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Joan Crawford was reportedly not happy with her performance in Rain although for the life of me, I can't figure out what she had to be ashamed about. In a few years Rain could not possibly have been made due to the imposition of The Code where no man of the cloth could be anything less than decent.

Perhaps Crawford was unfortunately compared to Jeanne Eagels on stage and Gloria Swanson in a silent film adaptation which starred Lionel Barrymore as the sex crazed Reverend Davidson. Still Crawford's Sadie Thompson need not take a backseat to anyone else's.

Somerset Maugham wrote the original novel and John Colton adapted it into a play performed on both the London and Broadway stages. Rain is a deceptive work, at first glance it appears quite dated, but in reality its quite relevant for today.

My favorite character in this is Guy Kibbee's Horne who runs the hotel/ trading post on that tropical South Sea Island where all the characters are stranded temporarily. Joan Crawford is there and in the same hotel are the Reverend and Mrs. Davidson played by Walter Huston and Beulah Bondi. Kibbee says he left the USA because he saw that 'reformers' like the Davidsons were beginning to dominate the body politic in America and he wanted out.

Two things made Rain such a big hit at the time both as a book and play. One was Sigmund Freud who was gaining great popularity talking about repressed sexual desires. Freud would have had a field day analyzing both the Davidsons. It's important to remember that Bondi is just as repressed and uptight as Huston. Freud's writings were not just confined to his profession, they were popularly read by the masses.

The second thing was Prohibition. When Kibbee talks about the reformers triumphing (and you have to get the sneer in his voice when he says reformers)he's talking about their greatest triumph, the 18th amendment. The Evangelical Moral Majority types of the day were the ones that brought Prohibition about and America went on its biggest hypocrisy binge because of it. Folks just like the Davidsons inflicted Prohibition and all that went with it on America.

Sadie Thompson represents everything the Davidsons say they despise, but what Reverend Davidson wants. It all leads to tragedy.

What Maugham is saying and being a gay man himself, knew what it was like to be repressed and show a different face publicly, is just live and let live. Such a simple concept, but one some today have a hard time wrapping their minds around.

As for Joan Crawford, she wouldn't have said what she supposedly said about her performance in Rain knowing in the next generation there would be a musical version with a dubbed Rita Hayworth singing with the island kids. Now that one was one for the books.

Joan Crawford went on loan out to United Artists from her home studio of MGM to make "Rain" in 1932. The story had been a Brodway success. Some may feel Joan was miscast as the famed Sadie Thompson. I disagree. The film is not perfect, but Joan and the other actors make it worth watching. Joan is matched in the acting by the great Walter Huston, playing the preacher who is determined to "redeem" Sadie. Joan is made up heavily - almost outrageously - in the first part of the film, then softer make up and lighting after her "transformation" by the preacher. The softer make up shows what a real beauty Crawford was. Rumor has it Crawford felt out of her league with some of the other theatrically trained actors, and had some problems with the director Lewis Milestone. But she holds her own in the film. The print of the film I recorded from TCM is not the best, with some static in the sound and the picture quality rather poor. This is a film begging to be restored. Yes, it was made in 1932, but other films from this time do not look this bad.

I'm fully aware that there has been a total of three film versions of

the play, "Miss. Sadie Thompson" by the late John Colton. I've

haven't seen the original silent film version from 1928 with the first sex symbol of the 20th Century, the late Gloria Swanson; nor the third film version with the late Rita Hayworth. However, if I never get to see neither the first nor second film versions of John Colton's play, the second and first talking film version of Mr. Colton's play is sufficient enough. This film should had received Oscar consideration from the members of the Academy of Motion Picture Arts and Sciences. I'd just seen this film during the late night/early morning hours of

Sunday, January 26th on public television station, WLIW - TV, Channel 21, the second oldest public television station in the United States. "Rain" had Oscar written all over it from start to finish! The film score; the cinematography; fine supporting actor performances both

from WILLIAM GARDAN as US Marine Sgt. O'Hara, and GUY KIBBEE, whom

I've seen in many character roles in classic American films from Hollywood's past, as the innkeeper, Joe Horn; a well written screen adaptation by Maxwell Anderson of John Colton's play; visually directed well by Best Director of 1930 Oscar Winner, the late Lewis Milestone ("All Quiet On The Western Front"), who truely deserved another Best Director Oscar consideration; this film was highly acted well with characters whom you could both believe and relate to, and therefore, a Best Picture Oscar certainly should had been possibly considered; but the best part of this film must be given credit to two acting Oscar winners. Angelica Houston's paternal grandfather, and the late John Houston's father: Oscar winner, the late, great Walter Houston. He was the third of Hollywood's dynasty of actors in the family business. As religious reformer, Alfred Davidson, he was both a hypocrite and a bastard who overstepped his bounds in his persistence by both harassing Sadie Thompson and not minding his own business. If there existed someone like Alfred Davidson, he would be dead by now! He had not only the nerve to dictate to Sadie against her will by judging her when he never met her previously in the first place, but had the audacity to take it upon himself to dictate to the Governor of Pago Pago Island just exactly what his legal authority concerning Sadie Thompson should and should not be, although no such scenes displaying Davidson and the Pago Pago Island Governor were never shown in the film in the first place. I know that Walter Houston is both a Best Supporting Actor Oscar winner, and a Best Actor Oscar nominee; but

he should had received a 1932 Best Actor Oscar nomination for this role. He was incredibly believable. He was so real, and so brilliant. However, the most standout of the entire cast was, without question, the late, great, Joan Crawford, who died the same year when we lost Charlie Chaplin, Bing Crosby, Groucho Marx, Freddie Prinze(WHAT A WASTE!), and of course, Elvis. She may had won a Best Actress of 1945 Oscar for "Mildred Pierce"(Warner Bros.), but this was her BEST ACTING PERFORMANCE, period! I don't remember which

actress was awarded the Best Actress of 1932 Oscar at the 1933 Academy Awards for the film releases of January through late

December, 1932, but she should had both been nominated by the Academy and she should had won! She was so believable as Sadie Thompson.

You could really relate to her when she felt trapped without knowing neither what to do nor where to go. There was one thing about Joan Crawford that was apparent about her acting in most of her films during her prime: regarding her behavior, she never bit her tongue when she had something to say! If she either liked you or not, if she liked or disliked what you did concerning herself, she would let you know! With Joan Crawford, WHAT YOU SAW ABOUT HER WAS WHAT YOU GOT! In closing, I think that it's not only crucial for the American and British films of the past to be preserved for future generations of film audiences, actors, actress, film makers, and

film critics; but it's also important for audiences, especially young people in their teens and twentys to WATCH THE FILMS OF THE PAST. These actors, actress, and film makers who made their mark must never be forgotten. If young people simply choose to watch the films of the present, then they will be missing out on a whole lot. The American film industry, via each of the major studios, no longer

releases a film each and every week. Between the 1920's and 1970's, major films, which have become classics, were released weekly. Today, some of the films that are currently released today are great, and the others are not worth paying eight to ten dollars for!

For reasons that likely have much to do with her self-perceptions, insecurities, and desires for her screen image, Joan Crawford never liked her performance in this fine film. I do not know why; she was never better. The first talkie of the classic Jeanne Eagels' play "Rain", it was effective in every way even though it uses many old-time editing cuts and inserts. They actually worked, and I liked the direction very much, too. Huston was fine as the sanctimonious but sincere preacher trying to convert the "loose woman" Sadie Thompson - but in the end loses the battle, something I wish was shown, but then it wasn't in the play or book so I shouldn't expect it. A fine film, and the antique-type music adds to the effect. See the IMDb review of the serviceble Rita Hayworth version, "Sadie Thompson", and the horrid movie on the life of the actress, "Jeanne Eagels" which contains scenes with Kim Novak trying to recreate the stage play.

Most TV versions of "Rain" look like an antique, since they are in desperate need of restoration. The video versions are restored with 20 minutes of footage that is cut on some of the TV prints. Crawford was loaned out by MGM to United Artists for this second adaptation of the famed Maugham novel. This was one of Joan's biggest commercial disasters when she was still big at the box-office before her decline in the late 1930s. By viewing it today, one may not be impressed by the story or performances, but this is actually one of Joan's finest from her early films. "Rain" has become overlooked through the years since it was a notorious bomb and Crawford herself hated this movie. It is not as excellent as Gloria Swanson's "Sadie Thompson," but not that bad.