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Tanned Legs

  • 1929
  • Passed
  • 1h 11m
IMDb RATING
5.3/10
203
YOUR RATING
Ann Pennington in Tanned Legs (1929)
ComedyMusicalRomance

Peggy and Bill are high society lovebirds, but their marriage plans are put on hold while Peggy spends most of her summer straightening out her wayward parents and her unlucky-in-love sister... Read allPeggy and Bill are high society lovebirds, but their marriage plans are put on hold while Peggy spends most of her summer straightening out her wayward parents and her unlucky-in-love sister Janet. Mama and Papa are set to rights fairly quickly, but Janet's the one with real prob... Read allPeggy and Bill are high society lovebirds, but their marriage plans are put on hold while Peggy spends most of her summer straightening out her wayward parents and her unlucky-in-love sister Janet. Mama and Papa are set to rights fairly quickly, but Janet's the one with real problems. It seems she sent some compromising love letters to a worthless cad, and now the bou... Read all

  • Director
    • Marshall Neilan
  • Writers
    • Thomas J. Geraghty
    • Louis Sarecky
  • Stars
    • Arthur Lake
    • June Clyde
    • Dorothy Revier
  • See production info at IMDbPro
  • IMDb RATING
    5.3/10
    203
    YOUR RATING
    • Director
      • Marshall Neilan
    • Writers
      • Thomas J. Geraghty
      • Louis Sarecky
    • Stars
      • Arthur Lake
      • June Clyde
      • Dorothy Revier
    • 10User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos9

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    Top cast20

    Edit
    Arthur Lake
    Arthur Lake
    • Bill
    June Clyde
    June Clyde
    • Peggy Reynolds
    Dorothy Revier
    Dorothy Revier
    • Mrs. Lyons-King
    Ann Pennington
    Ann Pennington
    • Tootie
    Albert Gran
    Albert Gran
    • Mr. Reynolds
    Allen Kearns
    • Roger Fleming
    Sally Blane
    Sally Blane
    • Janet Reynolds
    Edmund Burns
    Edmund Burns
    • Clinton Darrow
    Lincoln Stedman
    Lincoln Stedman
    • Pudgy
    Nella Walker
    Nella Walker
    • Mrs. Sophie Reynolds
    Johnny Johnson
    • Johnny Johnson
    Johnny Johnson's Orchestra
    • Johnny Johnson's Orchestra
    Lita Chevret
    Lita Chevret
    • Dark Haired Beach Girl
    • (uncredited)
    Pearl Eaton
    • Dancer
    • (uncredited)
    Kay English
    Kay English
    • Dancer
    • (uncredited)
    Helen Kaiser
    • Dancer
    • (uncredited)
    Bert Moorhouse
    Bert Moorhouse
    • Joe
    • (uncredited)
    Betty Recklaw
    Betty Recklaw
    • Dancer
    • (uncredited)
    • Director
      • Marshall Neilan
    • Writers
      • Thomas J. Geraghty
      • Louis Sarecky
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews10

    5.3203
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    Featured reviews

    5atlasmb

    Early Talkie

    The title of this film implies a naïve titillation representative of the pre-Code films.

    As movies made the transition from silent screen to talkies, there was a lot of experimentation. In this film, they use the occasional title card to explain or advance the story. It is interesting to see the state of the art in 1929, but in many instances it is amateurish compared to later standards.

    Cameras are mostly stationary. The featured music and background music have a long way to go to achieve the potential realized in the sophisticated tunes of the great writer-composers that followed in the thirties. The dancing/choreography is unpolished and synchronization is mostly ignored. The script is disjointed and, sometimes, ridiculous. The ending of the film is laughable.

    It would not take long for producers and directors to understand the potential for talkies and to harness the advantages of new film technologies and methods. Only ten years after this film, Hollywood would release a host of films displaying the fully-formed artistic visions of "Gone With the Wind", "The Wizard of Oz", "Ninotchka" and many other classics.
    9ptb-8

    it's delicious!

    I almost screamed with delight for 66 minutes through this perfect 1920s flapper musical set in a seaside resort with lots of gorgeous girls and guys in their cossies waving their tanned legs about to music. What a delight! Made at RKO in may 1929 TANNED LEGS is simply beautiful to see, with a snazzy modern cast singing and dancing in the most fantastic modern 1929 clothes... and in sets that make any person in love with the era swoon with glee. Several very funny songs include "Jump In - The Water's Fine", "You're Responsible" (with terrific tap dancing reprise) and "Tanned Legs" itself with howling risqué exposure of many tanned legs and what is at the top of them. Arthur Lake in particular is a standout, he was about 24 at the time and is like a lovesick tousled tom cat, especially in his striped dressing gown on the porch. Very modern in tone and style and an utter delight TANNED LEGS is THE BOYFRIEND for real. The film veers off into some melodrama later and ends abruptly which might explain why there is an original running time 5 minutes more than this print of 66 minutes. It seems to have the end missing, which given the way the film starts, should also end with a musical number. However, for the 66 minutes I lapped up it was flapper and swimming cossie heaven. Sally Blaine, who was Loretta Young's sister is astonishingly as beautiful. The film is so early in the talkie era that it is clear the camera is trapped in a glass booth and you can hear the camera whirring. TANNED LEGS is simply gorgeous for every artistic musical and technical reason imaginable. I can't stop watching it. The film is similar to FOLLOW THRU made at Paramount and in color in 1930... and TANNED LEGS clearly needed Jack Haley as well.. there is even one comedian who is similar and only serves to remind us of him. The sound is excellent - photo-phone on film - and serves to explain why it instantly became the industry standard. TANNED LEGS is a complete delight even if the print is incomplete.
    8ThomasGlebe

    Early Talkie still holds up...

    "Tanned Legs" from 1929 (!), is a charming pre-Code musical romantic comedy early talkie directed by David Burton and produced by Fox Film Corporation, showcasing the early integration of sound into cinema. Starring the vibrant Glenda Farrell and the suave Ben Lyon, the film's lively narrative revolves around a young woman's romantic escapades and her pursuit of a wealthy husband. With its lighthearted plot and catchy songs, the film captures the early transition from silent films to talkies, highlighted by its sound-on-film technology. This is a great example of what the movie "Singin in the Rain" would explore further decades later. Though not a major hit, its success lies in the fun performances and the technical experimentation of early sound filmmaking, which provided audiences with a glimpse into the future of cinema. This film is almost a century old with cute 20's girls. Whatdya got to lose?
    tedg

    Legs Up

    The further back you go, the earlier in the evolutionary chain of cinema.

    Even if the movie is uninteresting in a conventional sense, it has interest. Each of these early movies — and there weren't that many — was a firework shot into a sky, defining it.

    This one is a rather crude imposition of a show onto several slightly related stories of romantic situations, and some sexual intrigue.

    The show has the legs of the title rather overtly displayed in an obvious attempt to add spice to the stiff staging of the romantic episodes. Some of these involve the participants bursting into song, so its a strange amalgam of a musical on the story and one in the story. The stories are trite, as one would expect, but the women in the stories, even the vamps, are amazingly prim, especially when compared to the show girls.

    These show girls, by the way, were selected for a different body type than usual for the period and more in line with modern trends: low body fat, muscle tone. As much is made of the Florida locale, that must have applied.

    Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
    6boblipton

    It's not THE COCOANUTS, but....

    It is a watchable first-generation film musical. There are some obvious flaws caused by a mostly immobile camera and choreography better suited for the Broadway stage than the Hollywood sound stage, but there are some great strengths to it. Among them are its cast, including Arthur Lake, Sally Blane (Loretta Young's sister) and Lloyd Hamilton, a good if unmemorable set of songs and the opening-out of the action to a beach location -- if you can accept cliffs in seaside Florida, of course.

    Leo Tover, whose black-and-white cinematography would be Oscar-nominated in the 1950s, is obviously operating under a considerable handicap. Except for the dance numbers and a couple of MOS sequence, almost everything is done in medium shots, usually extended two-shots. Still, director Marshall Neilan manages to keep things humming, there are a couple of funny scenes (including a six-handed bridge game) and we get to see a lot of tanned legs.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The denouement of the story, along with June Clyde's inevitable reconciliation with Arthur Lake, is missing from the TCM print, along with the original end title, which has been replaced by a more modern generic one.
    • Goofs
      In the scene after the bridge game, when the girls run onto the beach in long shot, the microphone is seen coming down over the two girls speaking. It's a flash of a couple of seconds, but quite visible.
    • Quotes

      Bill: What is this mission you're talking about?

      Peggy Reynolds: My father and mother.

      Bill: Well, what's the matter with them?

      Peggy Reynolds: Oh, Bill, they're playing with fire.

      Bill: Who doesn't now days? They're just havin' some harmless fun.

      Peggy Reynolds: Harmless for us maybe, because we're young enough to know better.

      Bill: I wouldn't worry about it. They're mature!

      Peggy Reynolds: I know it. But, that's the trouble. They're too old to understand the present day technique.

      Bill: I'll say you understand it, all right.

    • Connections
      Featured in L'idylle de la radio (1929)
    • Soundtracks
      With You, With Me
      (1929) (uncredited)

      Music by Oscar Levant

      Lyrics by Sidney Clare

      Played during the opening credits

      Sung by June Clyde and Arthur Lake

      Reprised by Allen Kearns

      Reprised again by June Clyde at the benefit

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    Details

    Edit
    • Release date
      • November 10, 1929 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Solbrända ben
    • Filming locations
      • Laguna Beach, California, USA
    • Production company
      • RKO Radio Pictures
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 11m(71 min)
    • Color
      • Black and White
    • Aspect ratio
      • 1.20 : 1

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