Ride Him, Cowboy

This film was the first of a series of B westerns that John Wayne did for Warner Brothers and it was decided to give him a horse companion named Duke. Duke the horse was fine, the film left a lot to be desired.

A horse is the only witness to a robbery where another witness was beaten unconscious and lies in a coma. He went after the villain and the villain who is masked bandit known as the Hawk says the horse is a mankiller who attacked him for no good reason. Since by day the villain is a respectable town citizen everyone believes him, almost.

One of the almost is young cowpoke John Wayne who says he can tame the stallion and proceeds to do so. He even offers to track down the Hawk.

It starts to get a little ridiculous here especially in the way that the villain gets the drop on Wayne. Of course in the tradition of Trigger, Champion, Topper, and Robert Taylor's horse Varick in Knights of the Round Table, Duke rescues his friend John Wayne. Doesn't that sound a little odd.

Otis Harlan has a very funny bit as the country judge before whom Wayne is tried when he's accused of being the Hawk. And the villain does get a poetic ending.

Still it's hardly one of John Wayne's best.

John Wayne shows up just as the judge is about to rule whether a horse should be killed for being an ornery critter. Wayne offers to ride him, and does so, saving the horse and winning the admiration of Ruth Hall and her father, Henry Walthall. Walthall and his vigilante committee consult Wayne on what do do about a mysterious outlaw called the Hawk. Wayne offers to tackle him by his lonesome.

It's one of the movies that Wayne made at the nadir of his career, co-starring with this horse, called Duke. It's a remake of a silent western starring Ken Maynard, with a lot of the original footage cut in, because producer Leon Schlesinger believed in doing things on the cheap... which gives an idea of how far Walthall had fallen in the Hollywood scheme of things. Director Fred Allen was an editor when he wasn't making one of his eight directorial efforts, so the shooting is efficient and the shots well lit by cinematographer Ted McCord. There isn't much to this movie, but it kept everyone working for a few weeks and still plays all right.

This movie starts with a horse named Duke coming to the rescue of a man being bushwhacked. The man is cracked over the head and killed, so one of the robbers claims the horse went mad and attacked them. So the horse is put on trial for murder. I'm not kidding -- the horse is brought to town and put on trial in front of the whole town! Before he's sentenced to death, a cowboy (John Wayne) shows up and offers to ride the horse to prove he's not wild. After he does and saves Duke, the horse's owner (great character actor Henry B. Walthall) asks Wayne to help the town catch a masked bandit named the Hawk. The first of six B westerns Wayne made for WB in the early '30s. He was named John something-or-other in every movie and always had his horse Duke. They're routine westerns. Forgettable but watchable.

Ride Him, Cowboy (1932)

*** (out of 4)

Duke, a horse, is on trial for killing a man and the judge is about to put him to death when cowboy John Drury (John Wayne) makes a deal. If Drury can tame the horse then it can live. Of course the cowboy comes through and soon the two of them are trying to track down the real murderer.

RIDE HIM, COWBOY was Wayne's shot at stardom as this was the first of the six picture deal that he signed with Warner. The film is certainly a step up from movies like TWO FISTED LAW, which featured Wayne in supporting parts. On a technical level this might still be a "B" movie but it's still better than what we had seen the now legend in up to this point.

The best thing about the picture is actually Wayne and his supporting cast of actors. I thought that laid back approach of Wayne's worked pretty well here including the scenes where he trying to smooth talk the leading lady played by Ruth Hall. Wayne and Hall share some nice chemistry together. Frank Hagney does a good job in his role of the villain and Henry B. Walthall turns in another fine supporting performance.

As you'd expect, there's a lot of gun play as well as other Western trappings but they're all handled quite nicely by director Fred Allen who keeps the film moving at a nice pace throughout its 55 minutes.

"Ride Him Cowboy" was the first of six westerns that John Wayne made for Warner Bros. for the 1932-33 season. Most were remakes of Ken Maynard silent westerns pf the 1920s thus giving the studio the opportunity to use stock footage from those films (which they did). This one is a remake of Maynard's 1926 film "The Unknown Cavalier". To match any stock footage used, the studio costumed Wayne in Maynard's costume and used a horse ("Duke") that looked the same as Maynard's "Tarzan".

This first film gets the series off to a good start. Directed by Fred Allen (No, not THAT Fred Allen), the story moves along and holds the viewer's interest. Since the series was made at WB, the production values were far superior to those in Wayne's later "Lone Star" westerns.

The story centers on how Wayne came to acquire his horse "Duke". The Hawk, aka Henry Sims (Frank Hagney) and his gang are robbing and pillaging the local ranchers. One particular night they hit the Gaunt ranch. The foreman, Bob Webb (Edmund Cobb) is attacked. The attack, for some reason, is made to look like Webb was trampled by Gaunt's prize palomino "Duke".

The horse is about to be destroyed after a "trial" in town when a stranger, John Drury (Wayne) rides into town. He pleads with the Deputy Sheriff (Henry Cribbon), the owner John Gaunt (Henry B. Wathall) and his daughter Ruth (Ruth Hall) for a chance to ride the horse and tame him. He does this and the horse takes a shine to him. Gaunt allows Drury to take the horse as he also becomes attracted to Ruth.

Drury offers his services to the town to track down the mysterious bandit. He and Sims who offers to be his guide set out in search of "The Hawk". In the desert, Sims reveals himself to be "The Hawk" and ties up Drury and leaves him for dead. "Duke", however, is able to free his master.

While attacking another ranch, Sims plants Drury's harmonica and later cites him as "The Hawk". A mock trial before Judge Clarence "Necktie" Jones is held, Drury is found guilty and..................................

A good series opener with little obvious use of stock footage.