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The Girl from Chicago

  • 1932
  • 1h 10m
IMDb RATING
4.5/10
238
YOUR RATING
The Girl from Chicago (1932)
CrimeDrama

An undercover government agent on a case in Mississipi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss. He rescues the girl, and they leave Mis... Read allAn undercover government agent on a case in Mississipi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss. He rescues the girl, and they leave Mississippi and head to Harlem, but their troubles follow them: they become involved in the m... Read allAn undercover government agent on a case in Mississipi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss. He rescues the girl, and they leave Mississippi and head to Harlem, but their troubles follow them: they become involved in the murder of a local crime boss there.

  • Director
    • Oscar Micheaux
  • Writer
    • Oscar Micheaux
  • Stars
    • Carl Mahon
    • Starr Calloway
    • Alice B. Russell
  • See production info at IMDbPro
  • IMDb RATING
    4.5/10
    238
    YOUR RATING
    • Director
      • Oscar Micheaux
    • Writer
      • Oscar Micheaux
    • Stars
      • Carl Mahon
      • Starr Calloway
      • Alice B. Russell
    • 11User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos5

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    Top cast15

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    Carl Mahon
    • Alonzo White
    Starr Calloway
    • Norma Shepard
    • (as Star Calloway)
    Alice B. Russell
    • Miss Warren
    Eunice Brooks
    • Mary Austin
    Minto Cato
    • Mary's sister
    John Everett
    • Jeff Ballinger
    Frank H. Wilson
    Frank H. Wilson
    • Wade Washington
    • (as Frank Wilson)
    Cherokee Thornton
    • A Switch
    Grace Smith
    • Liza Hatfield
    Edwin Cary
    • A numbers collector
    Juano Hernandez
    Juano Hernandez
    • Gomez
    • (as Uano Hernandez)
    Danny Barker
    • 2nd Banjo Player
    'Slick' Chester
    Chick Evans
    Buddy Harris
      • Director
        • Oscar Micheaux
      • Writer
        • Oscar Micheaux
      • All cast & crew
      • Production, box office & more at IMDbPro

      User reviews11

      4.5238
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      Featured reviews

      Michael_Elliott

      Technically Quite Awful

      The Girl from Chicago (1932)

      * 1/2 (out of 4)

      Secret Agent Alonzo White (Carl Mahon) finds himself in Mississippi where he meets a woman named Norma (Starr Calloway). The two hit it off but the only problem is that a local gangster is also after the woman. After some drama Alonzo and Norma run off to Harlem where more trouble waits for them.

      Oscar Micheaux's THE GIRL FROM CHICAGO is a complete and utter failure. There's really no other way to look at it but you can certainly understand because, let's face it, the 30s just weren't a good time for race films. Most black filmmakers were working on extremely low budgets and more times than not they had to use non-actors for the roles. This here will explain why this film has some of the worst performances that you'll ever see and also some of the worst cinematography that you'll ever see.

      There are many shots in the film where the actor's heads are cut off. The awful framing is something that I thought might have been an issue with the print I was viewing but I compared two different prints and it was like that on both. As I said, the performances are beyond bad and it's so bad at times that it almost feels like the actor is trying to ruin the film by making their performance so bad. Apparently Micheaux knew it as well as there are a couple times where you can actually hear him directing the cast members? Look around the twenty-two minute mark and you can hear him off camera directing. There's also another sequence where you can see him in a mirror directing.

      As I said, THE GIRL FROM CHICAGO is technically very poorly made and the performances are awful. This here pretty much kills any chance for a good movie. The story itself is your typical mystery and it's not overly bad but there's just not much Micheaux could do.
      3shermandemetrius

      A Mystery Thriller With Heart

      Having a shoestring budget, The Girl From Chicago could not afford the top black actors and experienced technicians. Nor could it afford the luxury of the directors yelling cut and reshooting scenes. But the film has heart and is entertaining. An important note is that the film must be seen for its historical value as it demonstrates an early black writer and director's struggle and determination to produce exciting black films. I love the positive images of blacks along with its villains. In Girl From Chicago, there are brave black heroes determined to bring the villains to justice. There are charming black women from small towns and gangster's girlfriends from the big city (One of the gangster's girlfriends is a frustrated masochist who can't get sexually aroused unless a man beats her.)
      6psteier

      Typical Oscar Micheaux talkie

      Carl Mahon (Alonzo White) is a Federal secret agent who goes to Mississippi on a case, meets and falls in love with Star Calliway (Norma Sheperd) and rescues her from the evil local bigshot John Everett (Jeff Balinger). They then go to Harlem and get involved in the murder of the Cuban head of the numbers racket (Vano Hernandez as Gomez).

      A patchy script and minimal production values can make the movie hard to follow. The sound track is typical of early talkies, with the actors stopping to talk at the camera.

      Mainly interesting for the music and dance acts, especially the chorus line and the dance duo in a nightclub and as a view of the black acting style of the period.
      2arfdawg-1

      The Good and the Bad of It

      Let's get the bad out of the way.

      It's not a very good movie. If we review this on an even playing field with mainstream low budget dramas of the day, it really is lacking in watchability.

      The movie drags on and often loses the plot and instead veers off into segments with women playing the piano and singing, dance routines, musical interludes. Just seems like a lot of filler to me.

      The acting, as well, is very, very poor. At least with movies that Ed Wood made in the 50's we can laugh at how bad they are but still watch them. This movie is just bad, and it makes you want to turn it off.

      Now the good.

      Micheaux was an interesting dude. Father was a slave and somewhere along the line he got himself to Chicago and decided to make movies. This was 1919 when he and some other black men started a film company with the name of Lincoln, interestingly.

      I've seen a number of his movies over the years and none of them are especially good. Seems like he had a talent for independence, but not movie-making.

      The best I can say is that his films are serious movies about serious issues, not stereotyping the black community into buckets like Steppin Fetchit.

      His characters were middle and upper middle-class blacks. His movies played at all black movie theatres back in the day. I used to pass one of them in NYC all the time when I lived there. It was on Broadway in the hundred and thirties. Right smack in Harlem, not far from an area called Sugar Hill where the wealthy blacks lived.

      So, from a historical viewpoint he certainly is an interesting person worthy of attention. Unfortunately the output was less than ideal.
      msladysoul

      Thank God for these Black Cast Films!

      Oscar Micheaux tried to be realistic in his films. He tried to show Blacks could act and could have emotions and feelings. He wanted to show that Blacks could tell stories too. You can tell Micheaux did his homework. At first you might think its boring like I did, but I rewind it back and watched it again and I understood it better and was moved by the acting. These actors, actresses, and entertainers weren't able to crossover and make it in Hollywood or on the White-Time. But thank God for these films because we get to see black entertainment that we would have never seen if wasn't for these black cast productions. These actors and entertainers were known in the Black community and were featured in The Black Press. But sadly these people are forgotten. For a while these films were lost, but their being found again and are selling like hotcakes. But, they were very good and people are starting to see that. Whites didn't view these films much, but now their the main ones watching now. These films also shows Black that Blacks did try to do their own and make their own movies. Beautiful women, handsome man, good acting. Don't expect Hollywood lighting and filming. Its not the best in some of these Black cast films. But their watchable. Enjoy these and others films by Spencer Williams and Ralph Cooper and many others. These movies are great Black entertainment. Hollywood did black cast films but they wouldn't allow certain things. These black cast films hold nothing back, they show what Black Life was and all about.

      Storyline

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      Did you know

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      • Trivia
        Film debut of Juano Hernandez.
      • Goofs
        Alonzo White tells Ballinger he's from the Department of Justice, specifically the Secret Service. The Secret Service is in the Treasury Departmentg.
      • Connections
        Edited into SanKofa Theater: The Girl From Chicago (2017)

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      Details

      Edit
      • Release date
        • 1932 (United States)
      • Country of origin
        • United States
      • Languages
        • Spanish
        • English
      • Also known as
        • A Garota de Chicago
      • Production company
        • Micheaux Film
      • See more company credits at IMDbPro

      Tech specs

      Edit
      • Runtime
        • 1h 10m(70 min)
      • Color
        • Black and White
      • Sound mix
        • Mono
      • Aspect ratio
        • 1.20 : 1

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