Sous les verrous

Laurel and Hardy's first feature film is a rather uneven affair with a disjointed story that sees Laurel and Hardy are sent to prison for selling home brew to a policeman during prohibition.

In hail they end up on the wrong side of their cellmate, The Tiger who is mean bad one. Stan's loose tooth which makes a raspberry noise constantly lands the duo in trouble.

They end up in solitary, then escape to a cotton plantation and once recaptured they inadvertently break up a prison riot.

The film is rather overlong and padded, like a couple of shorts cobbled together with some songs.

PARDON US, filmed in 1930 then edited down and released in 1931, is Laurel and Hardy's first feature-length comedy. In it, they are set to jail after Stan sells some illegal brew to a policeman ("Well, I couldn't help it-I thought he was a streetcar conductor!"). The whole film is pretty funny. There isn't much story, but a series of funny things that happen to the boys in jail. The finale has Stan and Ollie foiling a jailbreak. Highlights of the film include a great "welcoming" scene with extremely tolerant warden Wilfred Lucas, Laurel and Hardy posing as African American sharecroppers (with Stan shoving entire plants of cotton into his bag while Hardy daintily picks each piece of cotton with care), and a hilarious schoolroom scene with teacher James Finlayson! Not up to the standard of SONS OF THE DESERT or WAY OUT WEST, but still very funny. Try and get the complete 65-minute version that was on video in the early 1980s.

In Laurel's and Hardy's first full length talking picture the boys go behind bars.And Stan's loose tooth gets the boys in trouble many times, when it starts making a funny noise every time he speaks.Pardon Us offers you many funny moments with Laurel and Hardy.

Laurel And Hardy made their first starring feature film for Hal Roach with Pardon Us. It's a prison picture, but this correctional facility will never be the same now that Stan and Ollie have served time there.

They were not very good as bootleggers selling some of their illegal stock to an undercover policeman and got sent to the big house. Where Stan makes an inexplicable friend in the toughest con in the joint Walter Long. Ollie is not so similarly fortunate, but Long tolerates him as long as he's with Stan.

Stan has an additional problem. A loose tooth has him make the noises of a Bronx Cheer at the most inopportune moment.

This film has a large black cast of extras because part of the plot involves the boys escaping and eluding their captors while in blackface pretending to be field hands. Unlike a lot of films the black people here are portrayed with dignity. The sequences show the singing talents of Ollie and Stan does a nice patter with a dance. Since the blackface is integral to the plot I've not heard any objections raised to it here.

It was a good beginning for Stan and Ollie in sound feature films.

In & out of prison, Stan & Ollie just can't seem to stay out of trouble.

"PARDON US" was the Boys' first starring feature film. Rather disjointed and poorly edited, it plays more like a few of their short subjects strung together. However, the Boys never falter and they deliver a film whose parts are greater than its whole.

The film was meant to be a spoof of MGM's popular THE BIG HOUSE (1930) and it helps to have seen that earlier movie to fully appreciate this one. Many of the standard conventions of the typical prison film are mocked here: the ‘understanding' warden, the dangerous convict cell mate, the confinement in Solitary, the escape chased by bloodhounds, the prison riot.

A few comedy pieces in particular stand out: Stan's loose tooth; Ollie in the dentist's chair; the Boys trying to settle into the constricted confines of an upper bunk. James Finlayson, Stan & Ollie's old nemesis, makes the most of his one scene as the prison schoolteacher driven to despair by the Boys' good-natured idiocy.

Walter Long is lots of fun as the Tiger, the meanest convict in the prison (Boris Karloff played the part for the French language version). Movie mavens will spot an uncredited Charlie Hall as the dental assistant.

An added delight is Babe Hardy's rendition of ‘Lazy Moon,' one of the decade's finest film songs. Ollie had a warm, evocative voice, full of feeling and emotion. Here, backed by the magnificent Hall Johnson Choir, his song reaches out of the screen and down the decades to touch the hearts of the audience.