IMDb RATING
6.1/10
1.3K
YOUR RATING
A young couple lives together out of wedlock, but they find that they're ahead of their time.A young couple lives together out of wedlock, but they find that they're ahead of their time.A young couple lives together out of wedlock, but they find that they're ahead of their time.
- Director
- Writers
- Stars
- Awards
- 2 wins total
Hazel Howell
- Girl at the Bridal Shower
- (uncredited)
Lucille Ward
- Susan - Anne's Maid
- (uncredited)
Barbara Weeks
- Girl at the Bridal Shower
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
First time Stanwwyck captivated me. Attractive, cute, sensitive, intelligent. A master performance raising an overall OK movie to a different level. I fell in love with her character as an actress and as a young woman. Ann is a beautiful young lady full of sensitivity, common sense and intelligence. The movie reveals a conflict of feelings between two people triggered by their love toward each other. You would say it shows two characters with a behavior ahead of its time, but scratching the surface of the "mores" of the time, it really portraits a common conflict of love, in which the characters act in a mostly mature and civilized manner -I would add she way more mature than him, and this kind of acting does not have anything to do with the "mores" of the times. Quite the opposite,human beings have behaved maturely through history regardless of the prevailing social norms. Finally I would like to add that now I understand how Barbara Stanwick gained her reputation as a remarkable actress during her youth.
This movie creaks with age, but is memorable for being Barbara Stanwyck's first movie as a star. Miss Stanwyck gives an excellent performance, as always, but the supporting cast, particularly Charles Butterworth, steals the show as an amiable drunk whose bark is worse than his bite.
The best part of this rather boring gabfest is getting to see ladies high-fashion outfits, circa 1930. Some of them are real doozies. Stanwyck gets more than her share of slinky finery as a rich guy's paramour. Actually, the movie's premise is a significant one—does marriage somehow kill love? Anne (Stanwyck) seems to think so and sometimes acts on the premise. The trouble is that the premise gets drowned out by all the talk from one scene to the next, without let-up. Then too, director Mayo adds nothing to what turns out to be a filmed stage play. To be charitable, his options may have been cramped by the newness of movie sound equipment.
Pre-Code liberties are evident in the first few scenes where Anne, in a clinging negligee, and Dick (Rennie) discuss whether to marry or to continue living in sin. After that, the screenplay settles into more conventional marital mix-ups. But at least Stanwyck shines, showing why she was slated for bigger and better things. In fact, she's almost girlish, a really long way from the femme fatale of Double Indemnity (1944). Too bad she doesn't have more scenes with that other Warner's personality girl, Joan Blondell (Duckie). Anyway, I found the movie considerably less than I expected.
Pre-Code liberties are evident in the first few scenes where Anne, in a clinging negligee, and Dick (Rennie) discuss whether to marry or to continue living in sin. After that, the screenplay settles into more conventional marital mix-ups. But at least Stanwyck shines, showing why she was slated for bigger and better things. In fact, she's almost girlish, a really long way from the femme fatale of Double Indemnity (1944). Too bad she doesn't have more scenes with that other Warner's personality girl, Joan Blondell (Duckie). Anyway, I found the movie considerably less than I expected.
it is the man in a so-called "illicit" relationship who longs to get married and avoid a reputation, while Ann, played by Barbara Stanwyck holds out. She doesn't have much faith in marriage. But she is eventually convinced, in part by her lover's father. Will she be happy, or proved right, that is the question of the film.
Barbara looks lovely in this film, with darker hair (even though tight satin gowns are very unforgiving). She plays a modern woman, and does so with charm, instead of stridency. As newlyweds, they are blissfully happy, with plenty of money, travels and a beautiful townhouse in Manhattan. But hubby (James Rennie, who was married to Dorothy Gish for a while) is still a bit of a stiff....he complains when Ann turns on the music after a dinner out. She wants to go dancing, he whines about the late hour. Besides he might be catching a cold. Boo hoo. Yet when his friends call up, suddenly he is raring to go. And Ann knows why-he is still carrying a torch for a former girlfriend.
Joan Blondell is smart and chic in a small role.
(One of the most unrealistic lines is when Ann tells her husband she is going to move back to her old place for a while, tonight, right away. Try that in NYC...)
Barbara looks lovely in this film, with darker hair (even though tight satin gowns are very unforgiving). She plays a modern woman, and does so with charm, instead of stridency. As newlyweds, they are blissfully happy, with plenty of money, travels and a beautiful townhouse in Manhattan. But hubby (James Rennie, who was married to Dorothy Gish for a while) is still a bit of a stiff....he complains when Ann turns on the music after a dinner out. She wants to go dancing, he whines about the late hour. Besides he might be catching a cold. Boo hoo. Yet when his friends call up, suddenly he is raring to go. And Ann knows why-he is still carrying a torch for a former girlfriend.
Joan Blondell is smart and chic in a small role.
(One of the most unrealistic lines is when Ann tells her husband she is going to move back to her old place for a while, tonight, right away. Try that in NYC...)
Prohibition; scorned women, that was the early 30's. This was before the "decency" rules came into effect. Avant garde is the only way to describe this. Dated, yes. But very descriptive of the times. Only Stanwyck could do this well. Her strength and sensitivity are evident in every frame. This is a history lesson of the times and traditions that existed way back when!
Did you know
- TriviaOn the phone, Dick and Anne tease Duckie that they can't agree on which vacuum cleaner to buy, a Peerless or a General Electric. The joke here appears to be that Peerless was an old maker of hand-pump vacuums, never electric ones.
- Goofs(at around 5 mins) As Dick and Anne are walking out of the kitchen, a moving shadow of the boom microphone is visible on the wall to the left.
- Quotes
Richard 'Dick' Ives II: Dad, what would you do with a girl like that?
Richard Ives Sr.: I'd grab her any way she'd have me.
- ConnectionsFeatured in Sex, Censorship and the Silver Screen: The Temptations of Eve (1996)
- SoundtracksMaybe It's Love
(1930) (uncredited)
Music by George W. Meyer
Lyrics by Sidney D. Mitchell and Archie Gottler
Whistled by James Rennie
Hummed and sung by Barbara Stanwyck
- How long is Illicit?Powered by Alexa
Details
Box office
- Budget
- $249,000 (estimated)
- Runtime
- 1h 19m(79 min)
- Color
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