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One of the better Marx Brothers movies. This one came right in the middle of their prime, between Monkey Business and Duck Soup (probably their two best films). While Horse Feathers isn't quite as funny as either of those, it still has plenty of laughs. The Marx Brothers were still young, but they knew what they were doing now. Again they take advantage of the film medium to do things they never could have done on stage, like the wild football finale. The involvement of the supporting cast is also kept to a minimum, which is always a good thing in Marx Bros. films. They do go back to relying on too many musical numbers. Groucho's opening song "Whatever it is, I'm Against it" seems awkwardly out of place, but it's interesting to see all four brothers do their own version of "Everyone Says I Love you." It's not their very best work, but it's not far from it either.

HORSE FEATHERS, the fourth of the five Paramount Marx Brother Movies, is one of their best - tackling the world of higher education in America. Groucho is the latest of the Presidents of Huxley College, which is doing very badly (apparently) not because of poor scholastic standards but due to not having a successful football team. His son (Zeppo!) steers him toward solving this issue, but with typical Groucho ineptness he thinks the two semi-professional football players he is looking for are Harpo and Chico. He proceeds to regret his own mistake, until the climactic football game.

The music numbers of this film are well remembered, particularly Groucho's introduction ("I'M AGAINST IT!") and "Everyone Says I love you". The latter was sung to the anti-heroine of the story, Thelma Todd in her second and last film with the brothers. Thelma plays the "college widow", a popular fictional figure in early 20th Century American humor - a euphemism for an ever-ready widow of a college professor who was there to have sex with students or the staff. George Ade, the humorist who wrote FABLES IN SLANG, wrote a play called "THE COLLEGE WIDOW" in the teens of the 20th Century. Thelma is certainly effective as the vamp trying to help David Landau (President of Darwin College) get the football signals of Huxley College. Her scenes with Groucho and Chico are quite funny. Chico is playing the piano and she sings. She says she has a falsetto voice. Chico says that's all right, his aunt has a false set of teeth. And Groucho, when taking Thelma for a boat trip throws her a lifesaver (literally), while returning with a duck who interrupted his singing.

The final football game is the second best spoof of college football on film (the one in Harold Lloyd's THE FRESHMAN is a better one). In the end we see the boys demolish football huddles, football signals, even hot dogs (poor Nat Pendleton).

A delightful antique, it is well worth watching. This is one film I'm not against.

Don't watch HORSE FEATHERS expecting anything like a coherent plot, developed characterization or sophisticated filming technique. Shot on a shoestring by Paramount, with more than its fair share of stock footage, it has the feel of a quickie; a more up-market version of the Hal Roach two-reelers that were released at the same time with Laurel and Hardy. On the other hand HORSE FEATHERS does preserve for posterity some of the Marx Brothers' finest routines. Groucho has never been better as a crazy professor charged with the responsibility of rescuing a poor school; his dialog fairly crackles with one-liners, and he is a past master at handling mock-love scenes. Harpo has his fair share of visual set-pieces, notably when he leads a police officer a merry dance in and around his dog-catcher's van. He also has the chance for one of his harp solos. Chico enjoys himself most during a speakeasy scene, when he and the other two brothers have great fun with the so-called 'secret' password. He gets to play the piano in another specialty number. The ending is a bit weak, with a crazy football game stretching the audiences' credibility to the limit, but all in all the film is great fun; the humor stands up well eight decades later.

Plot (or should I say plan of attack)— Entering a college campus, the gang gets to deconstruct the whole idea of higher education.

The gags fly faster than speeding bullets. There's no real let-up, not even for hasty romantic interludes with Zeppo and Todd. It's like the boys have a hundred pages of material to squeeze into 70-minutes. Harpo's got more to do than usual, even a harp solo, while Groucho is at his caustic best with a zillion one-liners. I did miss his usual foil, Margaret Dumont, who should have been lurking somewhere in the faculty lounge. Instead, as a college president, he gets to insult anything collegiate, including America's unofficial national religion-- football. And check out that big game that looks more like Ben Hur than a sports contest. But what I really liked was Thelma Todd in the slinkiest gowns this side of Jean Harlow. And what a fine comedienne she was; too bad her life ended as several probing pages in Hollywood Babylon. All in all, this is the chaos brothers at their liveliest, and may cause highschoolers to rethink the whole idea of higher education.

There's a lot of good material in this Marx Brothers feature, with just enough plot to hold it together and to set up a very entertaining final sequence. As usual, there are a number of memorable scenes to choose from when picking your favorite parts of the movie.

This time the brothers are let loose on a college campus that is getting ready for a big football game. Groucho and Zeppo are the new college president and his son, while Harpo and Chico arrive from a nearby neighborhood in time to add their own kind of confusion. The campus setting allows them to satirize many aspects of college life, and there are some good off-campus scenes as well, most memorably the 'swordfish' scene in the speakeasy. It's capped off with a hilarious football game that is one of their best sequences.

This ranks highly on almost anyone's list of favorite Marx Brothers features - if you're a fan, make sure to see it.