Tu seras mon mari

Sun Valley Serenade is remembered today for being one of the two films that Glenn Miller and his Orchestra were featured in, the other one being Orchestra Wives for 20th Century Fox. Miller was the number one swing band in the country and his presence in the film was more important than stars Sonia Henie and John Payne.

Payne's a pianist/vocalist with the Miller Band and his romancing of singer Lynn Bari gets the band a gig in Sun Valley during the ski season. Which is doubly fine for Payne because he likes all kinds of winter sports, indoor and outdoor.

But then an old publicity stunt that manager Milton Berle pulled some months earlier comes back to haunt them. He had the band sponsor a refugee from one of the occupied countries of Europe and Chester Clute from Immigration arrives with the receipt while all this full blown courtship of Bari is going on. So the band goes to Ellis Island to meet their sponsored urchin, but instead it turns out to be a rather big girl who also likes winter sports, Sonia Henie.

The band thinks to park her with Berle's aunt in New Jersey, but Sonia hears about Sun Valley and that sounds too much like home to suit her. And she's got a great advantage in that Bari isn't interested in skiing nor does she want to learn. Give you a guess who Payne winds up with.

Of course this whole fluffy plot is just an excuse to hang some skating sequences and some music by the Glenn Miller Orchestra. Harry Warren and Mack Gordon contributed a fine score. In fact Sun Valley Serenade was nominated for an Oscar for black and white cinematography and musical scoring.

It also received a nomination for Best Song, one of the best known that the Glenn Miller Orchestra was known for, Chattanooga Choo Choo. John Payne gets to vocalize another great song I Know Why And So Do You which sold a few platters back in the day.

I don't know if Payne could play a piano in real life, but even if he was faking it for the film, he got a rare chance to jam with Glenn Miller as he was doing In The Mood, probably his best known hit song. I'd have paid Darryl Zanuck to do that myself.

The Miller Band's presence made a lot of folks forget this was a Sonia Henie film. Darryl Zanuck paid dear to sign Henie and she was first billed in all of her films. Her skating sequences or good, but I'm betting she didn't like being upstaged.

Nearly all the big bands in their era which was roughly 1935-1945 got into one film or another. Some got into better films than others and Miller's band did well by their two films before Glenn Miller went into the army and to his untimely disappearance over the English Channel.

Not to forget that the Nicholas Brothers and Dorothy Dandridge got to do specialty numbers. With all the talent in this film, you can't possibly go wrong giving it a look.

Designed to provide some enjoyable light entertainment, "Sun Valley Serenade" does just that. There's plenty of variety, with good comedy, good (sometimes excellent) musical numbers, and some winter outdoors scenes. The story is lightweight, but it's supposed to be, and it is sufficient to tie the rest together.

Sonja Henie brings energy and talent to her role as a war refugee who is taken in by a band member. John Payne is good enough, though he mostly allows Henie to take the spotlight, and plays off her and the situation around him. Milton Berle adds some amusing moments as the band's agent. Glenn Miller's band and the performers in the musical sequences get lots of screen time, making good use of most of it. In particular, the 'Chattanooga Choo Choo' number is quite a show-stopper.

The atmosphere is quite pleasant, the story is enough to keep things moving, and the variety of material fits together well. It's more than enough to make for an hour-and-a-half of worthwhile watching.

For the first time the 'Sun Valley Serenade' was shown in the USSR at the time of WW2. It was never forbidden by the Soviet censorship, so it could be watched in the following years as well.

The film made formidable impression on Soviet citizens. It conjured up 'the American dream' in which the USA appeared as a country where everything is excellent, all women are beautiful, life is extremely easy and cheerful, where money lies on the streets - bend down and take!

Opposite to that paradise picture they saw around them a surly Soviet reality, lack of liberty, empty shops, shabby life in overcrowded communal apartments where people had to stand in turns to get to WC, etc.

Surely, Stalin made a great mistake permitting his subjects to see this film.

A friend of mine watched this film 46 times. Glen Miller became the greatest composer to him. I saw it twice, and at the second time left the cinema long before the end.

That dream about America continued to live in hearts and minds of many people in the Soviet Union. It had been one of the factors which gave birth to the dissident movement, and at the end, made a contribution to the fall of Communism in Russia.

I'm sure that there are some people who participated in creation of the movie who are living now: do they know about their part in the History?

From the point of view of pure art, the rating, I think, is 6 out of 10.

What's not to like about the movie? The great soundtrack, featuring then-new now-classic Glen Miller orchestra sounds? The bubbly Sonja Henie in a completely agreeable innocuous script? The same Miss Henie gamely trying to sing a few bars here and there? John Payne (Miracle on 34th Street) crooning in alternation with the song stylings of Lynn Bari? The amazingly young Uncle Miltie Berle playing the second man? Dorothy Dandridge in her prime, singing "Chattanooga Choo Choo" with full orchestral accompaniment, and the Nicholas Brothers doing a dance to boot? The skiing, the skating, the soundstage snow shenanigans?

Answer: nada. One of the lesser known (possibly because of the short running time and limited number of songs, but probably just because it's black and white and incredibly quaint), but absolutely classic movie musicals.

If you're looking for a good Sonja Henie movie, this is the one to see--and hear. It's got Glenn Miller in full swing with some of his big toe-tapping favorites--including 'Chattanooga Choo Choo' danced by Dorothy Dandridge and the Nicholas Brothers, 'I Know Why' and 'In the Mood'. Sonja's skating routines seem tame compared to what's expected of today's skating competitors but she's graceful as ever on ice and not too bad in the acting scenes. Her comic timing had vastly improved by the time she did this one. Her scenes with John Payne where she deliberately has them stranded for an overnight stay in a cabin (due to her fake skiing accident)are good for laughs. Payne actually pulls off a couple of slapstick stunts while attempting to sleep across two chairs--definitely one of his best romantic comedy roles. With all of the skating, skiing and great Miller music, this one can't miss. Once you see it, you'll understand why it was such a huge hit in the early '40s. Glenn Miller fans will be grateful for all the screen time he is given. Lynn Bari plays it straight as the jealous woman trying to keep Sonja away from Payne and her singing is obviously dubbed--but her song, 'I Know Why', is given a great treatment with the Miller band. Enjoyable entertainment is probably Sonja's best film. Fans of the skating star may be interested in the career article I've written due for publication soon in FILMS OF THE GOLDEN AGE.