Bad Girl

A man and woman get married, she gets pregnant, and then the two of them spend the rest of the movie wondering if the other really wants to have a baby. They could just talk to each other about it I suppose, but then there wouldn't be a reason for this film's existence.

"Bad Girl" is a bit of a curio in that it won Oscars for Best Director (Frank Borzage) and Best Writing (Adaptation) at the 1931-32 Academy Awards, but who's even heard of this movie now? It's not very memorable, and it's a testament to the power of the Academy Awards, whether or not you personally give them any credence, that films like this are kept afloat in front of modern-day audiences based on the fact that they won some Oscars back in the day. That's certainly the motive for my seeking it out, whereas any number of other early talkies that are no better or worse than this one fade into obscurity.

James Dunn and Sally Eilers are pretty good, and talkies were still new enough that it's refreshing to find actors who knew how to act with sound as their medium. It's also fun to see movies from this time period because they give us a glimpse into what life was like during the Great Depression.

Many comments have said that the title is completely irrelevant to anything that happens in the movie. That's not entirely true. When Dunn first meets Eilers at Coney Island, they have a conversation where he mentions something about how everyone has both bad and good in them, and the idea that both husband and wife suspect the "bad" in each other drives much of their behavior throughout the rest of the film. But I do agree that the theme isn't explored very fully, and it is a misleading title.

In addition to the two Oscars it won, "Bad Girl" was nominated for Best Picture.

Grade: B

"Bad Girl" was a fun movie for a good 3/4ths of the film, then it became frustrating. This movie was an early version of miscommunication in a rom-com. Miscommunication seems to be a staple and an essential plot device in most rom-coms and it is ALWAYS irritating.

Dorothy Haley (Sally Eilers) was a pretty young lady who was tired of every guy making a pass at her. She found a rare bird when she met Eddie Collins (James Dunn) at a fair. Eddie not only didn't try to make a pass at her, he was a bit rude.

Dorothy liked it.

Apparently, she was interested in guys who weren't ostensibly interested in her. The more standoffish he was the more she was drawn in. She was smitten, and even though he didn't show it, Eddie was too.

The two got married in fast order and that's when all the miscommunication started. It was even worse once she got pregnant and was too scared to tell him. From there the communication between them just got to the point that each of them continued to make assumptions about the other. It was enough to drive you mad. "Just tell her what you've done!" I wanted to scream. "Just tell him you're pregnant!" is what I wanted to yell. Truthfully, most of the miscommunication was the fault of Eddie. He would never say what he was doing.

Eddie was concerned about money and being able to afford the finer things in life. He'd said over and over that kids would only upset his plans. When Dorothy said that there was more to life than just money, he responded, "Sure, there are a lot of things in life besides money, but you gotta have money to find them." But, as obsessed as he professed to be about money and opening his own business, he was really crazy about his wife and their prospective baby.

Between the two of them was Dorothy's friend, Edna Driggs (Minna Gombell). She was a go between at times who helped them out. She had a contentious relationship with Eddie, but it was very lighthearted. The two of them reminded me of Martin and Pam in the sitcom "Martin." They'd throw insults back and forth all day, but they never took it personally and never attacked each other to hurt deep, just to get the best quip in.

Edna consistently calmed Dorothy down when she got excited or upset about Eddie and his apparent flippancy. Eddie was working hard for his wife and unborn child, and while Dorothy should've assumed the best, Eddie should've been more forthright. To see the two have these absurd conversations because of holding back very simple information made the movie a little less enjoyable. The movie was great when they were dating, it became a bit of a chore once they were married.

Free on YouTube.

Bad Girl is another of Frank Borzage's romantic dramas of the trials and tribulations of lovers usually caught in circumstances and forces beyond their control. In this case it's the Great Depression and their own attitudes about romance itself.

Their attitudes being that romance is just a lot of bunk. But attitude or not James Dunn who was making his feature film debut and Sally Eilers are in love in spite of themselves.

I'm not quite sure why the film is entitled Bad Girl since there really isn't nothing bad about Eilers at all. Possibly her original attitude though that is quickly corrected. These are just two people trying to get by, but they always seem to misjudge attitudes because of first impressions and say the wrong things at time.

Take for instance the new apartment that Dunn uses all his savings in to impress Eilers. He says exactly the wrong thing about the two of them living only for today. That's just at the time she was about to break the news that wasn't to be two any more, but three.

Dunn really loves her. How many husbands to earn an extra couple of dollars would go out and try to go 4 rounds with a professional prizefighter? Charles Sullivan proves to be a good guy however.

So does Claude King as the obstetrics specialist who does Dunn a solid when Dunn wants him for his wife's delivery. None but the best as Dunn beautifully carries off a scene breaking down begging for King's services.

The film adapted from a Broadway play of the previous year won an Oscar for adapted screenplay. It also won for Frank Borzage an Oscar for Best Director.

Today's audiences might get a kick out of the prices and the amounts needed for many things. Inflation has come a long way since. Still the themes are universal and I think Bad Girl holds up well today.

I finally tracked down Bad Girl. It had been on my list of wanna sees for years as it had won a major Oscar for Best Director- Frank Borzage.It was one of those tantalizing early talkies that had not actually been lost it had merely fell from sight. When I finally saw it last year at a Borzage revival, the film was a revelation.It was a pre-code delight about an ordinary couple, falling in love, struggling financially and having a baby etc.It most reminded me of the great silent film-The Crowd, which dealt with similar matters. What was especially fascinating to me was its depiction of "average" lower middle class types and how they lived and spoke in Depression America. The apartments... the slang, all of it, seemed real. It wouldn't be until the 50's neo realism hit American movies that we would see ordinary people depicted on the screen again, without condescension The movie has all the Borzage trademarks- love surviving against all odds, even an exciting if a little hokey climax.Unfortunately, the film has been slighted often in movie books,most likely, because the authors have never actually seen it. If it is ever shown again, try to see it. It's a wonderful peek at average city folks in Depression America.

An interesting little Borzage love story set during the Depression, detailing the struggles of young couple (Sally Eilers & James Dunn) with their hopes and dreams. Curiously Borzage won his second Oscar as Best Director for this oddly heady little movie and that's perhaps the only reason to watch it. It works as a timepiece of its era. But I definitely wouldn't call "Bad Girl" one of Borzage's best romances (in many ways it strikes me as turgid and unaffecting in several moments, and I didn't like the ending), but it is definitely worth catching if you are fan or a student of the director's sublime and unheralded oeuvre.