An executive hires a mousy, plain woman as his secretary so she will not divert him from his work, but she still becomes determined to win his heart.An executive hires a mousy, plain woman as his secretary so she will not divert him from his work, but she still becomes determined to win his heart.An executive hires a mousy, plain woman as his secretary so she will not divert him from his work, but she still becomes determined to win his heart.
Lilian Bond
- Girl at Bar
- (uncredited)
Yola d'Avril
- Girl in Bath Tub
- (uncredited)
Geraldine Dvorak
- Parisian Nightclub Dancer
- (uncredited)
Harry Holman
- Hotel Manager
- (uncredited)
Olaf Hytten
- Business Associate
- (uncredited)
Barbara Leonard
- Girl with Dog
- (uncredited)
August Tollaire
- Paris Hotel Guest in Hallway
- (uncredited)
Polly Walters
- Ludwig's Girl
- (uncredited)
Leo White
- Man in Elevator
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured review
About a bank president who talks about putting a new rule into the company: "all females must wear long sleeves and high necks". Seems he is easily distracted by women, particularly his attractive and flirtatious secretary who he thinks is a "playgirl" rather than working girl, good for after hours only. He actually fires her - and she doesn't mind, 'cause she apparently agrees with this after hours concept, and becomes one of his new girlfriends (there seem to be many others too, judging by the office visits and phone calls from bathtubs he keeps getting). Soon a young waif arrives - hungry and oddly dressed in an outfit that includes black umbrella and flat black hat with a big white feather in it (why do these poor waif girls in old movies always seem to wear an odd feathered hat?). Well, seems she's an out-of-work stenographer looking to get hired - and turns out she's a whiz who loves work too, spending her free time toning her secretarial skills rather than dating men, she takes shorthand at 150 words a minute! He hires her on the spot since she's "plain" - seems even though she is clearly very pretty, he for some reason (like often seen in movies) can't see her beauty through the odd outfit. Well, she falls for him and soon blooms!
This is a thoroughly entertaining, fast paced, fun-to-watch film with lots of amusing pre-code banter and top-notch performances adding to the mix - I loved it. Warren William, one of my favorite actors from this time period, is just perfect as the rather handsome but stiff "girl crazy" boss, and Marian Marsh as the waif (who I thought looked like Reese Witherspoon in the earlier scenes) is just SO cute and charming - I really enjoyed her performance. Cute scene where she gets "taught" by the previous secretary how to seduce a man via accidentally-on-purpose leaning against him, and she tries it out on the boss. Really excellent film.
This is a thoroughly entertaining, fast paced, fun-to-watch film with lots of amusing pre-code banter and top-notch performances adding to the mix - I loved it. Warren William, one of my favorite actors from this time period, is just perfect as the rather handsome but stiff "girl crazy" boss, and Marian Marsh as the waif (who I thought looked like Reese Witherspoon in the earlier scenes) is just SO cute and charming - I really enjoyed her performance. Cute scene where she gets "taught" by the previous secretary how to seduce a man via accidentally-on-purpose leaning against him, and she tries it out on the boss. Really excellent film.
- movingpicturegal
- Oct 17, 2006
- Permalink
Storyline
Did you know
- TriviaA Little Casual History: Beauty and the Boss (1932) was filmed in the San Fernando Valley from the Warner Bros. Studio along the Santa Monica Mountain --- on the other side of the HOLLYWOOD Sign. The 1930's were the time when "Movies" (From Silent to 'Talkies') meant "Hollywood" generically.
Still, Warner Bros. filmed north of the Hollywood Sign in the San Fernando Valley. Still, another piece of history was this film was released in 1932 after being shot on the sound stage a good five to 15 minutes by car-- before there were "Freeways"---from Burbank Airport (aka, Bob Hope Airport, etc.)
Two minutes into the film, the Viennese bank president's plane lands. That airport was "United Airport" then; Burbank Airport for decades to come.
"So what," comes to mind. This was a historical location for American Aviation. As his plane taxis on the tarmac, the camera capture the barren land and the landmark mountains behind, barren of the housing boom following World War II.
This is the airport were Amelia Earhart called her home base. Released in 1932, pictures and film exist of the first lady of aviation at the same Burbank Airport Beauty And The Boss did rare location shots. Earhart hangered her plane in the same time frame until her assumed death---July 2, 1937.
Lost in the multiple airport scenes, such as where The Church Mouse directed her Boss' lover to the wrong plane, there were tumbleweeds, no Interstate 5 "Golden State" Freeway. Millions of locals, visitors foreign and domestic have traveled over the last some 60 years.
Yet, the Earhart Electra sat in the "Burbank Airport" hanger before being lost some five years later. It is a metaphor how the minds of girls, mothers and grandmothers lost track of this famed Airport in a throwaway scene. A scene showing off in the distance Los Angeles Suburbs a desert locale, and the home base of one of America's greatest aviators.
- GoofsAt approx 41:00, Ollie's black gown goes from being open and undone, (where we see her undergarments) to suddenly closed and fastened tightly.
- Quotes
Olive 'Ollie' Frey: Well, you dictate so fast, I never know where my skirt is.
- ConnectionsRemade as The Church Mouse (1934)
- SoundtracksVienna
Music by Leo F. Forbstein
Details
- Runtime1 hour 6 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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