An undercover government agent on a case in Mississipi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss. He rescues the girl, and they leave Mis... Read allAn undercover government agent on a case in Mississipi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss. He rescues the girl, and they leave Mississippi and head to Harlem, but their troubles follow them: they become involved in the m... Read allAn undercover government agent on a case in Mississipi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss. He rescues the girl, and they leave Mississippi and head to Harlem, but their troubles follow them: they become involved in the murder of a local crime boss there.
- Norma Shepard
- (as Star Calloway)
- Wade Washington
- (as Frank Wilson)
- Gomez
- (as Uano Hernandez)
Featured reviews
* 1/2 (out of 4)
Secret Agent Alonzo White (Carl Mahon) finds himself in Mississippi where he meets a woman named Norma (Starr Calloway). The two hit it off but the only problem is that a local gangster is also after the woman. After some drama Alonzo and Norma run off to Harlem where more trouble waits for them.
Oscar Micheaux's THE GIRL FROM CHICAGO is a complete and utter failure. There's really no other way to look at it but you can certainly understand because, let's face it, the 30s just weren't a good time for race films. Most black filmmakers were working on extremely low budgets and more times than not they had to use non-actors for the roles. This here will explain why this film has some of the worst performances that you'll ever see and also some of the worst cinematography that you'll ever see.
There are many shots in the film where the actor's heads are cut off. The awful framing is something that I thought might have been an issue with the print I was viewing but I compared two different prints and it was like that on both. As I said, the performances are beyond bad and it's so bad at times that it almost feels like the actor is trying to ruin the film by making their performance so bad. Apparently Micheaux knew it as well as there are a couple times where you can actually hear him directing the cast members? Look around the twenty-two minute mark and you can hear him off camera directing. There's also another sequence where you can see him in a mirror directing.
As I said, THE GIRL FROM CHICAGO is technically very poorly made and the performances are awful. This here pretty much kills any chance for a good movie. The story itself is your typical mystery and it's not overly bad but there's just not much Micheaux could do.
A patchy script and minimal production values can make the movie hard to follow. The sound track is typical of early talkies, with the actors stopping to talk at the camera.
Mainly interesting for the music and dance acts, especially the chorus line and the dance duo in a nightclub and as a view of the black acting style of the period.
It's not a very good movie. If we review this on an even playing field with mainstream low budget dramas of the day, it really is lacking in watchability.
The movie drags on and often loses the plot and instead veers off into segments with women playing the piano and singing, dance routines, musical interludes. Just seems like a lot of filler to me.
The acting, as well, is very, very poor. At least with movies that Ed Wood made in the 50's we can laugh at how bad they are but still watch them. This movie is just bad, and it makes you want to turn it off.
Now the good.
Micheaux was an interesting dude. Father was a slave and somewhere along the line he got himself to Chicago and decided to make movies. This was 1919 when he and some other black men started a film company with the name of Lincoln, interestingly.
I've seen a number of his movies over the years and none of them are especially good. Seems like he had a talent for independence, but not movie-making.
The best I can say is that his films are serious movies about serious issues, not stereotyping the black community into buckets like Steppin Fetchit.
His characters were middle and upper middle-class blacks. His movies played at all black movie theatres back in the day. I used to pass one of them in NYC all the time when I lived there. It was on Broadway in the hundred and thirties. Right smack in Harlem, not far from an area called Sugar Hill where the wealthy blacks lived.
So, from a historical viewpoint he certainly is an interesting person worthy of attention. Unfortunately the output was less than ideal.
Did you know
- TriviaFilm debut of Juano Hernandez.
- GoofsAlonzo White tells Ballinger he's from the Department of Justice, specifically the Secret Service. The Secret Service is in the Treasury Departmentg.
- ConnectionsEdited into SanKofa Theater: The Girl From Chicago (2017)
Details
- Release date
- Country of origin
- Languages
- Also known as
- A Garota de Chicago
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 10m(70 min)
- Color
- Sound mix
- Aspect ratio
- 1.20 : 1