L'explorateur en folie

Once again, this Marx Brothers film is different from most comedies in that is features a mile-a-minute gags, either verbal or sight, constant silliness and some music thrown in the mix. All of it runs the gamut from very clever to stupid. However, if it gets stupid hang around another minute or so and you'll find something to laugh at.

One problem, especially with this film, is that some of the humor is dated and/or topical, meaning what was funny back then isn't necessarily now or the subject Groucho or Chico is talking about was big news back then but unknown now.

Nonetheless, I still enjoyed this and found a lot of funny material. I enjoy the Marx Brothers clever stuff and their slapstick. I particularly appreciated Groucho apparently ad-libbing one scene. In a few others he acted like he was ad- libbing, turning his head and talking to the camera. You don't see much of that stuff, and it's funny.

Two of the three songs were instrumentals, and they seemed to take away from the pace of the story. Groucho's song, "Hooray For Captain Spaulding," is a classic.

Some consider this to be the best Marx Brothers movie but I found several others I liked a lot more, such as "Horse Feathers" and "Duck Soup," just to name two.

Judging by the script, you'd never believe that "Animal Crackers" is over seventy years old. Think of all the "postmodern" things that happen in this movie: Groucho directly addresses the audience to apologize for a bad joke; Harpo shoots a gun at a statue, only to see the statue come to life and return fire; and Margaret Dumont freezes in time while Groucho has a "strange interlude" and rambles to the audience about the perils of marriage and living with your folks! Of course, the absolutely ancient and decaying print will remind you that "Animal Crackers" is older than the hills, but otherwise, it's much fresher and weirder than the stuff that passes for comedy today.

Like "The Cocoanuts," this movie is based on a play, and as such it is considerably longer and stagier than most of the later Marx movies. The pace does drag a bit towards the end, especially since the plot disappears (along with Zeppo) for long segments at a time. But many of the individual segments are classic, including the often (and rightly) praised bridge game and Harpo's gag with the cutlery-filled sleeves. Even the music segments hold up well, particularly Chico's piano routine that gets savaged by Groucho.

Interestingly, there is a prominent romantic subplot to this film, which puts paid to the fallacy that Marx Brothers movies didn't have romances until MGM got its hands on them. However, the romance isn't nearly as intrusive or annoying here as in their later vehicles, so there's still plenty of reason to be annoyed with good old MGM...

Animal Crackers is one of the best films ever done by the 4 Marx Brothers. For a start, the comedy completely works on screen, especially considering that the film was adapted from the musical stage play. And although Zeppo's comedy has always been underrated and underplayed in the five films that the 4 Marx Brothers did for Paramount Pictures, he proves in this film, as well as the four other movies he appeared with Groucho, Chico, and Harpo, that the 4 Marx Brothers made better films when the four of them worked together; as opposed to when it was just Groucho, Chico and Harpo. All the Marx Brothers films which included Zeppo were zanier films and, to me, the best of their work. Verbally, Groucho is at his razor-sharp best in Animal Crackers, with almost every one-liner dripping with comedic insults and sarcasm. Chico and Harpo perfectly add to the mayhem. The direction by Victor Heerman showed the type of skill needed to professionally control the 4 Marx Brothers to make Animal Crackers the tremendous success that it was. Though the Great Depression was taking hold on the American psyche in 1930, Animal Crackers was the perfect comedy which allowed ordinary Americans to enjoy the spoofing of America's 'Hoi Polloi'.

Though the 4 Marx Brothers' succeeding films (Monkey Business, Horse Feathers, and Duck Soup) were even more of the Hollywood film-style comedy successes which crystalized their zaniness and on-screen craziness, one should not underestimate the cinematography of George Folsey, Sr., who made the film look like a movie written especially for the screen. The look of the film (specifically the sets) makes one feel like he or she wished they had been invited to Mrs. Rittenhouse's party in honor of Captain Spaulding. Lillian Roth never looked better, and the best song in the film is her musical number with Hal Thompson, "Why Am I So Romantic?" - which was the theme music for the entire movie. Animal Crackers is one of my favorite films that the 4 Marx Brothers did for Paramount Pictures - although all five films made at Paramount are absolute gems. I strongly suggest getting the Marx Brothers' Silver Screen Collection, which is now on DVD. They are a must for your film library!

One of the Marx Brothers' earliest films, "Animal Crackers" is not nearly as refined as some of their later comic masterpieces, but it is a lot of fun. Some of the sequences are just as good as anything in their greatest films.

As in most of their movies, the actual plot is amusing but simple, and serves mostly as an excuse to tie together the various comic bits and songs. Compared with their later movies, this one seems much more stage-bound, and there is more screen time given to the other actors, slowing things down somewhat. But when Groucho, Harpo, Chico, and Zeppo get their chance, they usually deliver.

Particularly funny in this one is a hilarious bridge game that matches Harpo and Chico against two society women. Zeppo gets a few good moments, too, as the secretary to "Captain Spaulding" (Groucho). And of course Captain Spaulding's theme song is always a favorite.

Though the Marx Brothers would later make even better movies, "Animal Crackers" is great entertainment in its own right, and well worth watching.

Is it a surprise that "Animal Crackers" takes a simple plot and turns it on its ear in a matter of minutes as a launching pad for the insanity of the Marx Brothers?

No, but it makes sense.

The characters in "Animal Crackers" celebrate the return of world traveler Captain Spaulding (Groucho) while also dealing with the theft of a rare work of art at the home of the wealthy Mrs. Rittenhouse (Dumont), where the soiree takes place. But once the good captain arrives, along with Spaulding's stenographer Jamison (Zeppo), Signore Ravelli (Chico) and the Professor (Harpo), nothing sane or expected takes place afterwards. But really, what did you expect?

Perfect foils are the likes of Dumont and art patron Mr. Chandler (Sorin), the latter of which is revealed to be Abie the Fish Peddler from Czechoslovakia by fellow Czech Chico. in fact, here's a FAVORITE LINE: Chandler - (to Chico) "Hey! How did you get to be Italian?" Chico - "Never you a-mind; who's-a confession is-a this?". What's not to love?

Anyway, there's loads of quotable dialogue, sight gags galore, a great running gag with a picture of a horse and a finale that must be seen to be believed. Of course, this whole MOVIE must be seen to be believed!

Ten stars and a pair of elephant pajamas for "Animal Crackers" - the perfect side dish for four hams.

TIDBIT - The song "Hooray for Captain Spaulding" was later re-used by Groucho for his game show "You Bet Your Life". Can't say that I blame him.