Texas

Two young cowpokes played by William Holden and Glenn Ford in their youth are trying to make their way to Texas. As former Confederates they're not treated so well in Yankee country. When they spot some outlaws holding up a stage they decide to rob the outlaws. Of course when the sheriff finds Ford with the loot, Holden has to rescue him from a lynching. In eluding the posse the two go their separate ways and thereby hangs a tale.

This was the first of two films Holden and Ford made together, the second being The Man from Colorado after World War II. Both of them had the same unusual contract situation. Holden came up through Paramount ranks, but was spotted there by Harry Cohn at Columbia and given the lead as an unknown in Golden Boy. So confident was Cohn in Holden's success that he took the highly unusual step of purchasing half of his contract from Paramount. So Holden was under contract to two major studios at the same time.

Ironically enough Glenn Ford in the late Forties had half of his contract purchased by MGM when Harry Cohn sold it. These are the only two stars whoever had such an unusual arrangement.

It is also the first time Glenn Ford worked with Director George Marshall although it would take another 17 years for them to reunite in The Sheepman. After that the two of them did a whole string of successful comedies together.

There's is some humor in Texas, but the accent here is on action which comes pretty fast and furious. Holden falls in with the outlaws he and Ford held up and Ford becomes a big mover and shaker with the cattlemen. Ford persuades them all to get a big herd together and drive them to the railroad terminus in Kansas. He's also trying to impress Claire Trevor the rancher's daughter who Holden also is interested in.

Texas has a trio of villains in George Bancroft, Addison Richards and Edgar Buchanan. This was the film where Edgar Buchanan got his first attention. His folksy demeanor masks some serious scheming in this film, the first of many reprobates he played in the movies although most of them were not as seriously villainous as here.

Glenn Ford and Edgar Buchanan hit it off very well. They worked in about a dozen films together and in Ford's television series Cade's County.

Texas is a good western and it's a pleasure to watch two young screen immortals in their beginning days.

Quite enjoyable western fare with two young superstars to be.William Holden and Glenn Ford are two young cowpokes making their way to Texas and competing for the same girl,played by Claire Trevor. Good support by veterans George Bancroft and Edgar Buchanan makes this a western worth watching. Holden has the showier part and makes the most of it.He's brash and likable and fits the part. Director George Marshall blends humor and drama the same way he did in his masterpiece DestryRides Again.Although Texas isn't in the same league as his previous masterpiece it is a damn good western.The west does really look wild and untamed in his movies.

This is a decent if largely routine western from director George Marshall. Dan (William Holden) and Tod (Glenn Ford) are two aimless friends wandering the American west shortly after the Civil War. They both end up in Texas where they get separated. Dan ends up working with a gang of bandits and cattle rustlers, while Tod finds work at a cattle ranch. They both fall for the same girl, ranch heiress "Mike" King (Claire Trevor). But other developments may see them pointing guns at each other.

There's nothing remarkable about this western, but it's generally agreeable, and the young Holden and Ford are pretty good. Trevor is okay, especially when she shouts lines like, "You blankety-blank hamstrung jerky piece of beef!" The best performance in the movie, to my mind, is from Edgar Buchanan as an amiable dentist. I could have done without a lengthy boxing match done for comic effect. George Bancroft had seen better days over at Paramount, not really a victim of the transition to sound as much as he was his own inflated view of himself. Recommended.

Holden and Ford may be the stars, but the film belongs to director Marshall and the incomparable Edgar Buchanan. Marshall started out directing comedy shorts and it shows up here in several memorable scenes. That fight scene may be the most amusing on boxing record. Dutch Henry keeps popping up, dukes raised, like a whack-a-mole, and I love the way the boisterous crowd ends up in a frontier free-for-all. The buckboard scene may be brief but it's expertly done, Trevor shows real comedic ability as she struggles with a rebellious ten yards of skirt. Then there's the topper—pudgy, gravel-voice Buchanan actually doing a song and dance. I wouldn't believe it if I hadn't seen it. But more incredibly, his graceful shuffle and tuneful refrain are absolutely charming. What a marvelous actor he was as he transitions here from musical performer to shifty-eyed mastermind.

It's a good story if a bit shopworn—two buddies (Ford & Holden) falling on opposite sides of the law while competing for the same girl (Trevor). The various alliances get a little confusing so you may need a scorecard to keep up. Holden gets the majority screen time, while the always low-key Ford is even more so than usual. All in all, it's a highly entertaining, fast-paced 90-minutes, thanks mainly to an expert director and a cagey old coot.

It's 1866, Abilene, Kansas and we are in the company of Dan Thomas {William Holden} and Tod Ramsey {Glen Ford}, two pals who served in the Confederacy together. They want to get to Texas to earn their living but have no cash ready to hand. But a lifeline is thrown by way of a stagecoach robbery they witness as they decide to relieve the robbers of their ill gotten gains. This puts the friends in serious peril so they agree to split up and head in different directions. Finally meeting up some time down the line in town, both men are operating from different social standings. And both men have fallen for the same gal, Mike King {Claire Trevor}. So along with the arrival in town of shady railroad magnate Windy Miller {George Bancroft} and the crooked dealings of dentist Buford Ford {Edgar Buchanan} starting to influence matters; the boys will do well to come out of it all still as friends.

Texas is directed by George Marshall {with Norman Deming assisting} and the three writing credits go to Michael Blankfort, Lewis Meltzer & Horace McCoy. It's a briskly paced black & white action Western that's not short on laughs either. In Holden and Ford it showcases two Hollywood big hitters in their fresh faced early days, with Holden pretty much unrecognisable. From a quite hilarious pugilist rules boxing match in the first quarter, to the number of machismo exchanges that drop in from time time, it's one of those film's that's hard to criticise. So I'm not going too. A small bother comes with the ending being rushed a touch, but even that is in keeping with how Marshall has directed it. So really it's a hearty recommend to anyone after some early 40s Oater enjoyment. Undemanding for sure, but executed with gusto and no little amount of class. 6.5/10