Texas

This is a very good western with two great up and coming actors at that time. Glen Ford and William Holden really shined in this movie and it paid off good for both of them.

This was Fords 9th film and Holden's 6th, but you could never tell it by their acting. These two men played well off each other. It didn't hurt that they had Claire Trevor as their love interest either. The cast is rounded out with the great actor Edgar Buchanan playing the bad guy, I know it's hard to hate a man like Buchanan.

This is NOT a B cowboy movie, far from it. The scrip and acting is very good, and the movie has a good plot as it moves alone and never leaves you bogged down. Ford and Holden play well off each other, so well in fact it wasn't long before Hollywood teamed them up again in another western "The Man From Colorado".

So if your looking for a very good western with a great cast that has plenty of action along with some humor and love, you can't go wrong with this movie.

Two young cowpokes played by William Holden and Glenn Ford in their youth are trying to make their way to Texas. As former Confederates they're not treated so well in Yankee country. When they spot some outlaws holding up a stage they decide to rob the outlaws. Of course when the sheriff finds Ford with the loot, Holden has to rescue him from a lynching. In eluding the posse the two go their separate ways and thereby hangs a tale.

This was the first of two films Holden and Ford made together, the second being The Man from Colorado after World War II. Both of them had the same unusual contract situation. Holden came up through Paramount ranks, but was spotted there by Harry Cohn at Columbia and given the lead as an unknown in Golden Boy. So confident was Cohn in Holden's success that he took the highly unusual step of purchasing half of his contract from Paramount. So Holden was under contract to two major studios at the same time.

Ironically enough Glenn Ford in the late Forties had half of his contract purchased by MGM when Harry Cohn sold it. These are the only two stars whoever had such an unusual arrangement.

It is also the first time Glenn Ford worked with Director George Marshall although it would take another 17 years for them to reunite in The Sheepman. After that the two of them did a whole string of successful comedies together.

There's is some humor in Texas, but the accent here is on action which comes pretty fast and furious. Holden falls in with the outlaws he and Ford held up and Ford becomes a big mover and shaker with the cattlemen. Ford persuades them all to get a big herd together and drive them to the railroad terminus in Kansas. He's also trying to impress Claire Trevor the rancher's daughter who Holden also is interested in.

Texas has a trio of villains in George Bancroft, Addison Richards and Edgar Buchanan. This was the film where Edgar Buchanan got his first attention. His folksy demeanor masks some serious scheming in this film, the first of many reprobates he played in the movies although most of them were not as seriously villainous as here.

Glenn Ford and Edgar Buchanan hit it off very well. They worked in about a dozen films together and in Ford's television series Cade's County.

Texas is a good western and it's a pleasure to watch two young screen immortals in their beginning days.

In the midst of all the wide screen, technicolor 1950s westerns, I saw this small screen B&W feature when I was ten, in 1957. Something about it just took hold.

The simple but fast paced story is fun and entertaining. Glenn Ford and William Holden are in top form even at the start of their great careers. Claire Trevor is attractive and spunky. Edgar Buchanan is the consummate character actor in his usual role as a shady...fill in the blank...dentist. His constant reference to "a bad bicuspid" is typical of his almost absent minded approach to his part. His voice and facial expressions could make putting on his shoes look shady.

Texas is great all around fun and has an ending with a moral. I give it 4 Stars.

Holden and Ford may be the stars, but the film belongs to director Marshall and the incomparable Edgar Buchanan. Marshall started out directing comedy shorts and it shows up here in several memorable scenes. That fight scene may be the most amusing on boxing record. Dutch Henry keeps popping up, dukes raised, like a whack-a-mole, and I love the way the boisterous crowd ends up in a frontier free-for-all. The buckboard scene may be brief but it's expertly done, Trevor shows real comedic ability as she struggles with a rebellious ten yards of skirt. Then there's the topper—pudgy, gravel-voice Buchanan actually doing a song and dance. I wouldn't believe it if I hadn't seen it. But more incredibly, his graceful shuffle and tuneful refrain are absolutely charming. What a marvelous actor he was as he transitions here from musical performer to shifty-eyed mastermind.

It's a good story if a bit shopworn—two buddies (Ford & Holden) falling on opposite sides of the law while competing for the same girl (Trevor). The various alliances get a little confusing so you may need a scorecard to keep up. Holden gets the majority screen time, while the always low-key Ford is even more so than usual. All in all, it's a highly entertaining, fast-paced 90-minutes, thanks mainly to an expert director and a cagey old coot.

It's a bit surprising that no one's commented on this movie till now. After all, it isn't some obscure B-western but rather an almost "A" production with two rising young stars, (William Holden and Glenn Ford, plus Claire Trevor), and a respected director, George Marshall. Perhaps the fact that it's in b&w has unjustly relegated it to near-obscurity.

Those who seek it out, however, will be rewarded by an engaging plot which has some interesting twists and turns, by some snappy dialog -- particularly in the first meeting between Holden and Trevor -- and by a host of good supporting players, such as Edgar Buchanan who plays a devious dentist.

For fans of "beefcake," there's an early prizefight sequence in which a shirtless Holden battles the local champ in a bare-knuckle marathon. Only about 22 or 23 years old at the time, Holden's physique hadn't yet reached the maturity displayed in his later films, (most notably "Picnic"), but his bare chest, (shaved of the hair displayed earlier in "Golden Boy"),is still quite pleasing to the eye. If only the scene could be re-written so that Holden would have been matched against a stripped-to-the-waist Glenn Ford. Now, that would have been a beefcake bonanza!