Hook Line and Sinker

This Wheeler and Woolsey comedy manages to be one of their best and funniest. I watched this with a friend who normally doesn't laugh too much during early-talkie films, but he was roaring with laughter while watching this. This may be the only one of their films without any musical numbers, but the non-stop comedy makes up for it. Jobynna Howland is hysterical as cute Dorothy Lee' s imposing mother. Ralf Harolde is his usual villainous self, and Natalie Moorehead is very funny as a fake countess. I understand that this film was one of RKO's biggest profit-makers, released in December, 1930. The backlash against musicals was in full-force here, and even the opening credits have no music, a roaring motorcycle and blaring siren underscoring them. There is a brief bit of music during a party scene, played by an orchestra seen on-screen, and a brief fanfare over the end credit, and that's it. Again, I have to say, even though I am pre-disposed to musicals, this is so funny that I rank it over some of W&W's more musical efforts. If you want a good laugh, check this out.

Hook Line And Sinker has Wheeler&Woolsey meeting Dorothy Lee on a road way while they successfully talk a cop out of a speeding ticket and sell insurance to him. She's running away from her mother's arranged marriage to the family attorney Ralf Harolde. Lee talks the boys into helping her run a fleabag hotel which is in her name.

There's a good reason why Harolde wants to marry her. In reality he's a gangster and he's used the place as a crook's hideout for years. But when Bert and Bob take it over they start a publicity campaign which works all too well saying the place has become THE in vacation resort for society folks. They come bringing all their money and jewels. Society bigwigs and gangsters, what a spot for a caper.

As for the romance Lee of course falls for Bert and her mother the amazonian Jobyna Howland just loves the moves that Woolsey is putting on her. Harolde's being foiled at every turn. It all leads up to a gangster invasion and a hilarious shootout at the climax.

This is a good introduction to Wheeler&Woolsey who are too sadly neglected today.

Wilbur Boswell and Addington Ganzy abandon their insurance business (read scam) and enter the hotel business with Mary Marsh, who has runaway from home to escape her mother and the family's lawyer Blackwell, whom Mary is being forced to marry by her mother. Unknown to Mary, her mother, and Boswell & Ganzy, is that Blackwell is running a criminal organization and its main hideout is the basement of the hotel. Also coming to the hotel are every sort of criminal set out to crack the hotel safe, so its up to our two heroes, along with a bizarre house detective and the always sleeping bellboy to save the day. A very enjoyable and funny film from Wheeler and Woolsey with Dorothy Lee around again as Mary. As with the majority of the W&W films there are a bizarre bunch of characters and plenty of zaniness to please the audience. Great ending with the shootout. Rating, 8.

A couple of scam artists go legit to help a young lady run the dilapidated hotel she's inherited. Over time they turn the place into a swanky high-society hot spot. But when mobsters, a crooked lawyer & a phony countess arrive, the Boys find themselves in trouble HOOK, LINE AND SINKER.

This slight comedy features the always watchable team of Wheeler & Woolsey. (Bert Wheeler is the one with curly hair; Robert Woolsey is the skinny fellow with glasses.) Their one-liners fly faster than the bullets which climax the movie. Dorothy Lee, their frequent co-star & Wheeler's perpetual love interest, is still kewpie-doll cute. The massive Jobyna Howland is great as Woolsey's lady love - a ferocious female not to be fooled with. Hugh Herbert, usually so much fun, is given little to do as the ineffectual hotel detective.

This comedy starts out very well with a promising set-up, and although it cannot maintain the same standard throughout, it's mostly entertaining, if rather silly. Wheeler and Woolsey make a pretty good comic team, and the complicated, deliberately implausible plot provides them with some good moments. Director Eddie Cline, better known for the comedies he made with Buster Keaton and W.C. Fields, keeps things on track.

We are first introduced to the two leads in a funny scene where they try to talk a policeman out of giving them a ticket. Shortly afterwards, they are involved in all kinds of complications at a run-down hotel, involving a large cast of dubious characters. While the pace is a little uneven, it keeps your attention, and there are also a couple of clever lines of dialogue. While it doesn't quite fulfill its early promise, this is definitely worth a look if you enjoy comedies from the 30's.