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The Talk of Hollywood

  • 1929
  • Passed
  • 1h 10m
IMDb RATING
4.8/10
140
YOUR RATING
Nat Carr, Fay Marbe, and Sherling Oliver in The Talk of Hollywood (1929)
ParodySlapstickComedyDramaMusic

Producer Ginsburg invests in a big-budgeted talkie musical, financially supported by his lawyer John. During a screening for prospective exhibitors the projectionist mixes up the sound-disc ... Read allProducer Ginsburg invests in a big-budgeted talkie musical, financially supported by his lawyer John. During a screening for prospective exhibitors the projectionist mixes up the sound-disc reels, with the images not matching the dialogue.Producer Ginsburg invests in a big-budgeted talkie musical, financially supported by his lawyer John. During a screening for prospective exhibitors the projectionist mixes up the sound-disc reels, with the images not matching the dialogue.

  • Director
    • Mark Sandrich
  • Writers
    • Nat Carr
    • Mark Sandrich
    • Darby Aaronson
  • Stars
    • Nat Carr
    • Fay Marbe
    • Hope Sutherland
  • See production info at IMDbPro
  • IMDb RATING
    4.8/10
    140
    YOUR RATING
    • Director
      • Mark Sandrich
    • Writers
      • Nat Carr
      • Mark Sandrich
      • Darby Aaronson
    • Stars
      • Nat Carr
      • Fay Marbe
      • Hope Sutherland
    • 9User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos7

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    Top cast12

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    Nat Carr
    Nat Carr
    • J. Pierpont Ginsburg
    Fay Marbe
    Fay Marbe
    • Adoré Renée
    • (as Miss Fay Marbé)
    Hope Sutherland
    • Ruth Ginsburg
    Sherling Oliver
    • John Applegate
    • (as Sherline Oliver)
    Edward LeSaint
    Edward LeSaint
    • Edward Hamilton
    • (as Ed Le Saint)
    Gilbert Marbe
    • Reginald Whitlock
    • (as Gilbert Marbé)
    John Troughton
    • The Butler
    Al Goodman's Orchestra
    • Al Goodman's Orchestra
    • (as Al Goodman's 'Follow-Thru' Orchestra)
    The Leonidoff Ballet
    • Ballet Troupe
    Al Goodman
    Al Goodman
    • Al Goodman-Orchestra Leader
    • (uncredited)
    Sam Levene
    Sam Levene
    • Film Buyer
    • (uncredited)
    Tom O'Brien
    Tom O'Brien
    • Reel-Mixing Projectionist
    • (uncredited)
    • Director
      • Mark Sandrich
    • Writers
      • Nat Carr
      • Mark Sandrich
      • Darby Aaronson
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews9

    4.8140
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    Featured reviews

    7comedyshorts-1

    Early Talkie Burlesque on Vitaphone sound films

    Plot: Silent movie producer J. Pierpoint Ginsburg has put off making his first talkie. Finally, he faces reality and starts his musical-comedy-drama talking production.

    The zany storyline is loaded with Ethnic and Gay humor which was popular during the 1920's and 1930's. Today's audience may find this to be the most politically incorrect film of all time. Personally, I found the content of this film refreshing, unique, and different. It is interesting to compare Singing in the Rain's basic plot idea with this early Talkie Burlesque on Vitaphone sound films.

    NOTES: 1. Al Goodman's "Follow Thru" Orchestra is a highlight. Al has one speaking line. 2. Nat Carr (Jewish dialect comedian/star) and Mark Sandrich (Writer/Director who later moved over to RKO to work on many 2 Reel comedies & features) co-wrote this script. 3. Running time is 72 Minutes.
    5planktonrules

    Extremely uneven.

    "The Talk of Hollywood" is a very dated early talking picture--with flashes of great insight and intelligence as well as extreme awfulness! Much of the problem is that the movie has aged very poorly. It must have played better back in the 20s when it first came out in theaters.

    Nat Carr plays Mr. Ginsberg--an EXTREMELY stereotypically Jewish head of a motion picture studio. While he's been very successful in the past, he's gambling everything on his first talking picture--and through the course of the film it sure looks like the film will tank. At the same time, Ginsberg's daughter is in love with a nice young lawyer--a guy who does his best to bail Ginsberg out of his financial mess.

    First the awful. The film is a nightmare because of its very politically incorrect language. The use of words like 'darkies' and 'pickininnies' will certainly shock many as well Carr's performance as the supremely Jewish film producer! Times have certainly changed. Additionally, the ending is poor as is the whole notion of the switched records*. However, on the positive side, Carr is very funny--politically incorrect or not. It's obvious that he did a similar sort of act on stage and it does provide quite a few laughs. Overall, a wildly uneven and weird little film.

    *The very first commercial sound pictures were from Warner Brothers and the sound portion was NOT embedded on the film like it would be just a few years later. Instead, records had to be synchronized just right so that the film looked and sounded correct--a problem which plagued these early pictures, as they often were out of sync.
    GManfred

    Oy, Such A Movie

    Hard to imagine how this picture got produced. Couldn't Hollywood moguls, even at such a small studio as Prudence must have been, spot a stinker? "The Talk Of Hollywood" is an inferior movie on many levels; it is poorly acted, poorly written and, most of all, poorly directed. It was Mark Sandrich's first attempt at directing a full-length feature and got him demoted; it would be five years before he reemerged to direct such films as "Top Hat", "The Gay Divorcée" and 'Holiday Inn".

    "The Talk Of Hollywood" is an obvious insider spoof of Sam Goldwyn and his habit of mangling the English language and with a pronounced ethnic accent. Other reviewers have rehashed the plot and how it parallels "Singing In The Rain", but you must see it to appreciate how corny the gag lines are (even for 1929) and to witness the poor timing between lines and to experience the ad-libbed quality of the storyline, as though made up on the fly. I have not mentioned the forced, amateur feel of the acting, except for someone named Fay Marbe, who seemed to have a germ of talent as a French prima donna and the star of the movie-within-the-movie.

    "The Talk Of Hollywood" played at Capitolfest, Rome,NY, 8/15. It is worth seeing for a look at how Hollywood could come a cropper even as it made the important transition from silent to sound.
    4JoeytheBrit

    The Talk of Hollywood review

    An early talkie about the comical trials of making an early talkie could have been a winner in the right hands, but The Talk of Hollywood lacks budget, laughs and star power. Natt Carr plays the long-suffering producer faced with numerous obstacles - most of which would be revisited in Singin' in the Rain - as he attempts to make his first talkie. A few scattered funny moments, but most of the jokes are lame.

    Storyline

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    Did you know

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    • Trivia
      Revived at the American Museum of the Moving Image in Astoria, Queens, New York City in 1989.
    • Quotes

      Ruth Ginsburg: But Dad, I cannot leave you alone.

      J. Pierpont Ginsburg: Don't be afraid, I wouldn't be alone. I'm going to live with you.

    • Connections
      Featured in Hollywood the Golden Years: The RKO Story: Birth of a Titan (1987)
    • Soundtracks
      Good Night, My Lovey Dovey
      (uncredited)

      by Al Piantadosi and Jack Glogau

      Performed by Al Goodman's Orchestra (as Al Goodman's 'Follow Thrr' Orchestra)

      Sung by Fay Marbe

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    Details

    Edit
    • Release date
      • December 9, 1929 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Filming locations
      • RCA Photophone Studios, New York City, New York, USA(Studio)
    • Production company
      • Prudence Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 10 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.33 : 1

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    Nat Carr, Fay Marbe, and Sherling Oliver in The Talk of Hollywood (1929)
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