Drôles de locataires

This is an enjoyable remake of the silent feature "Duck Soup", which had played such an important role in establishing Laurel and Hardy as the great comic duo that is now so well- known. This feature follows the same story setup, and expands it slightly while adding in a number of new gags that would not have worked as well on the silent screen.

Once again, Stan and Ollie find themselves forced to impersonate an absent homeowner and his servants, while hosting a prospective renter. The main story is also framed by a brief opening sequence and an interesting, nearly surreal finale. In the main part of the movie, they get a lot of mileage out of the basic situation, and Laurel plays his multiple role in an amusing fashion. James Finlayson gets a couple of good moments near the end, although he does not get as much to do as he did in some of their earlier features.

It packs a lot of material into a little under thirty minutes of running time, and there are a handful of moments when you can just tell that it was an early sound-era movie. But, as this example shows, Laurel and Hardy had little difficulty in successfully adapting their style to the new era.

L & H are on the run from the law. They are so broke they spent the night sleeping on a park bench. A nearby was not impressed with Stan after he addresses him as 'Ma'am'. They take refuge from the chase in the basement of Colonel Wilburforce Buckshot, who has just left to go on vacation to South Africa.

While hiding they pretend to be the owner and maid (Stan in his guise as Agnes) of the house when a new married couple (Lord Plumtree and his gorgeous wife) come around to rent the place. Obviously the usual hijinks and misunderstandings follow but the comic timing and Stan's indulgence in his Agnes disguise make it a half-hour laugh riot.

From the moment this movie begins we know we're in for something a tad unusual. In the early talkie days the folks at the Hal Roach Studio experimented with a new format for delivering opening credits: instead of simply filming title cards in traditional fashion, they built a spiffy Art Deco stage set, complete with proscenium arch, and hired a pair of young girls called the Crane Twins to march out onto the stage to deliver the film's credits verbally. The girls, who are dressed as bellboys, speak in unison at first, then alternate, then bow in tandem as they conclude. The effect is quite odd and (inadvertently?) funny, and kicks off Another Fine Mess on a curious note. The twins introduced several concurrently produced comedies featuring Charley Chase, Our Gang and the 'Boy Friends,' but this marks their only appearance in a Laurel & Hardy movie. I find the girls rather endearing myself, but in any case Roach's experiment with spoken credits didn't last long.

Enter Laurel & Hardy chased by a cop, and we're back on familiar terrain. And yet things aren't quite so familiar after all, for it soon becomes apparent that this film has a different feel from the average L&H comedy. There's an actual plot, comparatively little slapstick, and an unusual amount of verbal humor. It's no surprise to learn that Another Fine Mess was based on a stage sketch, because once the boys seek refuge in the house where most of the action takes place, it does indeed feel like a stage act is underway, as they engage in an extended routine involving disguise and mistaken identity, with some farcical elements included for good measure. Ordinarily Laurel & Hardy didn't place much emphasis on dialog humor as such, but here they do, and happily the material is pretty funny. (Interestingly, the sketch that served as this film's source material was written by Stan Laurel's father, who was a theatrical manager and playwright, though it was said that the old gent did not approve of this adaptation.) In any other L&H short the guys would've spent five or ten minutes trying and failing to enter the house, but this time they've got a rendezvous with The Plot and not so much time for physical shtick.

As it happens, the guys have taken refuge in the home of Colonel Buckshot, who has supposedly departed for Africa. His servants, who were entrusted to rent the place out, have also left for a weekend vacation. Complications ensue with the arrival of a honeymooning couple, Lord and Lady Plumtree, who are interested in renting the place. Even bigger complications are set in motion by Ollie's decision to open the door to the couple in order to get rid of them, which forces Stan to impersonate the butler, which in turn forces Ollie to impersonate Colonel Buckshot, which in turn forces Stan to impersonate Agnes the maid. That's what I love about this movie, that decisive moment that starts the ball rolling. All the guys had to do was ignore the doorbell and wait for the couple to leave, but then they wouldn't be Laurel & Hardy, and we wouldn't have this fine mess to enjoy.

It's amusing to watch Ollie brazenly attempt to assume the role of the wealthy Colonel Buckshot, behaving the way Ollie believes such people behave, and he's well matched by Stan's quick-change impersonations of Hives the butler and Agnes the maid. I especially enjoy the scene between Agnes and Lady Plumtree. We have to assume that Thelma Todd's barely suppressed laughter throughout the scene is genuine; I mean, playing opposite Stan in drag, listening to him ramble on and giggle nervously, who wouldn't crack up? While it's true that the musical score and sound effects used in Another Fine Mess are somewhat more emphatic than the typical Roach comedy of the period, as an earlier reviewer pointed out, I feel this gives the film an agreeably wacky, "cartoon-y" feel suitable to the situation. I love the moment when the real Colonel (Jimmy Finlayson, underplaying as usual) returns home and tries to grasp what has happened. His furious response prompts the silliest wrap-up ever contrived for a L&H short. It's a laugh-out-loud ending -- it was for me, anyway -- and it ensures this movie's status as a treat for comedy connoisseurs.

...but the previous 25 are only mildly amusing by comparison. So this is a tough one to rate.

Plot In a Nutshell: Two drifters (Stan Laurel and Oliver Hardy) avoid a determined beat cop by taking refuge in an empty mansion, where they assume the identities of the owner and servants.

Why I rated it a '7': as mentioned, the film really picks up steam as it comes to a conclusion, and it includes a scene where Stan and Ollie are bicycling down a street while disguised as an African wildebeest. I can't help but compare this to the ending of the original "Pink Panther" with David Niven and Robert Wagner driving around Paris in gorilla costumes. You have to think Blake Edwards drew some inspiration from Laurel and Hardy here!

There are some laughs sprinkled throughout the 30 minute film but it is not non-stop hilarity until the last few minutes. No one remembering Lord Plumtree's name and Stan's comment about needing a nursery room "in case of an accident" were highlights, but Lord Plumtree's strange laugh was annoying and is an example of one bit that didn't work.

Overall, an enjoyable 30 minutes. Not their best and not their worst. B+.

7/10. Would I watch again (Y/N)?: Yes

Having just watched Stan Laurel & Oliver Hardy work in a mansion in the silent short From Soup to Nuts, here they are again at another such place in the talkie short Another Fine Mess. This time, they're on the run from the police for sleeping on park benches and they end up in the cellar of the residence of one Colonel Buckshot (James Finlayson) who's leaving on vacation. When they find out that the butler and maid are also taking time off, and with a cop still on the lookout for them, Stan poses as both butler and maid and Ollie poses as the Colonel as a young society couple arrives to rent the place. The lady of that couple is played by Thelma Todd who'd appear in quite a few of the L & H shorts and eventually star in her own Hal Roach series with first Zasu Pitts and then Patsy Kelly. She's quite charming when she converses with Stan's portrayal of maid "Agnes"! Hardy as Buckshot also gets his charms when playing him when conversing with the man of the renting couple who has quite a funny laugh which gets quite a workout here, that's for sure! As for Finlayson, well, he only has the beginning and near the end scenes to appear but he does what he can in those scenes and make them count! All in all, Another Fine Mess was quite a funny L & H short. P. S. The twin ladies who recite the credits at the beginning are Beverly and Betty Mae Crane who served the same function during this period on all Hal Roach shorts like the Our Gang entries Teacher's Pet, School's Out, and Love Business which I've also reviewed on this site. So as we leave Stan & Ollie behind, we next will visit Bud Abbott & Lou Costello when they also come In Society.