Dulcy

Not So Dumb (1930)

* 1/2 (out of 4)

The third film between director King Vidor and star Marion Davies isn't in the same league as SHOW PEOPLE or THE PATSY and really comes off as a major disappointment. Based on the play Dulcy, Davis plays that character, a blond moron who tries to help her boyfriend get his foot in the door of a big business by inviting his boss and his wife over for the weekend. Once there, Dulcy plays host to try and make herself appear smarter than she actually is. I've said this about a lot of films from this era but here it goes again. This is an early talkie that is so impressed by the fact that words can be heard that it never knows when to shut up. You can tell Davies and Vidor aren't too comfortable with the new format because it's hard to look at this film and see any of the director's trademarks. The film looks rather ugly and some of the editing will leave you scratching your head and wondering if only one take was done on certain scenes and they had to cut away from it quickly. Davies, God bless her, gives it her all but it seems Vidor just let her go off in any direction and the end result is a bit of a mess. Her character is a complete idiot and Davies gets this across just fine but after a while she starts to get very annoying because she's reduced to silly facial gestures and various facial "shock" moves. Franklin Pangborn steals the show as Leach and George Davis is also good as the rather strange butler. Fans of Davies will probably watch this no matter what but the only others that might be mildly interested are those interested in early talkies. I'm sure they've had to sit through some pretty rough films so this here is yet another. I've yet to see the original 1923 version or the remake in 1940.

There is absolutely no bias against early talkies, despite giving a low rating and negative review to 'Not so Dumb'. The title alone gave the feeling of not to expect much, so expectations were not exactly high. There is also no bias against Marion Davies, who was a natural in comedy, or against King Vidor, responsible for silent film greats 'The Big Parade' and 'The Crowd' (high recommendations if you haven't seen them already).

'Not So Dumb' just doesn't work and redeeming qualities are sadly few. There are far better Davies vehicles, more her early work than later, of which 'Not So Dumb' is very much a lesser one and doesn't show her in a good light. And it is for me definitely among Vidor's worst, not a patch on the best of his silents and he even did better later. Neither of them are well served and neither of them, after solid careers in silents, seemed comfortable here with the still in infancy talkie film medium.

What redeems 'Not So Dumb' a little is the supporting cast, all doing very well with what they're given. Amusing George Davis comes off best.

Did like the costumes and sets which were quite elegant.

A word that can't be used describing the rest of the production values sadly. Most of 'Not So Dumb' looks cheap, with very static camerawork that is very restricted and never opens up or feels cinematic and editing that lacks cohesion. Davies' comedic chops are not in sight in a very strident and over-compensated performance that has no subtlety whatsoever. Making her character incredibly irritating. Vidor's direction is very ill at ease and like he didn't know what he was doing.

Furthermore, the sound is very distorted which makes some of the dialogue hard to hear. Not that it was worth hearing anyway, with it being so stilted and unintentionally camp. The story would have been out of date and old-fashioned at the time and creaks badly now, it is slight and when there is a story discernible it is neither interesting or natural. The length is not long but the dullness of the pacing and lack of interest or connection with the story makes it feel longer than it actually is.

On the whole, pretty weak failure and to be for completest sake pretty much only. 3/10

Stiffly-done farce in which Davies plays an obnoxious character, and the result is not only obnoxious but almost unbearable. Way before Lucy, this is the wacky dame who puts her foot in her mouth too many times and in endless variations. Kaufmann and Connelly's lines fall flat, and Vidor seems to be a little frightened of the microphone in this early talky. Some of the lesser characters are funny in a Rodney Dangerfield sort of way, and the "other William Holden" is good as a pompous businessman.

I have a feeling that Marion Davies fans have voted in droves to artificially elevate her scores because many of her films are rated in the high 7s or 8s. I have enjoyed many of these films but I hesitate to place them that highly. A case in point is "Ever Since Eve", her last movie, coming in with an 8 which in my opinion is highly overrated as is the score for this film, a 7.8 as of this writing. Be that as it may, "Not So Dumb" is actually superior to "Ever Since Eve". Davies is absolutely delightful playing a ditsy socialite trying to advance her boyfriend's career. Her body language makes the film which otherwise has little contact with reality. She lives in a mansion with no apparent income, neither she nor her brother work and yet they enjoy a quite opulent lifestyle. This very fact undermines the film's central premise because if she were wealthy why then does she not set her boyfriend up herself? The other characters are merely ornaments although two are somewhat noted minor Hollywood personalities: Julia Faye, C.B. DeMille's longtime companion who appeared in all his films and Sally Starr, known as the "pocket Clara Bow" for her diminutive size.

Sound quality is TERRIBLE for most of the film, but i guess that can be forgiven since talkies hadn't been around very long. Marion Davies stars as Dulcy Parker, who is hosting a get-together for the big shot "Forbes" coming into town for the big business deal. Keep an eye out for the always-fun Franklin Pangborn as "Leach", who gives the weirdest hand-shake we have ever seen, and Dulcy tells us he has some secret... Raymond Hackett is Dulcy's sarcastic, wise-cracking brother. Hackett had about ten speaking roles, and seven of those were in 1930 alone! One of the funniest roles here is the facial expressions on Perkins the butler - George Davis doesn't have a lot of lines, but his appearance as the guests come and go add a lot to the performance. Elliott Nugent is "Gordy", Dulcy's boyfriend, trying to close the deal. Lots of yackety yack, since this is based on a play. This was a remake of the silent 1923 version, and it would be remade again in 1940 with Ann Sothern and Billie Burke. There are some bad editing cuts here and there, but the conversations are mostly clever and fun, with some sight gags and one-liners by various characters. I think some of the comedy bits, including Pangborn's big scene in the living room, were probably very funny back in the day, but just seem to go on and on by today's standard. Directed by the amazing King Vidor, who had done it all in the early days of Hollywood. Original play written by Kaufman, who had also written "Man Who Came to Dinner" and "You Can't Take it with You", also made into films.