Le président fantôme

The famous Broadway song and dance man, George M. Cohan, only made a couple films. So, seeing "The Phantom President" is one of the only ways you can see him acting.

George plays two different people in this story. Theodore K. Blair is a rich guy who's in line to possibly be the next President. However, he's not very good at public speaking. But, when his campaign folks find a very charismatic medicine show man who looks EXACTLY like Blair, they get Peeter Varney to impersonate Blair on the campaign trail. Naturally, they want to keep this sort of thing out of the papers and don't even tell Varney's buddy (Jimmy Durante) nor Blair's girlfriend (Claudette Colbert)...which leads to all sorts of mix-ups.

While Varney's help should be much appreciated, through the course of the film you start to see what sort of a skunk Blair is. In fact, instead of rewarding Varney for helping him become President, Blair plans on sending him off to a hellish reward near the North Pole! What's to become of this evil plan? See the film.

While the music seemed a bit corny to me, I did enjoy the script and the film ended on a marvelous note. It's surprising, then, that this movie was a huge money-loser back in the day. I can't see why except, perhaps, by the 1930s, Cohan was a bit of a has-been...a relic of the past who was popular about twenty years earlier. Regardless, it's well worth your time and quite clever.

George M. Cohan who in the first decade of the last century was as the title of one of his songs and biography The Man Who Owned Broadway was considered old fashioned by 1932. Still as a performer he had considerable box office and he responded to the pleas of Jesse L. Lasky to come over to Paramount to make his sound motion picture debut. But the songs were to be written by a pair of relative newcomers Rodgers&Hart.

It's come down in show business legend how Cohan barely dealt with them while The Phantom President was in production. He thought they were second rate songwriters and truth be told Cohan thought just everyone else was second rate next to him. He had that kind of ego. But he had the talent to back it up and truth be told the songs that Dick and Larry wrote for this film were truly second rate.

The musical format of this film was song patter, no individual numbers that could have been hits were written for The Phantom President. The patter format worked well in Love Me Tonight and Hallelujah I'm A Bum, but many song hits came from Love Me Tonight and Hallelujah I'm A Bum boasted You Are Too Beautiful from that score. Nothing like that comes from The Phantom President. Maybe Cohan could have written a better score, in fact he was given one number to be interpolated.

But The Phantom President is first rate political satire with Cohan playing a double role, a cold fish millionaire who is running for President of the USA and a carnival medicine show man that his political handlers recruit to go out and do the campaign as he's got a personality the voting public will warm up to.

The political end works well, but carnival Cohan starts cutting in on millionaire Cohan's time with Claudette Colbert a former president's daughter and someone who the millionaire thinks would be a great first lady. He takes some drastic action.

The four handlers are well cast also, George Barbier, Louise Mackintosh, Sidney Toler, Julius McVickers are all familiar enough in roles that are suited to all of them. And of course we have Jimmy Durante who is gloriously himself with some interpolated material for him as well in the song Schnozzola.

There are so many performers whose salad days were well before talking motion pictures were invented that we should be grateful that at least we can see something of what Broadway saw with George M. Cohan. And his dancing style; well you can see why James Cagney was cast in the autobiographical Yankee Doodle Dandy.

THE PHANTOM PRESIDENT (Paramount, 1932), directed by Norman Taurog, stars Broadway legend George M. Cohan (l878-1942) playing a dual role in his talkie debut and, to the best of my knowledge, his only existing movie. As Theodore K. Blair, he is a serious-minded candidate who hopes to win the upcoming election as the next president of the United States. He is in love with Felicia Hammond (Claudette Colbert), who finds him rather dull. Later Blair's cronies who also find Blair to be dull and witless, come across a medicine show barker named Peter Varney who not presents himself in public as likable and full of fun, but happens to be the spitting image of Blair. In order to boost Blair's upcoming election win to the White House, they hire the entertainer to impersonate him, but the plan works out only too well when not only the public starts to favor Varney, but Felicia also, causing the jealous Blair to want to do away with this look-alike by hiring some tough sailors to kidnap Varney and take him unharmed to the Arctic circle.

Aside from this being a double showcase for George M. Cohan, it is Jimmy Durante (in his pre-baldness days) as "Curly" Cooney, Varney's partner and sidekick, who comes off best with his antics. It's possible the public felt the same way back in 1932. In the supporting cast are George Barbier as Jim Ronkson, the political boss; Sidney Toler as Professor Aikenhead; Louise MacIntosh as Senator Sara Scranton; and Jameson Thomas as Jerrido. Look fast in the opening of the story for Charles B. Middleton (the Emperor Ming of the "Flash Gordon" chaptered serials for Universal of the late 1930s) playing a picture frame portrait of Abraham Lincoln, separately along with Alan Mowbray as the George Washington, also in picture frame, coming to life, introducing themselves and bursting into song.

With the music and lyrics by Richard Rodgers and Lorenz Hart, the songs include: "This Country Needs a Man" (sung in rhyme talk by senators, tour guides and cast members); "Somebody Ought to Wave a Flag" (sung and tap danced by George M. Cohan in black-face); "Ah, Schnooza" (sung by Jimmy Durante); "Give Her a Kiss" (sung by "birds," "frogs" and voices of nature during Cohan's love scene in a motor boat with Colbert); "Convention/ Blair! Blair! Blair!" (sung by politicians and cast members); and "Give Her a Kiss" (sung by an unknown vocalist on a radio). The songs, with some of them being in rhyming dialog, are passable, but one wonders what tunes would have been used had Cohan written the score himself, as he did with his Broadway plays.

Those watching THE PHANTOM PRESIDENT will find this a rare treat in seeing the real George M. Cohan come to life on the screen. It's been out of the TV markets for quite some time now, and one could only hope it could resurface again, especially as an Election Day movie special on any one of the classic cable movie stations.

To learn more about the background, life and legend of George M. Cohan, watch the musical-biography, YANKEE DOODLE DANDY (WB, 1942) starring James Cagney in his Academy Award winning performance. While portions of that movie are fictional, it's worthy entertainment. The story to "Yankee Doodle Dandy", however, never mentions of Cohan's association with motion pictures (he appeared in few silent ones), only his show business career on Broadway. After THE PHANTOM PRESIDENT Cohan got to appear in one final feature film in his career, GAMBLING (Fox, 1934), but as of this writing, that movie drama is believed "lost." As for THE PHANTOM PRESIDENT, it's a real curio and highly recommended. (****)

Light weight but winning political satire even in its day, the big news in this well reviewed Rodgers and Hart not-quite-musical (there are just four main musical sequences - the best known song is "Give Her A Kiss") was George M. Cohan's first appearance in a talkie - he would make but one more in 1934 (GAMBLING), three years before Cohan returned to Broadway with Rodgers & Hart in their 1937 hit I'D RATHER BE RIGHT, playing a real president - FDR.

Playing the dual role here of a candidate and his more likable double, Cohan more than justified the hype, and ably assisted by the always wonderful Claudette Colbert as the candidate's girlfriend (shades of THE PRISONER OF ZENDA) and Jimmy Durante who almost steals the film as the nice Cohan's manager (catch Durante in MGM's 1934 STUDENT TOUR playing a crew coach named Merman in an in joke!), Cohan makes this a must-see in any year. In an election year like this one, we can only wish the finale were reality rather than a gentle satire of pandering to public perceptions.

The pleasant surprises don't stop with the leads however. Watch the singing portraits of past presidents in the opening for Alan Mowbray as George Washington and later, Sidney (Charlie Chan) Toler's appearance as a political boss - all smiles but as rooted in what "works" as any current campaign manager - is a joy to behold.

If you've seen Jimmy Cagney dancing to an Oscar as Cohan in the World War II YANKEE DOODLE DANDY (a decade after this effort), take a look at Cohan doing the original steps (in black-face, yet in an "on stage" number) and you'll wonder if Cagney didn't study this film specifically.

In the great legacy of film musicals, THE PHANTOM PRESIDENT is probably little more than a footnote, but it's a very enjoyable, important one.

With today being the second day of July, it's also the second day I'm reviewing movies with either a patriotic theme or about a patriotic person, in this case about George M. Cohan. Well, actually, this particular one stars Mr. Cohan-one of only two talkies he made though his other one, Gambling, is lost for now-playing two roles: that of an uncharismatic presidential candidate and also of a medicine show man who makes public appearances playing that candidate. Also starring Claudette Colbert as that candidate's girlfriend and Jimmy Durante as the medicine man's sidekick. The songs are mostly by Richard Rodgers and Lorenz Hart though there were also some tunes by Cohan and Durante. I have to note one more appearance-that of Sidney Toler as one of the campaign managers. If he sounds familiar, then you're probably seen many of his Charlie Chan movies! Anyway, this was a pretty entertaining musical comedy though much of Durante's material is uneven even though he's pretty entertaining throughout and there's some unfortunate blackface concerning Cohan but this is the only time we see his expert hoofing on screen. In fact, if James Cagney had not portrayed Cohan in Yankee Doodle Dandy-which is what I'll review next-years later, the only reason for anyone to watch this movie in modern times would be for fans of Claudette Colbert and Jimmy Durante to complete their viewing of everything they did! By the way, I also liked the beginning sequence in which four presidential portraits were singing to each other! Those portraits were of the same people who eventually were carved on Mount Rushmore...