Maison de tout repos

"County Hospital" is a perfectly fine L&H short until the final sequence. I always enjoyed the scenes where Stan roams the hospital halls looking for his buddy (trying to figure out what a "solarium" is) and accidentally wanders into the maternity ward; he's mightily relieved when he finds out he's on the wrong floor! I also very much enjoy Ollie's scenes with doctor Billy Gilbert and silly Englishman William Austin. The film is also enlivened by the nurses, played by Estelle Etterre (who laughs hysterically when she finds that Stan has accidentally injected himself with a sedative) and May Wallace (who joins in the laughter and says, "He'll sleep for a month!" -- so much for medical ethics).

Personally, I always liked the scene where Dr. Gilbert is flung out the window of Ollie's room on the top floor--it adds a little action to a film where the longest scene is a single take of Stan trying to eat a hard-boiled egg. Also, the gag with the egg dropping into an unseen container by Ollie's bed and making a metallic clunk is NOT a mistake--the joke is that we think at first the egg has dropped into a chamber pot (ask your grandparents what that is), but as Stan brings it up into view we're relieved to see it's only a pitcher. The same gag happens in the team's earlier short "Helpmates," where Stan drops an alarm clock into an unseen container under his bed.

As for the final sequence with the back projection, it's not so much the quality of the film running behind the boys as a problem of sluggish editing. If the shots had been much shorter--and if we'd had a few more cutaways outdoors than just the one of the car skidding on a wet road--the sequence might have worked. Roy Seawright, who did the special effects scenes at Roach's, was a good friend of mine and his crew generally did top-notch work-- check out the split-screen scenes in "Our Relations" and "Brats," the animated bubbles in "Swiss Miss," and all of the effects work in Hal Roach's feature "Topper."

Another fine comedy from Stan and Ollie. Stan pays a hospital visit to Oliver, who is up in traction with a broken leg, enjoying the peace and quiet. Of course it isn't long before that peace is destined to vanish.

Stan is so wonderfully inept in this one. Visiting Ollie as he hasn't anything else to do today, not bringing Ollie candy as "It costs too much" and not having been paid for the last batch. He comes up with his legendary gift.

Don't think any other comedian eating a hard boiled could be funny, but in Laurel's effortless hands it's great. The trouser gag is absolutely hilarious.

Only the climax is a let down, spoiled by poor rear projection work and going on too long. We are rescued though by the boys' L-shaped car (at least that's how it ends up!) Stan and Ollie: best there's ever been.

As we all know Stan Laurel does not do well in a crisis, especially those of his own making. Just a simple act of kindness visiting his good buddy Oliver Hardy in the hospital causes mayhem in the hospital and also out on the road.

By the way do any of you doubt the reason that Ollie is in the hospital in that contraption with a broken leg is because Stan did something to cause it?

Anyway the highlight of this is poor Ollie hung up with his leg still in the cast while Dr. Billy Gilbert is hanging out the high window at the same time. Poor befuddled Laurel can't figure out what to do.

William Austin playing his usual silly twit Englishman is Ollie's roommate and I have to say that the boys and Hal Roach were most generous giving Gilbert and Austin their share of laughs.

In the end a tranquilizer kicks in as Stan is driving Ollie home. What havoc is wrought.

One of their funniest short subjects.

This is a very funny and watchable Laurel and Hardy short. Ollie has been injured and Stan, like a pal, comes to visit and cheer him up. However, from the minute he arrives, Stan creates havoc--driving the staff mad and torturing Ollie in the process. I particularly liked how his playing with the counterweight to Ollie's broken leg resulted in Ollie's doctor being launched out the window! As a result, Stan AND Ollie are ejected from the hospital. The final driving sequence is the low-point, as at times it looked VERY fake, but the final scene makes this screwup forgivable. This film is good fun and only a crusty old curmudgeon would dislike it.

By the way, I am rather shocked to say that there is a better hospital comedy starring Billy Gilbert (who was also in COUNTY HOSPITAL). NIFTY NURSES is a mostly forgotten musical comedy that frankly is head and shoulders above this Laurel & Hardy film. While I adore Stan and Ollie, this other film is the funniest hospital short I've seen--better than COUNTY HOSPITAL and the Three Stooges' MEN IN BLACK.

With Hardy laid up in hospital with a broken leg, Laurel decides to pay him a visit, brining with him a gift of nuts and hard boiled eggs. He finds a relaxed and worry free Hardy, however the chaos the unwitting Laurel unleashes unto an unprepared hospital threatens to change all that.

The feeling of being a bit forced prevents this short from being considered Laurel and Hardy at their best. An example of what I mean is evident in the first few moments, Laurel finding Hardy's room gives rise to a little confusion but Laurel overplays his normal/confused/normal expression switches and for no real reason. Likewise many of the jokes are things they know work, but have to force to fit. There are some funny bits that are both subtle (Laurel eating the egg) or physical (hanging out the window) or climactic (the drive home) and most of them are good but it doesn't feel as fresh and lively as it often has.

Laurel overplays but Hardy is as good as ever. He is given less to do than he should have been and the film is allowed to rest too heavily on Laurel, but both still do pretty well. Overall this is an enjoyable short but feels like they are were lacking ideas and were treading water a tad for this one. That said, Laurel and Hardy treading water is often still better than many modern comedians who struggle to have an output of 1 or 2 films a year, never mind L&H's output!