Rhapsody in Rivets

. . . "catchy." While some listeners may consider it to be a little "highbrow" in these days of Liquid Sky and Abba, there are several hummable stanzas of tunes here. RHAPSODY IN RIVETS originally was produced for the Jenny Lind and Bing Crosby crowd, so it would be unfair to expect it to be backed by the strains of Dancing Queen or Sweet Dreams, let alone Hey Jude and We Didn't Start the Fire. RHAPSODY is part and parcel post of the time that it originated, which is why it begins to the strains of Buster Bizet and not Little Richard. Of course, it is always best to view archival footage such as this on a platform that includes readily accessible footnotes.

Love animation, it was a big part of my life as a child, particularly Disney, Looney Tunes and Tom and Jerry, and still love it whether it's film, television or cartoons.

'Rhapsody in Rivets' to me is among Friz Freleng's best work. And this is coming from somebody who is in his prime period and was responsible for some of my favourites. With the involvement of composer Carl Stalling, with heavy use of Liszt's oft-used in animation "Hungarian Rhapsody No.2", and writer Michael Maltese, 'Rhapsody in Rivets' potential was enormous, with it also being directed by Freleng. Potential that is as superb as one can get in execution.

Freleng's style is all over 'Rhapsody in Rivets' and he's in his elements, relishing every colour and every gag.

Animation is wonderful. Throughout it is vividly bright in colour, fluid and rich in detail and smooth in movement and design. Stalling demonstrates why he is my personal favourite of the regular Looney Tunes composers with his lush, characterful and action-enhancing scoring that is mainly a brilliant arrangement of the 2nd Hungarian Rhapsody.

Liszt's music is seamlessly arranged and synchronised with the visuals and gags. The setting is made very imaginative use of and the characters are great fun.

The cartoon is fast-paced liveliness in timing and the gags, in a gag-driven cartoon with no dialogue, are a great many and come thick and fast. There is not a misfire among them, actually haven't seen a cartoon as hilarious as this in a while.

Overall, wonderful. 10/10 Bethany Cox

When I first watched this cartoon short ages ago, I was amazed by the film itself. Such a hilarious cartoon playing out to the tune of a classical song, there are few of.

The story is that of a foreman, who is a lion, who "conducts" a group of human-like animal construction workers to build the tallest building, the Umpire State Building, a clear parody on the Empire State Building. While the animal workers strive to build this construction, hilarity quickly ensues in the form of the workers messing up each others' workings and a multitude of hilarious events which make this cartoon short well worth watching! I recommend it to all who enjoy a good musical parody.

This cartoon short SHOULD have won the Oscar instead of Lend A Paw! An absolutely perfect blending of music and action throughout, well-executed at every turn. Incredibly funny with no dialogue-sight gags only and the running gags are great! Wonderful marriage of beautiful music and antic lunacy with a drop dead ending! Fanatically, totally recommended! I love this cartoon!!!

Like 'Pigs in a Polka' and 'The Band Concert', this cartoon short centres on a piece of music with an inventive animated theme - this time, the 'orchestra' are workmen building the 'Umpire' State building, whether the little elevator dog or the scrawny cats knocking pegs into the ground.

Beautiful colour and music enhance this short, which was Oscar nominated but just pipped to the post. The foreman, with baton and whistle, monitors and directs the action, including an inventive bricklayer and a lift which can dodge obstructions.

Wildly funny and well constructed, 'Rhapsody in Rivets' is a real find, and is a Merrie Melodie well worth tracking down.