Les secrets de Walt Disney

After filming the live-action sequences of "Fantasia" and hurting for a "feature release" following the financial fiascos of the aforementioned feature, presumably Disney rushed this into production (with most of it live-action, it not only cost less than a fully-animated counterpart of equal length, it took much less time to complete).

It purports to tell the story of how Disney animated cartoons are made, but, courtesy of a disclaimer at the beginning of the movie, it turns out to be more fiction than fact.

Various processes - like sound recording, paint-mixing, cell-photographing, multi-planing, etc - are all upended for the sake of humor (in one instance, a complete cel of Donald Duck comes to life, in another instance, the sound effects crew creates an "unplanned" cacophony by knocking over all the equipment).

More to the point is that the sequences are not just staged, but they employ professional actors (such as Alan Ladd!) portraying Disney animators and other staff (although in certain instances, actual animators such as Woolie Reitherman and Ward Kimball make appearances).

The "Baby Weems" sequence is often commended by many for being innovative and the forerunner of the UPA-style that would dominant the art of animation in the 1950s, but the fact is that "Weems" is nothing more than a sleek, streamlined version of a "leica reel" (a film which combines the pre-recorded soundtrack with the animators' storyboard sketches, as a way of assessing how story pacing and timing are before *before* any time and effort are spent creating fully-animated sequences). The story is cute, the drawings are more fully- rendered than they would be in a genuine Leica reel so they are nice to see, but "innovative"? I don't think so.

The Goofy "How-to" sequence is okay (I never cared for the "How-To" series, but I know a similarly-themed version in "Saludos Amigos" with Goofy trying to be a Gaucho is funnier).

The title short - "The Reluctant Dragon" - is cute and funny. I don't think it rates as a classic, but because it is such a rarely-viewed piece it needs to be watched by all Disney-philes.

Considering its historic value, this movie is hardly a waste of time. It's just not one that deserves repeated viewings.

The film stars Robert Benchley as a man whose wife encourages him to pitch an idea to Walt Disney about adapting a children's book into a movie. So Benchley goes to the Disney Studios, where he wanders around and gets a behind-the-scenes look at the animation process. He's treated to a brief bit of Donald Duck, Bambi, and the storyboarding of a cartoon in production called Baby Weems. He also gets to watch a new Goofy cartoon, How to Ride a Horse. Then he meets Walt Disney and gets to see a 20-minute cartoon based on the book Benchley wanted to be adapted, The Reluctant Dragon.

The first 20 minutes or so of the live-action part of the movie is in black & white then it changes to beautiful Technicolor. It's a nice time capsule that shows us the goings-on at the Disney Studios back in the day and how they made cartoons. I found a lot of this fascinating. I absolutely loved the "paint mill" part! Robert Benchley is always funny. Walt Disney himself appears (wearing a groovy suit). Alan Ladd, Frances Gifford, and Frank Faylen all play Disney employees. The two major cartoons are the Goofy short and The Reluctant Dragon itself. The Goofy short is amusing.

The Dragon cartoon, which is I imagine why most people went to see this, is about a boy who befriends a shy, poetry-spouting dragon that doesn't like to fight. Well, for some reason, the boy is intent on getting the dragon to fight elderly knight, Sir Giles. Even after Sir Giles and the dragon meet and realize they both have a love of poetry in common, the boy still pushes for the fight. Finally the fight takes place, sort of, with Sir Giles and the dragon putting on a show for the villagers. I have to admit I didn't get the point of most of this. Why was the boy so intent on getting the dragon, whom he seemed to genuinely like, to fight? Once Sir Giles proposes the idea of faking the fight, he seems okay with it. So what was the point of pushing for the fight in the first place? Just let the dragon be! I know I'm probably looking too closely at it but it just seemed weird to me. Anyway, it's easy to see why this story wasn't enough for its own feature. It's animated nicely and has a sweet charm and humor about it, but the story needed reworking for sure. The dragon is impossible to dislike. Love his "Ode to Upside-Down Cake."

This movie was a flop at the time of its release, which is understandable. It was a very different kind of movie for Disney. Still, it's a joy to watch if you like little glimpses back in time as well as great old Technicolor and some nice cartoons. There are no hidden Pinocchios here or anything but they are pleasant with lovely animation. Robert Benchley is great fun. This probably isn't for everybody, and will especially turn off people expecting it to be a feature-length cartoon, but I liked it.

Disney film incorporating several animated shorts with live-action tour of Walt Disney's studio in Burbank, California. Robert Benchley gives a colorful "performance" as a guest of Walt's (who makes a cameo), meeting animators and storyboard-editors while pitching the movie idea of a shy dragon. This picture, more a playful stunt than a memorable entry in the Disney canon, features some gorgeous animation and a lovely switch from black-and-white to color early on. It's more likely to appeal to nostalgia-crazy grown-ups however, instead of restless kids. Look for appearances by Goofy, Donald Duck, Bambi, and...Alan Ladd?! **1/2 from ****

I just loved this cartoon, and I hope that video stores have it, so that I may rent it or buy it. what I liked about this cartoon was the voices and the songs that the dragon, esp. the song that the dragon sang while he was taking a shower; and my favorite scenes were when the dragon and sir giles were in the cave and they were both shouting and carrying on as if they were doing battle, when actually they were having tea!

This little classic spends just short of an hour touring the Disney Studios in the company of Robert Benchley, the humorist who acts like a big kid in a candy store (and is thus the perfect guide for something like this).

We see how the cartoons are made, moving from the recording studio - where the real-life voices of Donald Duck and Clara Cluck sing an aria - through to clay models of the characters to be animated - the sound effects dept. (we see the full Casey Junior sequence, some of which ended up in 1941's 'Dumbo') - the scenario department (we see a whole cartoon - Baby Weems - in storyboard format) - the animation department (we see a cartoon feature on riding a horse, and see Donald Duck showing us how he walks) - and much more. There's also a neat segue from black and white to Technicolor.

'The Reluctant Dragon' is a book which Benchley hopes to pitch to Disney, only to find the film has already been made; the last 20 minutes of this feature is the cartoon about the (rather camp) dragon, and a classic bit of Disney work.

The whole movie is engrossing and a fantastic overview of the state-of-the-art work being done by the Disney Studios at the beginning of the 40s.