Texas Cyclone

Texas Cyclone (1932)

** 1/2 (out of 4)

Texas Grant (Tim McCoy) rides into a small town where he's immediately mistaken for a man named Rawlins who died years earlier. Pretty soon this mistake has people taking shots at his life so Texas must try and find out what happened to Rawlins.

Texas CYCLONE certainly isn't a masterpiece but it's a fairly entertaining "B" Western from the era when it seems like at least two of these were being released each week. This one here benefits from having a very familiar cast, which should keep film buffs glued to the screen.

The film is pretty much what you'd expect from a Western from this era. It clocks in at just a hour and features a rather routine story that leads to our hero being heroic and of course there are some nice shoot outs. The film benefits from McCoy's fine performance, although I must admit his constant "I must look like this fella Rawlins" got annoying. The supporting cast includes a young John Wayne and Walter Brennan as well as Vernon Dent who steals the show as the bartender.

This film begins with a cowboy by the name of "Texas Grant" (Tim McCoy) riding into the small town of Stampede, Arizona where he is mistaken by everybody there as a man named "Jim Rawlings" who owned the Diamond R Ranch about 5 years ago but was presumed dead. At first, Texas Grant doesn't know how to handle this news, but while talking to a bartender named "Hefty" (Vernon Dent) he is convinced to adopt the new name because it displeases some of the bad hombres in town. He then immediately realizes the depth of their hatred when, as soon as he walks out of the saloon, two men try to kill him. Fortunately, he is able to defend himself from their attack, and subsequently learns that both of these men work for a local cowboy by the name of "Utah Becker" (Wheeler Oakman) who is trying to acquire the Diamond R Ranch from Jim Rawlings' widow "Helen Rawlings" (Shirley Grey). Wanting to keep up the charade, he then rides out to the ranch, but after talking to Helen he is convinced to stay a little longer to help rid her of some of the rustlers who have been stealing her cattle. What he doesn't realize is just how badly Utah Becker wants the Diamond R Ranch--and the lengths he will go to in order to have it. Now, rather than reveal any more, I will just say that I was pleasantly surprised by just how entertaining this film turned out to be. Admittedly, it is an older film and doesn't have many of the refinements one would expect by today's standards. Even so, it had a good plot, plenty of action and some good performances by Tim McCoy, Wheeler Oakman and John Wayne (as the ranch hand "Steve Pickett"). That being said, I liked this rather obscure film and recommend it to those who might enjoy a movie of this sort. Above average.

I mostly agree with the other comments, that the main attraction of this film is the early days of John Wayne, and also, the beginnings of Western "talkies." The rating is dependent upon how indulgent you are, and if historical interest means little to you, then your rating will be lower than mine. The basic plot element of mistaken identity is absurd. Beyond this, all of the cowboys seem to have immaculate clothing and hats--none of them appears to have been spending regular time with the cattle. But the appearance of these cowboys probably has much to do with the beginnings of "Gower Gulch," that part of Gower Street in Hollywood which Harry Cohn acquired to serve as the home of Columbia Pictures. This is obviously a Columbia film, because at the start of the film you can hear the audio fanfare for the Columbia trademark. Cowboys and other hopeful extras for a western film would congregate on the street near Columbia, hoping to be hired by the studios based in that area. Often, having one's own costume and hat helped in being hired. The numerous cowboys regularly seen on Gower led to the location being nicknamed "Gower Gulch."

I agree with the previous reviewer, if you can accept a very silly premise that a man could look and talk so much like a missing rancher who's from the town he rides into than you will enjoy Texas Cyclone. And of course you can see John Wayne in support of another cowboy hero Tim McCoy.

During this short stint with Columbia Pictures Wayne did two films with Tim McCoy. Both are directed by D. Ross Lederman, both written by William Coit McDonald, and both had a whole lot of the same cast members.

Repeating his role as villain is Wheeler Oakman and John Wayne is once again a cowhand, the only one it turns out who's honest and employed by Tim McCoy's 'widow' played by Sheila Terry. We also have for the first time Walter Brennan and John Wayne working in the same film. Brennan is the sheriff and he's made up to be quite a bit older than he was at the time. This may have been the beginning of all those old codger roles that Brennan played right up to when he was one.

Of course McCoy finds that Oakman is still up to no good just like when he left and he has to deal with all the problems Oakman is causing. With John Wayne's help all things are righted in the end and the reason for McCoy's absence is explained in a very typical movie fashion.

If it wasn't such a silly plot premise, I'd give the film a notch or two higher a rating. It's not bad for a B film and the young Duke is shown to great advantage here.

A classic, innocent western. Fun and, at times, funny. John Wayne as Steve is worth the whole 58 minutes. Tim McCoy over acts like nothing I've ever seen and the whole movie is simply enjoyable. Find it if you can.