A wealthy industrialist tests the loyalty of his spoiled children and selfish wife by pretending to be broke.A wealthy industrialist tests the loyalty of his spoiled children and selfish wife by pretending to be broke.A wealthy industrialist tests the loyalty of his spoiled children and selfish wife by pretending to be broke.
- Awards
- 2 wins total
George Arliss
- Henry Wilton
- (as Mr. George Arliss)
Harold Minjir
- Watson - Eddie's Valet
- (as Harold Minjur)
Leon Ames
- Barney Davis - Witon's Junior Associate
- (as Leon Waycoff)
Featured reviews
Sadly, while George Arliss was known by his colleagues as a great stage actor, the number of films he appeared in were relatively few despite his talents. In each of them I have seen, he gave a seemingly effortless and graceful performance that made me love his characters--in other words, he gave them great life and charm. Here, Arliss plays a major industrialist who spent a year abroad following WWI working for the American government. However, when he returns, he finds that his wife and grown kids are too busy to truly welcome him home and he longs for a happy family life. Then, rather by accident, he comes upon the idea of convincing the family that despite his millions, he is in fact broke. Here is where the film really comes to life. How each of these people as well as Arliss' butler react to the calamity is quite amazing--especially since the script is so magnificently written, it kept me guessing to the very end. It's not often that a film does this, as most films are rather derivative.
In addition to Arliss, Mary Astor, Grant Mitchell and the rest of the family, towards the end is a brief appearance of a very young Randolph Scott--and boy does he look young.
Lovely acting, great script writing and direction make this a wonderful comedy treat that deserves to be remembered. Watch the film then tell your friends--this one is a keeper!
In addition to Arliss, Mary Astor, Grant Mitchell and the rest of the family, towards the end is a brief appearance of a very young Randolph Scott--and boy does he look young.
Lovely acting, great script writing and direction make this a wonderful comedy treat that deserves to be remembered. Watch the film then tell your friends--this one is a keeper!
George Arliss was a senior stage and movie actor by the time sound came to motion pictures. But in "A Successful Calamity", he shows why he was one of the leading actors of his time that included the first three decades of filmdom. He still has a touch of the hammy in this film, where he seems to pan for the camera with subtle glances or short stops. Those were trademarks of silent films. Actors had to emote more in facial expressions and physical gestures to convey the scene's story sans sound. That was true also, though less obviously, for stage plays. But his panning in "A Successful Calamity" isn't so serious that it detracts from the film. Instead, we begin to see the great actor who was a master at conveying moods, thoughts, and feelings by his expressions and facial movements.
Arliss was British. He made most of his silent films in England, but most of his films with sound in Hollywood. In this film, Arliss plays a prominent financier, Henry Wilton. He has a fine supporting cast that includes Mary Astor as his young wife, Emmy "Sweetie," Evalyn Knapp as daughter Peggy, and William Janney as son Eddie. Some other actors – a young Randolph Scott as a polo coach, Grant Mitchell as Wilton's butler, and others add nice flavor to the film. But the heart of this movie is Wilton and his family.
The plot is very good. Arliss and Astor are excellent in their roles, but the acting of the youngsters in this film is pretty amateurish. The production qualities suffer some. Still, it's a good family story that should delight most movie buffs. To paraphrase Wilton in a scene toward the end, one never had so much fun as when one had so little to distract himself or herself from the important things in life. This is a nice film with a nice tale. Because Arliss was already a senior (age 64 in 1932) at the time of this film, he would only be in movies a few more years.
Arliss was British. He made most of his silent films in England, but most of his films with sound in Hollywood. In this film, Arliss plays a prominent financier, Henry Wilton. He has a fine supporting cast that includes Mary Astor as his young wife, Emmy "Sweetie," Evalyn Knapp as daughter Peggy, and William Janney as son Eddie. Some other actors – a young Randolph Scott as a polo coach, Grant Mitchell as Wilton's butler, and others add nice flavor to the film. But the heart of this movie is Wilton and his family.
The plot is very good. Arliss and Astor are excellent in their roles, but the acting of the youngsters in this film is pretty amateurish. The production qualities suffer some. Still, it's a good family story that should delight most movie buffs. To paraphrase Wilton in a scene toward the end, one never had so much fun as when one had so little to distract himself or herself from the important things in life. This is a nice film with a nice tale. Because Arliss was already a senior (age 64 in 1932) at the time of this film, he would only be in movies a few more years.
A nice comedic performance from Arliss as a business man, whose family has no time for him. He feigns bankruptcy to get them to stay home with him, and is surprised at how they all rally to him. The ruse brings him unexpected financial benefits as well. Warm-hearted film though playing on only one note story-wise.
Mary Astor is fine in an early sound role and the supporting cast does well all around. It's a delight watching Arliss' facial expressions, which convey more subtlety than he could have produced on stage and show him a continued master of comedic timing.
Although only a few sets are used, they are well done and up to the usual Warner Bros. standards of the early thirties.
Mary Astor is fine in an early sound role and the supporting cast does well all around. It's a delight watching Arliss' facial expressions, which convey more subtlety than he could have produced on stage and show him a continued master of comedic timing.
Although only a few sets are used, they are well done and up to the usual Warner Bros. standards of the early thirties.
In all too many movies like this one, the family members are selfish and care little about others. As soon as Arliss's character confesses to his family that he's in financial trouble, they all jump on the bandwagon to help out. They express regret over being the cause of the problem by having spent too much money. The children love their stepmother. She, in turn, pawns her jewels to help out. While perhaps a bit corny by today's standards, this movie stands out as one that anyone who genuinely likes people could enjoy.
The second of two films George Arliss & Mary Astor made together (the first was Man who played God, 1922). Successful stock market businessman Henry Wilton returns home to find his house in full turmoil - his wife is entertaining, and his dashing, perfect kids are busy with their lives and loves. Even when his business dealings start going bad, Wilton cracks jokes that no-one else seems to hear. When he can't get time alone with his wife, he devises a scheme to have more time alone with her. and... just like on I Love Lucy, his scheme backfires. Surprisingly good quality sound and photography for 1932. It was just post-silents, and you can still see a lot of black facial features make up on Arliss and others. Viewers will recognize Grant Mitchell as Connors, Mr. Wilton's butler, who appeared in tons of films, usually as a stern, serious leader. Fun plot involves the stock market, which is a little surprising, so soon after the stock market crash of 1929, but as someone has previously noted, the original play was written and presented in 1917.
Did you know
- TriviaThe play by Clare Kummer originally opened on Broadway at the Booth Theatre on 5 February 1917, and ran for 144 performances before closing for the summer (there was no air conditioning in those days). It then reopened on 10 October 1917 at the Plymouth Theatre. The opening night cast included Katharine Alexander, William Gillette, Estelle Winwood and Roland Young.
- GoofsThe polo scenes in the early part of the film include large mountains in the background which is curious since the setting is supposed to be Long Island, NY.
- Quotes
Emmy 'Sweetie' Wilton: Weren't you naughty not to let us know you were coming a day earlier.
Details
- Runtime1 hour 12 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was A Successful Calamity (1932) officially released in Canada in English?
Answer