Arsène Lupin

A remake of the 1916 silent film, based on the 1909 novel by Maurice Leblanc. The detective series would be made into numerous plays, films and TV series in the UK, the US, and France over the years. This 1932 version starred the smashing Barrymore brothers John (as the Duke) and Lionel (as Detective Guerchard). They would also star together in Grand Hotel, Dinner at Eight, and several others over the next couple years. Sonia (Karen Morley) shows up in the Duke's bed during a party in this pre-Hayes code film; first the lights go out in the bedroom, then they go out in the main ballroom, then the search is on for the crook and the missing jewelry, as well as other missing valuables... You can tell talkies hadn't been around too long, as they still use caption cards several times. Also watch for a new kind of safe that doesn't need a combination. Well-thought- out plot, no big holes, but no big surprises here either. Not bad for an early talkie film. Clever ending.

Lionel Barrymore is a French police inspector, Guerchard, tasked with finding an elusive thief, Arsene Lupin, who robs usually elaborately protected estates of their art and jewels. John Barrymore is a nobleman whom Guerchard suspects is actually the thief, but because of the classism that exists in France, Guerchard must tread carefully.

Arsene Lupin seems to enjoy making a fool out of the authorities and out of Guerchard in particular just as much as he enjoys the thrill of stealing and also the high life. When Guerchard paroles a particularly charming thief, Sonia (Karen Morley), so she can show up naked in Lupin's bed unexpected and charm Lupin into revealing something, Lupin simply charms her and gets her to fall in love with him so that her loyalties shift.

Guerchard has a month until he's eligible for his pension, but his superior states that if Lupin is not caught in a week, he'll be discharged and thus not get his pension. Complications ensue.

The Barrymore brothers were great in this film, and the ending was unexpected. I will say I would doubt the authenticity of the denouement if there were any other two actors involved. They made it work.

JOHN BARRYMORE actually underplays the role of ARSENE LUPIN in this early talkie that features his brother LIONEL BARRYMORE as a crusty detective seeking to solve a series of jewel robberies. John Barrymore is the elegant man suspected of being the famed jewel thief and he plays it with a surprising amount of charm and skill, rather than the overacting he often displayed in later films.

KAREN MORLEY is the attractive blonde who is supposed to be helping Lionel get the goods on the thief--but, unfortunately, she's no help at all when she falls hopelessly in love with the charming scoundrel.

So much about the film, where much of the action takes place on a country estate with wealthy people in attendance, reminds me of the David Niven/Olivia de Havilland film about the Scotland Yard thief RAFFLES. Barrymore plays the role with the same effortless charm that Niven adapted for his Raffles, the man who kept authorities baffled with a string of jewel robberies.

TCM is showing a good print of the film and while some of the dialog leaves a lot to be desired, it's a good example of an early sound film that still holds up today. Interior sets of the country estate are expensively mounted and it's obvious this was designed as a major film, not a programmer, despite the slight story.

Lionel hams it up considerably throughout, but John is more effective in his underplayed role.

Suave gentleman thief Arsene Lupin (John Barrymore) clashes with Detective Guerchard (Lionel Barrymore) as he tries to steal the Mona Lisa. Any movie with the two Barrymore brothers together is automatically worth checking out. Karen Morley is also good in her sexy role. Her acting style dates her but she's good at what she does. A charming, fun movie with lots of class. This is old-fashioned but in the best way. You see Hollywood try to revive this type of film every few years but with little success. A must-see for fans of the Barrymores.

I wonder if Arsene Lupin was the inspiration for the infamous Savoir-Faire from the Klondike Kat cartoon. For those who don't know, Savoir-Faire was a French-Canadian mouse who also happened to be a master thief. Probably not but I love imagining Lionel Barrymore saying "Savoir-Faire is everywhere."

A chance to see John and Lionel Barrymore in the same film is never to be passed up. MGM dragged up Arsene Lupin from the Edwardian era. The title character is a French version of Raffles, the titled gent who likes to step out every so often as an amateur thief.

Like Ronald Colman and David Niven in Raffles, Barrymore is as debonair and charming as they playing the titled thief. His Clark Kent persona is the Duke of Charace, but when he's working he's Arsene Lupin. He even sends notes to the police signed Arsene Lupin.

The man assigned to catching the notorious Arsene Lupin is Inspector Lionel Barrymore who has a good reputation. But Lupin proves to be a bedeviller. Never mind say Lionel's superiors, your job is on the line if you don't get him within a week. They make no bones about it, he robs the rich and the rich pay our taxes.

The party of skinflint old nobleman Tully Marshall is the target and it's a game of cat and mouse between the Barrymore brothers.. Lionel brings in reinforcements with the beautiful Karen Morley, but John is up to just about anything Lionel can muster.

Arsene Lupin is old fashioned, but the brothers are incredible to watch even after over 80 years. It's worth a look.