Jeunesse perdue

It is astonishing to think that this Sinclar Lewis film adaptation was made in 1936! Walter Huston is sensational as the retiring tycoon. He is married to Fran, played deliciously by Ruth Chatterton (a character who seems an early version of Meryl Streep's in "Death Becomes Her") Her fear of aging is beautifully drawn and embarrassing to witness. The rich American hicks in Europe are described with humor and compassion but above all with an uncanny understanding of the subject. I loved the structure of the phone calls from Vienna to Naples at a crucial moment in the protagonists future lives. Mary Astor is another standout in a performance of such modernity that one has to remind oneself that this was in fact shot in 1936. The director, William Wyler, was yet to give us some other milestones from "Jezabel" and "The Littlle Foxes" to "Roman Holiday", "Funny Girl" and "Ben Hur" For film lovers this is a must!

The experience of watching movies has got to be one of the great original adventures of the 20th century. What luck when we come across a movie that we may have only slightly heard of, if at all, and then happen to bump into one evening - which changes your perspective on life or adds just that little bit more of enjoyment into a life spent thinking one has seen everything!

Such was my experience tonight with DODSWORTH. What an innocuous, if not, nondescript title for a movie which held so many delights within the walls of its celluloid chamber!

How could I have known that this silly title would open up new vistas for me? I am not saying this movie changed my life. But how unexpected to have found ONE MORE GEM amongst the thousands of movies that I have already known and loved! Walter Huston was a major surprise for me. I had seen him before. But never like this.

The same with Ruth Chatterton. The scenes with Mary Astor near the end are almost priceless. Talking about those scenes...one can only wonder how such simple dialog could elicit so many feelings from us? I say that Sinclair Lewis had something to do with its success.

But let's not leave out the master - William Wyler!

This is truly a remarkable movie.

It is staged beautifully. Acted superbly. And the directing, shooting and cutting is nearly flawless.

Certain scenes stay with me most vividly...

• Mary Astor warning Ruth Chatterton off of Paul Lucas with nothing more than a brief line and a quick look.

• Huston and Chatterton undressing while their marriage starts to crumble.

• Huston getting the wire from Europe, just after being so much of a blowhard with his family.

• Walter Huston connecting with Mary Astor in Italy.

It is a movie that could not, would not be made today. There is no violence, no overt sex. It is, as other posters have noted, an adult movie, made for the sensibilities of adults.

And Mary Astor is just radiant and beautiful throughout...

MMG

If you're tired of the actual Hollywood teenager productions, you have a chance to see some maturity watching "Dodsworth". The relationship of the Dodsworths are amazingly realistic, and the wonderful performances by Walter Huston and Ruth Chatterton only improve the reality of the situation. He is amazing as a retired middle-aged industrialist and she is faultless as his futile, snob and frustrated wife. This film also got me some extra points because of Mary Astor, at the highest point of her beauty. It's masterly directed by William Wyler, and the cinematography is wonderful. One of the greatest films from the first decade of the sounded films.

Some years ago, I read a short piece in TV Guide by the critic and screenwriter Jay Cocks, in which he listed ten 'great, underrated films'. One which I had never heard of before was Dodsworth.I trust Jays taste in films, so i decided to take a lot at it. I promptly saw it on Video and was enthralled.Once more, William Wyler reveals why he has to be ranked among the great Hollywood directors. Dodsworth is that rarity, a film for adult people. In addition, it boasts a literate script, fine acting by an superb cast, and an very fine design. One of the favorite themes of the fiction of Henry James,. the conflict between American innocence and European sophistication, is here explored with a concision and an empathy James only occasionally managed. In addition, the film is a profoundly moving love story. One can only wonder why this exquisite movie was not even nominated for the AFI list of great American films.