Love Is a Racket

This seedy, downbeat Broadway tale of love, money, ambition, and power makes for an entertaining film. Credit director William Wellman's felicity with the fast-paced Warner Bros style for the no-nonsense, snappy approach. Douglas Fairbanks Jr is very fine as the hardbitten gossip columnist with a fatalistic, romantic side, but Lee Tracy, Ann Dvorak, Frances Dee, Warren Hymer, and, especially, Cecil Cunningham as the conniving Aunt Hattie, do their best to steal the film. And, as this is a pre-code movie, who says a character can't get away with murder?

The title is something Douglas Fairbanks, Jr. concludes at the end of this film. Perfectly understandable after all he goes through in the running time.

Fairbanks is a reporter on the Broadway beat modeled after of course Walter Winchell who was just going into high gear in his career. The column that Fairbanks writes dishes dirt on both the Broadway and gangland scene and how they mix on more than one occasion. As such he's made an enemy out of gangster Lyle Talbot whom I think is based on Owney Madden.

Promising Broadway newcomer Frances Dee has gotten into a nice jackpot with bum checks that Talbot has assumed the debts for. He wants payment however one way or another.

Fairbanks is crazy about her even though Ann Dvorak is crazy about him. He certainly goes above and beyond for her in the film and no good deed goes unpunished.

Lee Tracy has a nice part in a sidekick role for Fairbanks. Warren Hymer is one of Talbot's gunsills. Hymer has a little more menace to him than usual, but just as dumb.

This is a nice pre-Code drama, note some of the items when the camera goes to Fairbanks's column. Some really nice and saucy double entendre there.

In the best Walter Winchell style of course.

This almost seventy-five year old programmer holds up amazingly well due in large part to the skilled acting of the leads, a witty script that keeps everything lighthearted, and the masterful direction of William A. Wellman. The title may sound silly but if the viewer watches the entire film, "Love is a Racket" is explained by Douglas Fairbanks Jr. at the very end via a harangue on the ephemeral nature of romantic love.

Filled with cynicism draped with roses Fairbanks learns about love from all the wrong people, in particular from the wily, ambitious Mary Wodehouse (Frances Dee), who has been spoiled rotten by her Aunt Hattie Donovan. Seems Mary has been bouncing checks and wants Jimmy Russell (Fairbanks) to bail her out. When he attempts to retrieve the hot checks by asking the holders to wait a while before cashing them, he learns that a mobster has picked them up already. When Jimmy finds the mobster dead, he takes possession of the checks and makes it all look like a suicide unawares that his columnist buddy, Stanley Fiske (Lee Tracy), is watching.

This little gem from the early days of the Great Depression is well worthwhile and still entertaining even after seven decades.

Love is a Racket (1932)

** (out of 4)

Boring melodrama about a gossip writer (Douglas Fairbanks, Jr.) who falls in love with a struggling actress (Frances Dee) but she might be two timing him with a gangster (Lyle Talbot). William A. Wellman must have fallen asleep in the director's chair because there's not an ounce of energy in this film. Even by 1932 standards the film seems dated and rather routine. There's really not a single thing going for it as we sit there waiting for something to happen yet it never does. Fairbanks is very bland and boring in his role. At the end he gets a big speech about love, which comes off very silly. Frances Dee is good in her role but she doesn't have too much to do. Lee Tracy and Ann Dvorak co-star.

Douglas Fairbanks Jr. plays a worldly-wise newspaperman whose beat is Broadway. He always seems to be one step ahead of everyone and is never a chump...except when it comes to one woman (Frances Dee). This lady has written some bad checks and he decides to help her. However, it all ends up backfiring on him. It's a shame, as his lovely assistant (Ann Dvorak) can't get him to notice her. When his lady love gets in trouble, he decides to help her....with results he never anticipated. Along for the ride are Lee Tracy as his sidekick and Lyle Talbot as the tough guy who has the rubber checks.

While this isn't a bad film, it isn't all that great either. One way I knew this is that as I watched, I kept finding my attention drifting. The dialog is a bit snappy but there just seems to be SOMETHING missing. I think it's fun...and perhaps an interesting plot. A time-passer and nothing more.