriated Flynn, surrounded by his dwindling forces, enthusiastically cussing and firing away, even after director Walsh yelled "Cut!"), and, aided by Max Steiner's decisive music, is one of the most rousing scenes in film history.
Accurate? Are you kidding? But THEY DIED WITH THEIR BOOTS ON, flaws and all, is still cherished as one of Errol Flynn's finest films, during his years as a top star for the WB.
This movie is good for entertainment purposes, but it is not historically reliable. If you are looking for a movie and thinking to yourself `Oh I want to learn more about Custer's life and his last stand', do not rent `They Died with Their Boots On'. But, if you would like to watch a movie for the enjoyment of an older western film, with a little bit of romance and just for a good story, this is a fun movie to watch.
The story starts out with Custer's (Errol Flynn) first day at West Point. Everyone loves his charming personality which allows him to get away with most everything. The movie follows his career from West Point and his many battles, including his battle in the Civil War. The movie ends with his last stand at Little Big Horn. In between the battle scenes, he finds love and marriage with Libby (Olivia De Havilland).
Errol Flynn portrays the arrogant, but suave George Armstrong Custer well. Olivia De Havilland plays the cute, sweet Libby very well, especially in the flirting scene that Custer and Libby first meet. Their chemistry on screen made you believe in their romance. The acting in general was impressive, especially the comedic role ( although stereotypical) of Callie played by Hattie McDaniel. Her character will definitely make you laugh.
The heroic war music brought out the excitement of the battle scenes. The beautiful costumes set the tone of the era. The script, at times, was corny, although the movie was still enjoyable to watch. The director's portrayal of Custer was as a hero and history shows this is debatable. Some will watch this movie and see Custer as a hero. Others will watch this movie and learn hate him.
I give it a thumbs up for this 1942 western film.
The story starts out with Custer's (Errol Flynn) first day at West Point. Everyone loves his charming personality which allows him to get away with most everything. The movie follows his career from West Point and his many battles, including his battle in the Civil War. The movie ends with his last stand at Little Big Horn. In between the battle scenes, he finds love and marriage with Libby (Olivia De Havilland).
Errol Flynn portrays the arrogant, but suave George Armstrong Custer well. Olivia De Havilland plays the cute, sweet Libby very well, especially in the flirting scene that Custer and Libby first meet. Their chemistry on screen made you believe in their romance. The acting in general was impressive, especially the comedic role ( although stereotypical) of Callie played by Hattie McDaniel. Her character will definitely make you laugh.
The heroic war music brought out the excitement of the battle scenes. The beautiful costumes set the tone of the era. The script, at times, was corny, although the movie was still enjoyable to watch. The director's portrayal of Custer was as a hero and history shows this is debatable. Some will watch this movie and see Custer as a hero. Others will watch this movie and learn hate him.
I give it a thumbs up for this 1942 western film.
Did you know
- TriviaBecause of new union laws, producers were forced to use regular screen extras without stunt experience. During the first days of shooting, 80 were injured and three were killed. The filming of the Last Stand sequence involved some 200 horsemen charging around in pretend battle and was so dangerous that one day Anthony Quinn, who played Crazy Horse, arranged as a gag for a hearse to show up at the filming location.
- GoofsIn the film George Armstrong Custer argues that there is no gold in the Black Hills, but in reality he led the 1874 expedition that discovered gold near French Creek.
- Quotes
George Armstrong Custer: Walking through life with you, ma'am, has been a very gracious thing.
- Alternate versionsAlso available in a computer colorized version.
- ConnectionsEdited into Les Clairons sonnent la charge (1952)
- SoundtracksGarryowen
(uncredited)
Traditional military song
Played during the opening and closing credits and as background music aften
Sung in the Monroe bar
Reprised on piano by G.P. Huntley, with the soldiers singing in Ft. Lincoln
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Details
- Release date
- Country of origin
- Language
- Also known as
- Murieron con las botas puestas
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,200,000 (estimated)
- Runtime
- 2h 20m(140 min)
- Color
- Aspect ratio
- 1.37 : 1
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