Murder at Midnight

The opening shots of this film are blurry with undefined shapes and objects, however suddenly a light is switched on and the change in lighting brings about sharper and more detailed images. The lighting techniques in the opening sequence are an indication of things to come in the film. It is an early experiment with lighting and varying the contrast levels from shot to shot. In some shots there are plenty of grey hues and details are easy to make out, while in other shots the faces and clothes of the characters are blown out to white. The blowing out to white is used most effectively when Aileen Pringle is interrogated by investigations - as her facial features can hardly be made out, it is hard for us as viewers to tell whether or not she is lying.

However, other than interesting lighting and camera techniques, the rest of the film is pretty flat. The mystery at the heart of the film is intriguing, but it is never really involving since the film lacks strong character development. Robert Elliott plays his hard-boiled detective as a one-dimensional stereotype too, which makes it hard to want to root for him and his desire to solve the mystery at hand. As an early sound film, the audio quality is not too great, with a bit too much atmospheric sound and perhaps some music could have helped. However, the timing of when a character says "and he fired" followed by a bang, and the timing between dialling for the police and a sudden siren sound, show that some thought was indeed put into what the film was going to sound like it. It is a flawed film, but other than a blatantly contrived ending it makes quite satisfactory viewing, and the lighting work is simply fascinating.

The mystery story in "Murder at Midnight" is an interesting one, with some good plot turns, plenty of suspects, and a competition between the police and some amateur sleuths to see who can solve the case first. The story is good enough to make up for the rest of the production, which is routine or somewhat weak in several other respects.

The story starts cleverly, with a murder committed in the course of a party game, and the scenario is well-written, maintaining the tension and interest all the way to the finale. There are clues and suspects in abundance, and most of the details fit together pretty well. As another reviewer has observed, it gives you a fair chance to figure things out yourself. If the rest of the production had been up to the level of the story, this might have been one of the classics of its era.

Some of its weaknesses are simply the common ones of the early 1930s: the irregular pacing and the distracting background, which unfortunately keep the script's rather snappy dialogue from working better. It also could have been improved if more attention had been given to the atmosphere, and with a somewhat stronger cast. The best performance comes from Clara Blandick as a cantankerous aunt, but the rest of the cast is mostly undistinguished, although Aileen Pringle and Alice White are both quite pleasant too look at.

Nevertheless, it's still well worth seeing, at least if you enjoy movies of its era, because the story really is a good one for its genre. With some improvements, it could have been quite good.

Frank R. Strayer directs this well acted 1931 who-done-it. What people won't do to have fun at a party. Accidental murder probably is a party pooper every time...but you can't say it isn't interesting. Way back when...a good party starter was a tame little game of charades. One particular night a staged murder in a game of charades turns to the real thing. The bullets weren't blank...leaving a man dead. The mood of the party guests takes on disbelief and a little paranoia. Inspector Taylor(Robert Elliott)puts the gathering of friends and lovers through their paces in search of the murderer's identity. Is it Lawrence, the butler(Brandon Hurst); Colton, the lawyer(William Humphrey); the maid(Alice White)or Aunt Julia(Clara Blandick)? Put disputed inheritance and infidelity in the mix...why wouldn't murder be the result? A long, heavy rainstorm could have made for better atmosphere; but all- in-all the 67 minutes running time is not wasted.

This is another decent poverty row offering from Frank R. Strayer, the director of The Ghost Walks and Condemned To Live. It's a whodunit concerning the whereabouts of a missing letter that pertains to the will of a recently murdered man. While there really isn't anything overly of interest here, the mystery is compelling enough to keep fans of 1930's mysteries entertained. It follows the conventions of the old dark house mysteries that were so popular at the time, and it doesn't exactly break the mould. It has a typical convoluted plot-line. Like many films of its type, this one is pretty stagey too, with some stiff acting throughout. Although there is some imaginative cinematography and the audio is very clear. The tone of the film is generally light, with not much in the way of thrills. Although it does introduce death by telephone! But if you are a fan of creaky old mysteries I think you could well enjoy this early talkie.

This is a good little thriller from the beginnings of sound. The only real problems it has are due to the era it was made, one when music wasn't a standard part of talkies, so the pace can seem a bit slow.

The plot concerns a murder during an elaborate game of charades. The bullets fired aren't blanks and as a result no one is playing dead. Of course since the game was taking place during a very fancy party everyone is a suspect. A neat twist is that any of the stereotypical scenes of the detective bringing everyone together are at the beginning of the movie, well before the denouncement.

The dialog is witty and the mystery keeps your interest, which is a big plus. I'm reasonably certain that the mystery is played pretty fairly which is nice since many times in B- movies the murderer comes out of left field.

Despite this not listing as available on video, Alpha Video does have it as a double feature with the very short Moonstone, and the pair makes a nice evenings viewing.