Terre sans pain

Luis Buñuel's approach to film-making was so unusual, and his intentions so hard to decipher, that you can never be quite sure what his movies were meant to convey. So it should probably not be too surprising that even when he makes a documentary it is still hard to tell exactly what he was doing. While this gives every initial appearance of being a straightforward documentary, it is not long before Buñuel's detailed yet surrealistic approach begins to show in subtle ways.

Whatever else may be true, it is an unusual film, and a generally interesting one. It is also unsettling - at times, very much so. It depicts a civilization that, though located in the midst of Spain just before the Franco era, could almost be from pre-historic times. Many of the images and much of the commentary are disturbing and uncomfortable to watch, to say the least. Yet the tone is far from emotional, and in fact it seems to be deliberately withdrawn, even unsympathetic, much of the time.

At the same time, it's easy to see why there are those who suggest that Buñuel was not filming a strictly objective documentary. While there are no outlandish or fantastical images, his distinctive style shows up in less obvious ways, through odd details and sequences. There also seem to be a number of different versions of the narration, which do not always cast events in the same light. So, as so often tends to be the cast with Buñuel, all that you can do is to watch it for yourself and then make your best guess as to what it all means.

I saw this movie with absolutely no idea what it would be about or when this movie was made, only that it was made by Luis Bunuel, and I felt I HAD to at least have seen 1 movie made by the man so many people see as one of the many movie gods.

I must add that before seeing Las Hurdes ("Land Without Bread") in the theatre where I saw it, they had programmed the documentary "Bunuel's Prisoners". In which the people of the Hurdes region comment on the movie and the circumstances under which this movie came to be. This movie gave me enough information to watch the main feature (Las Hurdes) with a much more realistic view than if I had seen this movie without seeing the doumentary first.

In the documentary several people express their annoyance and irritation with the manner in which Bunuel has twisted and fabricated some of the scenes in the actual movie/documentary. The goat falling from the cliff is not exactly falling per accident and the "dead" baby in one of the last scenes is not dead at all (this can be seen by watching the moving chest of the baby).

All in all I enjoyed this slightly fictional documentary very much and I recommend everybody to go see it. It will either make you laugh out loud at times and leave you deeply disturbed at other times.

A must for people who are not allergic to foreign movies from before WW2. 9/10

Bunuel had always been a visionary man,his cinema had never stopped trying from "un chien andalou" to "le fantôme de la liberté"."las Hurdes " was a documentary ,but it made the genre explode.And,to think it was seventy years ago!

Near the Portuguese border,there's a part of Spain where a doomed humanity used to live.The beginning of "las hurdes" deals with a feast in a village,last stop before the Hurdes country.

Then Bunuel begins his unthinkable depiction of this subhumanity:morons,maimed persons,monsters with twelve fingers,living in a filth you could not imagine.They drink in the brook/sewer!Springtime which everybody enjoys elsewhere is the worst season for the "Hurdes":all that remains for them to eat is cherries.But they cannot wait that they ripen,so they contract dysentery and they fall like flies.

And ,however,in a world that God seems to have completely forgotten,the children learn at school that the sum of the angles of a triangle is 180 degrees.And chiefly,they must respect the property of others(!). On the wall of the classroom,you can see a picture,showing an eighteen century marchioness!

Irony and surrealism are always here .After these horrors,out of the blue,Bunuel begins a lecture on the anopheles mosquito,complete with anatomical charts.

Banned by the Spanish government in 1933-1935,it took the Popular front(1936)to release what was the first social and political documentary.

"Las Hurdes" may be the Surrealist documentary par excellence, a tendentious film discourse about poverty shot in Las Hurdes Altas, a human settlement out of a nightmare, among steep precipices, in an almost deserted landscape. Even based on Maurice Legendre's 1927 anthropological text "Las Jurdes: A Study of Human Geography", Buñuel forced into the harsh situations his own obsessions with insects and donkeys that would appall today any society for the protection of animals. Done at a time when Spain was among the nine countries with the highest level of economic development, by contrast this work shows the state of misery of a community marginalized by landowners, forgotten by authorities, and living in the cruelest of conditions. The cynic commentary makes the facts more striking, but the music score by Darius Milhaud is an obtrusive element. Although banned by the authorities, it was re-released with a Spanish narration read by actor Francisco Rabal.

...from Spain and provocative director Luis Bunuel. The people of the Las Hurdes region of Spain are shown in all of their starving and impoverished misery. Located roughly 60 miles from the well-off Province of Salamanca, Las Hurdes is rampant with disease and malnutrition. The camera captures the look of loss and hopelessness on the emaciated children's faces, and we see as they drink from a filthy river and eat meager portions of bread. This stuff is pretty raw, but there's a dispassionate distance courtesy of the matter-of-fact English-language narrator on the version I watched. There's also a couple of rough animal scenes (a goat falls down a cliff, and a donkey is killed by bees) that may be a deal breaker for some viewers. It is listed as one of the 1001 Movies to See Before You Die.