Maynard hears the cry of the weird masked "phantom" of Tombstone Canyon. The plot thickens when Maynard discovers a man with a key to his past has been murdered by the phantom.Maynard hears the cry of the weird masked "phantom" of Tombstone Canyon. The plot thickens when Maynard discovers a man with a key to his past has been murdered by the phantom.Maynard hears the cry of the weird masked "phantom" of Tombstone Canyon. The plot thickens when Maynard discovers a man with a key to his past has been murdered by the phantom.
George Gerwing
- Clem Sykes
- (as Geo. Gerring)
Chuck Baldra
- Townsman
- (uncredited)
Buck Bucko
- Barfly
- (uncredited)
Bob Burns
- Townsman Discussing Reward
- (uncredited)
George Chesebro
- Deputy Jess
- (uncredited)
Jack Rube Clifford
- Newt
- (uncredited)
Art Dillard
- Townsman
- (uncredited)
Al Haskell
- Townsman
- (uncredited)
Jack Jones
- Townsman
- (uncredited)
Jack Kirk
- Barfly with Bar Girl
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Some elements of melodrama and even Gothic horror are part of this poverty row western starring Ken Maynard entitled Tombstone Canyon.
Ken's been sent for by a rancher who knows something of his parentage which Ken is unaware of. Growing up in an orphanage Ken has no clue of his background.
There's a fellow who for years has a hideout in Tombstone Canyon where he does a whole Zorro act terrorizing one outfit run by Frank Brownlee and his son George Gerwing. But he's got a hideous look to him, more the Phantom of the Opera unmasked than Zorro. And he's as touched as the Phantom was living down in those catacombs of the Paris sewers.
A whole lot of killings, a manhunt for Maynard who is blamed for all of them including a sympathetic sheriff before Ken puts it all together about himself and the Phantom.
A bit of an unusual western for the Saturday matinée kid crowd, but entertaining.
Ken's been sent for by a rancher who knows something of his parentage which Ken is unaware of. Growing up in an orphanage Ken has no clue of his background.
There's a fellow who for years has a hideout in Tombstone Canyon where he does a whole Zorro act terrorizing one outfit run by Frank Brownlee and his son George Gerwing. But he's got a hideous look to him, more the Phantom of the Opera unmasked than Zorro. And he's as touched as the Phantom was living down in those catacombs of the Paris sewers.
A whole lot of killings, a manhunt for Maynard who is blamed for all of them including a sympathetic sheriff before Ken puts it all together about himself and the Phantom.
A bit of an unusual western for the Saturday matinée kid crowd, but entertaining.
Within the context of a B western, Tombstone Canyon is close to perfect. Yes, it looks a lot like every other cheap western of its time, but the early 1930's were a great time for westerns. Ken Maynard never falters for the entire run time of this movie.
As the movie starts we are introduced to the place known as Tombstone Canyon. Ken rides in to find himself unwelcome and the desired target of many ill-intended shots. Between the gang of bad guys and the mysterious phantom Ken has his hands full, but fortunately Jenny Lee happens to be riding through and fires a few helpful shots of her own. It is then that Ken learns more about Tombstone Canyon and the mysterious screaming phantom who kills as many of the Lazy S cowboys as possible. The phantom is not Ken's worry, however. He has traveled to meet a friend who has a secret to reveal, but by the time Ken arrives he finds out that his friend is murdered. Alf Sykes, owner of the Lazy S does not want Ken to learn anything, so he does everything he can to destroy Ken. The phantom also confronts Ken and threatens him. It is only at the end that Ken learns the secret someone wanted him to know, and the phantom's identity is revealed.
Even if the plot was done hundreds of times over the years, it was done right in this 1932 movie. Most of the credit must go to Ken Maynard for making Tombstone Canyon so much fun to watch. His on screen personality was at its most captivating. Few western heroes looked as good and had the ability to act as well as Ken Maynard.
As the movie starts we are introduced to the place known as Tombstone Canyon. Ken rides in to find himself unwelcome and the desired target of many ill-intended shots. Between the gang of bad guys and the mysterious phantom Ken has his hands full, but fortunately Jenny Lee happens to be riding through and fires a few helpful shots of her own. It is then that Ken learns more about Tombstone Canyon and the mysterious screaming phantom who kills as many of the Lazy S cowboys as possible. The phantom is not Ken's worry, however. He has traveled to meet a friend who has a secret to reveal, but by the time Ken arrives he finds out that his friend is murdered. Alf Sykes, owner of the Lazy S does not want Ken to learn anything, so he does everything he can to destroy Ken. The phantom also confronts Ken and threatens him. It is only at the end that Ken learns the secret someone wanted him to know, and the phantom's identity is revealed.
Even if the plot was done hundreds of times over the years, it was done right in this 1932 movie. Most of the credit must go to Ken Maynard for making Tombstone Canyon so much fun to watch. His on screen personality was at its most captivating. Few western heroes looked as good and had the ability to act as well as Ken Maynard.
Ken Maynard stars in "Tombstone Canyon" released in 1932 by World Wide Pictures. The film sustains interest during its fairly brief running time. Two reviews seem quite fascinated with World Wide's logo which opens the picture for about three seconds. The immaturity level of the people writing these reviews seems pretty low. Are they adults or horny teenagers?
"Tombstone Canyon" (1932) combines an above average story with Ken Maynard (the all- time best movie cowboy) and Cecilia Parker (Andy Hardy's blonde sister). Plus it was filmed in California's spectacular Red Rock Canyon State Park (Canti, CA.) which was to become the scene of countless western movies and many of the 1950's western television series. All these factors make for an excellent combination as this early sound film is a very entertaining feature of slightly less than 60 minutes.
The film begins with a wrangler with only the first name Ken (Maynard) fighting off ambushers in Tombstone Canyon. Ken gets unexpected assistance from a cowgirl named Jenny Lee (Parker). Jenny rode out to meet him at the request of the man who requested that Ken come to the area for some information about his identity. Ken does not know who his parents were and has never adopted a last name.
Tombstone Canyon is a spooky place that most of the locals avoid because they fear a spectral figure called The Black Phantom. The Phantom was been systematically killing cowboys from the Lazy S. ranch, and frightening everyone else with his banshee like scream.
Ken and Jenny must contend with the owner of the Lazy S who wants him dead for some reason; and tries several times to frame him for murder. The town's sympathetic marshal refuses to arrest Ken, believing in his innocence and reasoning that the best way to solve the mystery is by giving Ken a free hand to investigate.
One thing to avoid is the 1990 VHS version being distributed by MNTEX Entertainment and titled "Classic Westerns". This is the one with a pair of Tombstones on the cover. They used a truly horrible print of the film and most scenes are so dark it is difficult to follow them, let alone pick out many of the details. Probably the worst commercially released print I have ever run across. Hopefully the other versions and the DVD are better.
Then again, what do I know? I'm only a child.
The film begins with a wrangler with only the first name Ken (Maynard) fighting off ambushers in Tombstone Canyon. Ken gets unexpected assistance from a cowgirl named Jenny Lee (Parker). Jenny rode out to meet him at the request of the man who requested that Ken come to the area for some information about his identity. Ken does not know who his parents were and has never adopted a last name.
Tombstone Canyon is a spooky place that most of the locals avoid because they fear a spectral figure called The Black Phantom. The Phantom was been systematically killing cowboys from the Lazy S. ranch, and frightening everyone else with his banshee like scream.
Ken and Jenny must contend with the owner of the Lazy S who wants him dead for some reason; and tries several times to frame him for murder. The town's sympathetic marshal refuses to arrest Ken, believing in his innocence and reasoning that the best way to solve the mystery is by giving Ken a free hand to investigate.
One thing to avoid is the 1990 VHS version being distributed by MNTEX Entertainment and titled "Classic Westerns". This is the one with a pair of Tombstones on the cover. They used a truly horrible print of the film and most scenes are so dark it is difficult to follow them, let alone pick out many of the details. Probably the worst commercially released print I have ever run across. Hopefully the other versions and the DVD are better.
Then again, what do I know? I'm only a child.
Although many Ken Maynard features are noted for their lack of believability in the story telling, there was something about his on screen presence that makes us watch him -- he just comes off as the 'real thing.' You could see it in the way he would instinctively pat or interact with his horse(!!) and delivering such dialog to the heroine as, "Miss Jenny, you spill a kinda mean loop yourself. You've got me just as good as throwed and hog tied already." To which Jenny replies, "That makes me awfully happy, Ken." Woo! they don't make movies like this any more!
This one is thoroughly enjoyable and has a touch of mysterious creepiness. "The Phantom," dressed all in black with a bat-like cape, inhabits Tombstone Canyon, where he picks off with a shotgun various hands of the Lazy S ranch. Ken shows up there on his way to find out the identity of his father, but gets involved with Jenny Lee (Cecelia Parker) at her father's ranch branding and 'dehorning' cattle.
For more of Cecelia before her Andy Hardy movies, check out the serial "The Lost Jungle" (1934) and the John Wayne "Riders of Destiny" (1933).
The Western elements all build quickly; in fact, it begins with Ken being ambushed in the Canyon by an unknown gang. Then we swiftly get fist fights, the romance ("Let's go get the ring!"), Ken being framed and jailed for murder, and shoot outs in Tombstone Canyon. There's one too many visits to Tombstone Canyon, and the final hunt down for Ken there goes too slowly.
But then we have a great action finale with 'The Phantom,' Alf Sykes, his son and Ken all fighting or hanging off the highest cliff while Jenny and her father's men speed to the rescue with Ken's horse 'Tarzan.'
A good 1930s western, mainly because of Ken Maynard.
This one is thoroughly enjoyable and has a touch of mysterious creepiness. "The Phantom," dressed all in black with a bat-like cape, inhabits Tombstone Canyon, where he picks off with a shotgun various hands of the Lazy S ranch. Ken shows up there on his way to find out the identity of his father, but gets involved with Jenny Lee (Cecelia Parker) at her father's ranch branding and 'dehorning' cattle.
For more of Cecelia before her Andy Hardy movies, check out the serial "The Lost Jungle" (1934) and the John Wayne "Riders of Destiny" (1933).
The Western elements all build quickly; in fact, it begins with Ken being ambushed in the Canyon by an unknown gang. Then we swiftly get fist fights, the romance ("Let's go get the ring!"), Ken being framed and jailed for murder, and shoot outs in Tombstone Canyon. There's one too many visits to Tombstone Canyon, and the final hunt down for Ken there goes too slowly.
But then we have a great action finale with 'The Phantom,' Alf Sykes, his son and Ken all fighting or hanging off the highest cliff while Jenny and her father's men speed to the rescue with Ken's horse 'Tarzan.'
A good 1930s western, mainly because of Ken Maynard.
Details
- Runtime1 hour 2 minutes
- Color
- Aspect ratio
- 1.37 : 1
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