Crépuscule

Veteran Hollywood cameraman Charles B. Lang peaked early in the Oscar stakes by winning his only statuette for the 1932 version of 'A Farewell to Arms'.

Twenty years before his magnificent desert photography on 'One-Eyed Jacks' lost to 'West Side Story', Lang's incredible cloudscapes (when at least he was up against 'Citizen Kane'!) for 'Sundown' (set in Kenya when it was in British East Africa but shot in Arizona and New Mexico) lost out to 'How Green Was My Valley' (set in Wales but shot in California).

So much for the Academy Awards...

"Sundown" (1941): Starring Bruce Cabot, George Sanders, and… here's why I like this movie in the "guilty pleasure" category: it also stars Gene Tierney, the most beautiful woman of the 1940's. (THEN come Dorothy Lamour, Rita Hayworth, Veronica Lake, and others…) The video box reads: "A jungle woman…" (Tierney): well, there is NO JUNGLE or JUNGLE WOMAN in this movie, "…helps the British in defeating the attempts of the Nazis…" (there are NO Nazis in this movie), "…to take over and occupy the jungle!" (There is NO JUNGLE!). So, OTHER THAN THAT load of crap, there IS a DESERT, there is WWII for the British (not the U.S. yet), and there IS Pinup-olicious Gene Tierney. Another odd piece of junk is that "the main bad guy" is Dutch. IF you know anything about that war, the Dutch were Allies, folks, ALLIES. You know, hiding Ann Frank, etc.? Some of the photography is good, acting is average at best (and awful at times – watch the actor's eyes (who plays the "bad guy") as he reads his lines left to right, left to right, left to right. Whatta shmo. If you've ever wondered what Gene Tierney's belly button looked like, THIS is your chance. She also has a nice, statuesque walk. Guilty pleasures arise and be proud!

Sundown is a wartime morale boosting film that has not worn well over the years. The only thing eternal about it is Gene Tierney whose beauty is ageless.

Gene's an exotic Arab woman who comes into an outpost now run by the British in what is now Somalia. The British have recently taken it over from the Italians in Africa and Bruce Cabot is running the civil administration. Coming to handle the military end is Major George Sanders of the British army.

There's some Germans running guns to a tribe who have really not taken to white man's rule and the administrators have to put a stop to this before it all gets out of hand. Besides the people mentioned could it be the Dutch trader Carl Esmond, the former Italian administrator Joseph Calleia, or the white hunter Harry Carey. If you can't figure it out you haven't seen too many of these films.

I can't understand for the life of me why Bruce Cabot was in this film. He doesn't attempt any kind of British accent because that would make him look more ridiculous. How many members of the British colony were asked to do this script and must have turned it down. He has one scene where he talks about when this war is over Africans will truly be free. That wouldn't have gone over well with the management at 10 Downing Street whose prime minister said he was not going to see the British Empire dissolved on his watch.

To make sure you got the point after the main action of the film is over with cast members in the congregation, Cedric Hardwicke plays a vicar who is also George Sanders father. In a burned out bombed out church just like in Mrs. Miniver he gives an inspiring war speech in true Hardwicke eloquence.

This United Artists release produced by Walter Wanger got three Oscar nominations. I will say Wanger did not satisfy himself some studio back lot African sets. The films was shot on location in New Mexico to simulate the Somali desert and got a deserved black and white cinematography Oscar nomination for it. Sundown's other nominations for best music score and best art and interior sets.

All this talk about the good work of British colonialism is too much for today's audience. Just look at Somaliland now and see what it has become. But Sundown certainly gave young Gene Tierney an opportunity to look beautiful and exotic on the screen. I doubt this film will get a remake.

A surprisingly efficient and startling adventure feature from Africa by Henry Hathaway for being so young and early - this is already Hathaway completely fledged, and it's a very colourful drama although in black and white. Gene Tierney, also very young and fresh, provides the romanticism with glowing colours, and George Sanders for once plays a very unusually honest and heroic role. It's a great adventure, and the cave scenes are gorgeously suggestive in both drama, invention and cinematography. The photo is stupendous, and although rather thin, brief and superficial, it must be deemed as a great film - on a small scale, but nevertheless.

I just saw this movie tonite on a "Classic Movies" presentation on TV, and was just delighted.

Set in 1940s Kenya, This is a good African adventure flick, with a tale that is tied in very well with the contemporary World War II backdrop to this 1941 production. In fact, there's a really wonderful scene, that I won't describe in detail (don't want to give anything away) in which an Italian from Abyssinia expresses passionately the global significance of what is transpiring in this isolated Kenyan outpost. From there we have a tale of intrigue, adventure playing itself out across exotic landscapes, dark caverns, and lovely lake-fronts. All in all, this movie has a strong Rider Haggard flavor. If you know and like Rider Haggard's stories, you'll probably like this movie.

Gene Tierney's top billing in this movie is a bit of an overstatement: Bruce Cabot is actually the star of the movie; with George Sanders in a strong supporting role. All are very good, though, with the Cabot-Sanders character conflict and collaboration carried off very well indeed. And Tierney is simply lovely, a delight to behold; and really a very fine actress indeed.

All in all, a good movie ... I'm grateful to have stumbled across it while channel surfing tonite ... !