IMDb RATING
6.8/10
2.3K
YOUR RATING
A Greek barber has uncommon skills in playing poker and soon rises in the seedy world of illegal gambling, but pretty blondes remain his Achilles' heel.A Greek barber has uncommon skills in playing poker and soon rises in the seedy world of illegal gambling, but pretty blondes remain his Achilles' heel.A Greek barber has uncommon skills in playing poker and soon rises in the seedy world of illegal gambling, but pretty blondes remain his Achilles' heel.
- Nominated for 1 Oscar
- 2 wins & 1 nomination total
Billy House
- Irontown Salesman
- (as William House)
Ernie Alexander
- Bellboy
- (uncredited)
Edwin Argus
- Two-Time Phil aka Back-to-Back Shultz
- (uncredited)
Spencer Bell
- Suntan
- (uncredited)
Clark Burroughs
- Mr. 'Deep' River
- (uncredited)
John George
- Dwarf on Train
- (uncredited)
Eddie Hart
- Detective
- (uncredited)
Featured reviews
1931's "Smart Money" is the only time Edward G. Robinson and James Cagney were paired in a film. Robinson is definitely in the lead here, though. Although it's impossible to really describe Cagney as "subdued" in anything he ever did, he is toned down a bit. Robinson plays Nick the barber, who gets 10K together to gamble in one of the syndicate's big games. This turns out the way you'd expect when a small time guy goes up against the mob and expects them to play on the level. Robinson's character vows revenge as a result of this double-cross. He eventually does become a successful big-time gambler with a gambling syndicate of his own. At this point he begins to attract the attention of law enforcement.
Don't expect Robinson's Little Caesar character to show up here - Nick the Barber is a kinder gentler gangster. In fact, he's really not much of a gangster at all. He pretty much limits his law-breaking to participating in and backing gambling until the final scene, which turns out to be the height of irony. Very much worth your viewing time.
Don't expect Robinson's Little Caesar character to show up here - Nick the Barber is a kinder gentler gangster. In fact, he's really not much of a gangster at all. He pretty much limits his law-breaking to participating in and backing gambling until the final scene, which turns out to be the height of irony. Very much worth your viewing time.
The only film ever to star both Edward G and Jimmy Cagney together. Made in 1931 during the Warner Bros heyday of gangster blood and guts, it represents a slight departure for them both.
Eddie G plays a small town gambler - a big fish in a little pond so to speak - with big ideas. His friends put a 10K poke together and send him off to the city to try his luck with the big boys. He is soon sucked into a crooked game by a sexy blonde at the hotel cigar counter. The scam artists soon take him to the cleaners. He is then humiliated by the sexy blonde and Sleepy Sam, played with delicious menace by Ralf Harolde.
He is joined by his pal Jimmy Cagney, and they put together another grubstake. This time, they outcon the cons, humiliate the blonde and he becomes the biggest gambler in town. It becomes clear throughout the movie, that Eddie is learning on the job, but his one very big blind spot is his attraction to blondes. Gee, I can't understand it - a short, dark, rather unattractive guy falling for some of the sexiest females on celluloid.
Well, the results are predictable,though I have to admit, the final blonde was a genuine surprise. It was the process that was interesting.
The pairing of Robinson and Cagney was a masterpiece. They played off each other like dueling banjos. It is too bad that they both got so big they couldn't fit on the same screen together again.
Eddie G plays a small town gambler - a big fish in a little pond so to speak - with big ideas. His friends put a 10K poke together and send him off to the city to try his luck with the big boys. He is soon sucked into a crooked game by a sexy blonde at the hotel cigar counter. The scam artists soon take him to the cleaners. He is then humiliated by the sexy blonde and Sleepy Sam, played with delicious menace by Ralf Harolde.
He is joined by his pal Jimmy Cagney, and they put together another grubstake. This time, they outcon the cons, humiliate the blonde and he becomes the biggest gambler in town. It becomes clear throughout the movie, that Eddie is learning on the job, but his one very big blind spot is his attraction to blondes. Gee, I can't understand it - a short, dark, rather unattractive guy falling for some of the sexiest females on celluloid.
Well, the results are predictable,though I have to admit, the final blonde was a genuine surprise. It was the process that was interesting.
The pairing of Robinson and Cagney was a masterpiece. They played off each other like dueling banjos. It is too bad that they both got so big they couldn't fit on the same screen together again.
Smart Money (1931)
A clever story about crime and misguided love (quasi-love) and about the love of money. What's wrong with that? Nothing here. With a remarkable performance by Edward G. Robinson (as usual), and supporting roles by a young James Cagney and a series of blondes who will more or less look alike at first. It might have been something of a formula production for the cast and crew, but it's during the lively pre-1934 sound era where, especially at a studio like Warner Bros., things manage to pop one way or another.
As much as this is a very good film, completely engaging and without gaffes or sentimental slow downs, it remains secondary for 1931 because of several interesting things. First, Robinson had just become famous for "Little Caesar" where he had a shining (and roughly similar) role as a sort of good guy gangster. Second, Cagney was in a rare supporting role, not yet famous for his breakout role in "The Public Enemy" later the same year. Both of these Warner films are better, all around. And a third twist is the appearance early on of Boris Karloff, who was about to launch to superstardom as, yes, "Frankenstein," a Universal film from later in, yes, 1931.
But you should watch "Smart Money" for what it does so well--tells a fast, multi-layered story with economy and life, and with great performances by the leads. The story and direction might fall short of classic, but it's still really solid.
A clever story about crime and misguided love (quasi-love) and about the love of money. What's wrong with that? Nothing here. With a remarkable performance by Edward G. Robinson (as usual), and supporting roles by a young James Cagney and a series of blondes who will more or less look alike at first. It might have been something of a formula production for the cast and crew, but it's during the lively pre-1934 sound era where, especially at a studio like Warner Bros., things manage to pop one way or another.
As much as this is a very good film, completely engaging and without gaffes or sentimental slow downs, it remains secondary for 1931 because of several interesting things. First, Robinson had just become famous for "Little Caesar" where he had a shining (and roughly similar) role as a sort of good guy gangster. Second, Cagney was in a rare supporting role, not yet famous for his breakout role in "The Public Enemy" later the same year. Both of these Warner films are better, all around. And a third twist is the appearance early on of Boris Karloff, who was about to launch to superstardom as, yes, "Frankenstein," a Universal film from later in, yes, 1931.
But you should watch "Smart Money" for what it does so well--tells a fast, multi-layered story with economy and life, and with great performances by the leads. The story and direction might fall short of classic, but it's still really solid.
Two very famous little guys playing cocky guys - Edward G. Robinson and Jimmy Cagney; who could ask for anything more? Well, maybe a little more Cagney, as he is just a supporting player here, but overall I had no complaints watching this 1931 film.
Robinson was great in the lead as "Nick the Barber," (full name "Nick Venizelos.") Cagney is "Jack," an old friend who is employed by Nick. The Greek is a barber, but he's really a full-time gambler or evolves into that role quickly during this story. He goes from small-town hick to big city boss but the road is bumpy along the way. He gets taken by the big crook in town twice, gets hustled by a couple of blondes (Nick's real weakness) but overcomes all of them to be gambling czar.
After Nick's successful jaunts at revenge are completed, the last third of the film is devoted to the city's district attorney trying to get some goods on Nick and put him away and get him out of his city.
This movie, as expected considering the year it was made, is very dated but another of those early '30s films that has a lot of snap, crackle and pop to it. The dialog is crisp and edgy with the expressions of the day and everybody is just nasty enough to make them all interesting characters.
Robinson, as in "Little Caesar," is super in here, much like the cocky gangster roles Cagney also would play in the same period ("The Public Enemy," "Lady Killer," etc.).
The blondes all look similar with the short curly hair of the period and the sexism, racism and other "isms" are all on display here in this fun "gangster movie." The ending was odd but that, too, was the mark of these Pre-Code films which certainly were different.
Now that it's out on DVD, check this film out if you're a fan of the early crime genre, or a fan of Robinson's. You won't be disappointed.
Robinson was great in the lead as "Nick the Barber," (full name "Nick Venizelos.") Cagney is "Jack," an old friend who is employed by Nick. The Greek is a barber, but he's really a full-time gambler or evolves into that role quickly during this story. He goes from small-town hick to big city boss but the road is bumpy along the way. He gets taken by the big crook in town twice, gets hustled by a couple of blondes (Nick's real weakness) but overcomes all of them to be gambling czar.
After Nick's successful jaunts at revenge are completed, the last third of the film is devoted to the city's district attorney trying to get some goods on Nick and put him away and get him out of his city.
This movie, as expected considering the year it was made, is very dated but another of those early '30s films that has a lot of snap, crackle and pop to it. The dialog is crisp and edgy with the expressions of the day and everybody is just nasty enough to make them all interesting characters.
Robinson, as in "Little Caesar," is super in here, much like the cocky gangster roles Cagney also would play in the same period ("The Public Enemy," "Lady Killer," etc.).
The blondes all look similar with the short curly hair of the period and the sexism, racism and other "isms" are all on display here in this fun "gangster movie." The ending was odd but that, too, was the mark of these Pre-Code films which certainly were different.
Now that it's out on DVD, check this film out if you're a fan of the early crime genre, or a fan of Robinson's. You won't be disappointed.
This is a nicely tailored story about the rise of Nick the Barber( a real barber)from the small gambling environs of Irontown to his rise to the big time gambling scene. Several things distinguish this film from just another mob movie. And that is just it for starters. This is not a mob movie. Edward G. Robinson's Nick is one of the kindest, most liked, and honest "crime" bosses you will ever see in film. Eddie doesn't shoot it up - in fact no one is murdered(Okay, I'm being a stickler here). This film also shows how difficult gambling can be as a profession. But at the film's heart is Robinson's performance. Nick is a sweet, at times naive, resilient guy with a weak/blind spot for pretty blondes. Aiding Eddie is none other than Jimmy Cagney playing Jack his friend and fellow business associate. Alfred E. Green does a rather deft job directing this very early sound picture. The pace is fast and the mood never compromised. The rest of the cast is quite good. Boris Karloff has a bizarre cameo as a man that has something Eddie just had - but we never know why Boris had it. It's a treat seeing Karloff and Robinson and Cagney in a brief yet memorable scene.
Did you know
- TriviaDespite both Edward G. Robinson and James Cagney having spent most of their acting careers with Warner Bros., this was the only film the two acting legends appeared in together.
- GoofsIn the beginning of the film, when Nick finishes talking with the hotel clerk, he sits in an armchair in the lobby smoking. The big pot ashtray is on the left of him. In the next scene, the ashtray is on his right. He goes for it to the left, surprisingly finding it on the right, so he drops his cigar on the floor.
- Quotes
Snake Eyes - Porter: Who'll give me a half a dollar for my hand?
Nick 'The Barber' Venizelos: Uh, I wouldn't give you a nickel for your whole body.
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Details
- Runtime1 hour 21 minutes
- Color
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