Sérénade à trois

I bought the Gary Cooper collection because of "Design for Living". It didn't disappoint me. This movie is classy, it's full of wit and sexually free. I found the plot intriguing, the set excellent, the costumes fine and Lubitsch inspired together with Ben Hecht (lovely and smart screenplay).

The movie shows 4 actors only, which could be considered its strength if the actors were all good. 1 out of 4 is good and 2 out of 4 are really good. 1 out of 4 has got nothing to do with such environments, dialogs and sophisticated comedy. Gary Cooper does not fit to me. He's a sort of amazing good looking and so dashing statue to look at. Nothing more. He just doesn't look comfortable in acting spoiling intellectual shades. He doesn't work to me.

Miriam Hopkins is good, she's mischievous, charming and funny. She plays the free woman with intelligence, combining sensuality and brain. Audience - even the male one - does understand why she can't choose between the two guys and she conquers it. Every woman would like to be her; that's the message she strongly brought on the screen: being free of living life the way she desires.

Edward Everett Horton is perfect, hilarious and very elegant. He's the right choice to play Plunkett Inc. and he didn't let it down. He IS Plunkett Inc.!

Fredric March is so charming, sophisticated, sexy and so right for Thomas. He does much better here than in other movies (e.g. Anna Karenina) which could seem more suitable for him. He's perfect for Lubitsch so much and his performance is a top one. He's a fine comedian too, he's measured and passionate at the same time and he's really handsome. His sensuality is made up either by intellectual attitude or a physical one.

Don't know why he's been forgotten, a wonderful actor like he is. Can anybody tell me?

I do suggest to get this movie and to enjoy it since it's really a nice touch in our collection. We do need nice and elegant touches. Especially nowadays.

Intelligent script, witty dialogue, sexy stars, sophisticated story, deft direction…What more can I say? It's Lubitsch and Paramount at its Pre-Code best! This was another of those "vintage" films of which you had the chance of reading a lot about, but before Universal released "The Gary Cooper Collection", where it's included, you had nowhere to watch it. Of course, I bought promptly the aforementioned set.

The picture tells the story of free-spirited Gilda Farrell, a young lady who works at a Parisian Advertising Agency, managed by that great seasoned pro, Edward Everett Horton, who by chance meets on board a train, struggling, penniless, artists George Curtis, a painter (Gary Cooper) and Thomas Chambers, a playwright (Fredric March), in which may be one of the most "risqué" plots of all the Pre-Code Era, dealing openly with the pros and cons of a mènage-a-trois.

Miriam Hopkins portrays the deliciously mischievous Gilda, giving a top, tongue-in-cheek performance, looking absolutely beautiful and full of glow from within; it's really in her films directed by Lubitsch that her appeal shines at its most and she looks at her attractive-best.

Fredric March is good too as the "more down-to-earth-but-nevertheless-madly-in-love" playwright, who lives with buddy Gary Cooper in a miserable tenement, until Miriam Hopkins comes in scene and to "the rescue".

But the revelation, in my opinion, is Gary Cooper; after seeing him in many of his 1930s films, I feel that I like him best in the variety of roles he got to play in those years: a young idealist in "Peter Ibbetson", a sensitive soldier in "A Farewell to Arms", a sophisticated artist in this one, etc. He really was a good actor from the beginning of his "talkies" career (I haven't seen his Silents, so I cannot give an opinion), showing much skill and depth in his interpretations. In this film he plays excellently opposite such strong talents as Miriam Hopkins and Fredric March, absolutely "a la par".

In all, a highly enjoyable film. Smart Entertainment. A must.

While traveling through France, the playwright Thomas B. 'Tom' Chambers (Fredric March) and his best friend, the painter George Curtis (Gary Cooper) meet Gilda Farrell (Miriam Hopkins) and they fall in love with her. Gilda is "protected" by the wealthy Max Plunkett (Edward Everett Horton) and Tom and George are losers, but she cannot decide between them who could be her boyfriend. So she proposes a gentleman's agreement where they would be friends without having sex. She decides to criticize their works and they become successful. But will their platonic relationship work?

"Design for Living" is a movie with a female character ahead of time. Actually the sexy story is a Pre-Code Hollywood that became effective 01 July 1934. The plot has sexual freedom, adultery and even a possible threesome but is naive in the present days. There are many funny situations and this movie is a delightful entertaining. My vote is seven.

Title (Brazil) "Sócios no Amor" ("Partners in Love")

In this surprisingly risqué film made before the Hays code, two men and a woman share an apartment in Paris and talk openly about sex. It's fun to watch, thanks to the witty and sophisticated dialog of Noel Coward, the screenplay by Ben Hecht, and of course the masterful direction of Lubitsch. March is wonderful as a struggling playwright. Hopkins has one of her best roles as a free-loving woman who loves two men but marries a third. Lubitsch elicits a fine comedic performance from Cooper as a hot-tempered artist. In a typical role, Horton plays a stuffed shirt. There's no music, which could make things seem static, but Lubitsch keeps it moving at a breezy pace.

I'm not a big fan of the Lubitsch Touch. This, which I hadn't seen in 20 years, I think is my favorite.

The recent Broadway revival of the Noel Coward play, which was supposedly very ooh-la-la and daring, was a bust. Interminable and misguided.

One problem was that the female lead was made very cold. In the movie, Miriam Hopkins is just right: pretty, seductive, witty.

Gary Cooper is sublime. He was a great comedian -- equally good in "Desire," the delightful movie with Dietrich that Lubitsch produced and supposedly had a big hand in directing. Too bad he changed gears so drastically and became the strong, silent Western hero he's known for today (if he's known at all, alas.)

Fredric March was a very fine actor but not a comedian. He is the weakest link; but he works well in the ensemble.

Edward Everett Horton is funny, as always.

It really works, and is as racy today as it must have been when it came out.