Waterloo Bridge

I never thought I would enjoy this production of "Waterloo Bridge" more than the 1940 remake with Robert Taylor and Vivien Leigh. For one thing, this version is a straight narrative which is more suspenseful than the flashback construction of the remake. Secondly, Kent Douglass has that boyish quality which makes his naiveté much more believable than Robert Taylor's. And finally, the pacing and casting of the supporting actors by James Whale couldn't be beat. Ethel Griffies, as the heartless landlady, Enid Bennett, as Douglass' sympathetic but forceful mother, and Doris Lloyd, Clarke's practical but unfeeling prostitute friend, were all standouts. I had never seen Mae Clarke in such a strong dramatic role, which she handles more beautifully than I ever thought she could, conveying her anguish at loving a man but being ashamed of having become a prostitute. And, of course, there is Bette Davis in a small inconsequential role very early in her career; she was still a pleasure to watch. By all means, see this film! You won't regret it.

Since the story is so well known by some of the very good reviewers here, I am merely adding my surprise at the discovery of the talent of Mae Clarke. I had no idea she had done this original version and according to the collected IMDb data, Ms. Clarke was just 20 years old when she worked on this excellent adaptation of the play. There is no need to compare her performance to Vivien Leigh's later remake, because that film had no real grit and Clarke's performance was one of the best I have ever seen from a performer despite her youth. The film was shot soon after talkies began and her screen presence and non theatrical emoting was astonishingly on target. The director, Whale, must have had a good rapport because her scenes with all of the players came off honest and not a bit dated. I can see that Davis would have liked to play the part as someone mentioned, but she could not have done a better job. I just discovered it on the Turner channel and became so engrossed in Clarke's performance, I called people to get a copy and watch this actress' work. Quite remarkable.

The version of 'Waterloo Bridge' from 1940, with Vivien Leigh and Robert Taylor, has always been a favourite, so I welcomed the chance to finally see the earlier take with Mae Clarke and Kent Douglass.

Similar in some ways to the remake, the 1931 version is a lot grittier and more direct. It is clear what Myra's job is right from the start, and Clarke looks the part. You never could really imagine Vivien Leigh street-walking.

As Roy the Canadian soldier home on leave, Kent Douglass is a little stiff and reserved, but he puts across well the desperation of a man in love, no matter what. It's an old story, but done well here.

Despite a few histrionics and a relatively short running time, this film is entertaining (an old woman loses potatoes in an air raid and won't move off the bridge without them), and poignant (Myra feels at home at last with Roy's country folks, but we know it won't last).

It can be found on the DVD set 'Forbidden Hollywood, volume 1'.

It's not often one sees a film of this era with as much straightforward, realistic acting and characterization. It's not perfect in that regard, of course, and there's still a bit of the silent era heavy makeup and staging, but the honest and unstylized delivery of actor after actor is astonishing.

Although Mae Clarke's performance as Myra is justifiably lauded, Kent Douglass's (his screen name here) clean, fluid, unexaggerated portray is a delight to watch (in spite of the aforementioned eye makeup). Both Frederick Kerr and Enid Bennett as Roy's step-father and mother are priceless. The scenes between Mary, Roy's mother, and Mae are especially satisfying for their unassuming honesty.

Really excellent pre-code film, set in wartime London where an ex-chorus girl/current street walker (played by Mae Clarke) heads over to Waterloo Bridge to try and find herself a soldier on leave, and she meets wealthy, baby-faced, nineteen-year-old raw/green Roy and invites him up to her flat. He immediately falls in love and thinks she's a "good girl", unaware of her real walk of life. She falls for him too, but keeps putting him off, racked with guilt over her secret "career". Meanwhile he keeps pressing on, sneaking in her window, tricking her into meeting his family for a weekend of tennis, tea, and cocktails, asking her to marry him, etc. - he's completely smitten!

Top-notch acting and a good deal of chemistry between the two leads helps make this a really interesting, absorbing film. Their conversations together come across as quite realistic, and the performance given here by Mae Clarke is amazing - extremely well-done and memorable. I also enjoyed seeing a very young Bette Davis who appears here in a very small role as Roy's sister. Only one thing that bothered me about this film is, why oh why, as I have often seen done in period films made during this time, do they have the actresses appearing in modern, early 30s dresses, rather than period costume? Oh well, still a really first-rate film, well worth seeing.