A murder mystery evolves during a weekend at an exclusive mansion.A murder mystery evolves during a weekend at an exclusive mansion.A murder mystery evolves during a weekend at an exclusive mansion.
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George 'Gabby' Hayes
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- (as George Hayes)
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Writer Jameson Thomas comes into the room to find people standing over a body, discussing who had killed the victim. When he demands to know why they haven't called the police, the corpse stands up. They've being going over a scene in his latest murder novel.
Later, when a corpse does show up, they call the police. When Inspector Thomas Jackson appears in charge of a group of policemen, they don't discuss, they ask questions of the people and give nothing back. As they grow frustrated by all the witnesses who saw nothing and know nothing, Thomas begins to work the situation over in his mind.... and makes some suggestions to the rather contemptuous professionals.
Richard Thorpe certainly knew how to get a good movie out of a decent script and skilled players. It led him from Poverty Row oaters to directing epics for MGM, with some camera tricks to keep costs down. In this one, it's never quite clear when characters are performing, and when they're saying what they are actually thinking. If it seems slow at times, because Thorpe won't cut entrances to get to the meat of the scene I felt my usual impatience with the turgid pacing of Poverty Row shows... or was it a sense that opportunity was slipping away while characters thought? A little of both, I think.
Later, when a corpse does show up, they call the police. When Inspector Thomas Jackson appears in charge of a group of policemen, they don't discuss, they ask questions of the people and give nothing back. As they grow frustrated by all the witnesses who saw nothing and know nothing, Thomas begins to work the situation over in his mind.... and makes some suggestions to the rather contemptuous professionals.
Richard Thorpe certainly knew how to get a good movie out of a decent script and skilled players. It led him from Poverty Row oaters to directing epics for MGM, with some camera tricks to keep costs down. In this one, it's never quite clear when characters are performing, and when they're saying what they are actually thinking. If it seems slow at times, because Thorpe won't cut entrances to get to the meat of the scene I felt my usual impatience with the turgid pacing of Poverty Row shows... or was it a sense that opportunity was slipping away while characters thought? A little of both, I think.
This is a typical mansion murder or cozy mystery, with only four sets: the apartment where the murder takes place, the police captain's office, the low-rent hotel of a hard-bitten show girl and a tea room financed by shady money. I tuned in for the tea room, because collecting tea room memorabilia is one of my hobbies.
The set did not disappoint. It is the Universal "basement restaurant" set (seen in other movies as an Italian restaurant, etc.). Outfitted with a bevy of what seem to be Pretty Little Dutch Girl waitresses and laid out to resemble the Bohemian basement tea rooms of Sheridan Square and Greenwich Village in the 1910s to 1920s, mostly fading from view by the time this was filmed in 1931.
There were some nice deco touches in the show girl's hotel room set as well. .
That was about it. The acting was slow and halted, the actors' mannerisms stylized and stagey, and the plot was totally random.
The set did not disappoint. It is the Universal "basement restaurant" set (seen in other movies as an Italian restaurant, etc.). Outfitted with a bevy of what seem to be Pretty Little Dutch Girl waitresses and laid out to resemble the Bohemian basement tea rooms of Sheridan Square and Greenwich Village in the 1910s to 1920s, mostly fading from view by the time this was filmed in 1931.
There were some nice deco touches in the show girl's hotel room set as well. .
That was about it. The acting was slow and halted, the actors' mannerisms stylized and stagey, and the plot was totally random.
Some movies aren't worth watching. This is one. There are too many vacuous characters and an insipid plot. The lines are delivered with a full second between speeches, as if they were waiting for the audience to absorb the silly dialogue. There is some humor and that's about all that makes it even slightly worthwhile. Don't bother.
THE DEVIL PLAYS is about what happens when a group of people gather at a mansion to play a game called "Murder". When the clock strikes midnight, the game begins, "deaths" occur, and a mysterious woman lurks about.
Later that morning, the game becomes real when someone is found dead. The police arrive to start their investigation, with a house full of suspects. As the case broadens, the cops go outside of the mansion for clues.
Then, a second murder is committed, literally, under their noses! Making matters worse, the deed was done using the very same weapon... which was in police custody!
How is this possible?
A great old-old school murder mystery, complete with a gaggle of interesting characters, and a big, final revelation. Highly entertaining...
Later that morning, the game becomes real when someone is found dead. The police arrive to start their investigation, with a house full of suspects. As the case broadens, the cops go outside of the mansion for clues.
Then, a second murder is committed, literally, under their noses! Making matters worse, the deed was done using the very same weapon... which was in police custody!
How is this possible?
A great old-old school murder mystery, complete with a gaggle of interesting characters, and a big, final revelation. Highly entertaining...
I am writing this review as a counterpoint to the other review. Although I agree with all that was written, it completely misses the point of why this movie is enjoyable. It is the chance to see several veteran players of the silent cinema playing without the restraint of being just bit actors and dress extras, which was their more frequent fate. Sure the material is junk and they would much rather have been working as stars at Metro or Paramount. But the reality was that this was their life, it was a living, and they kept soldiering on. Here is betting that they all had a good laugh after each scene and appreciated that in 1931 any job was a good job.
Did you know
- TriviaThis was produced by Chesterfield Pictures, a "Poverty Row" company that specialized in low budget "second features" that were economically produced and quickly made. Chesterfield was never successful enough to afford their own studio facilities, and for this film rented soundstages at Universal City. They were eventually one of several companies merged to form Republic Pictures.
- Quotes
Inspector Brown: Ain't this rich? A writer of detective stories involved in solving a real life murder!
Details
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- Also known as
- The Murdock Affair
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- Runtime
- 1h 3m(63 min)
- Color
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