Coureur

Bill Whipple (William Haines) is a fun-loving prankster mechanic working for his father figure and racing star Jim MacDonald. He has a crush on Pat Bannon. He gains good publicity after saving her life and team owner Renny gives him a car to drive in the Indianapolis 500. At the last minute, he gets double-crossed by Renny.

The Whipple character is interesting and he has good character growth. I like his back and forth with Pat although sometimes I want him to be nicer. The planes are mostly fake but the parachuting has an exciting angle. It looks like they shot from a plane looking down on the parachute. It's fun to see the old cars. I love the racing footage but I would like some during the early parts of the movie. There are some crazy crashes. It's probably the real deal. That is enough to worth a watch.

William Haines should have retired before appearing in this dreary film. It has to have been his worst performance. He must have been cast just because his name was still bankable. He had been a good-looking, talented, generally likable actor, but, oy, here he was so childishly silly, it was painful to watch.

He didn't even look good. He was puffy, as if ill. Certainly he looked too old for the character.

The director and a trite script are also to blame, although the director and photographer deserve a lot of credit for the exciting car racing scenes at the Indianapolis track.

Haines' fellow players, especially the adorable and lovely Anita Page, but also Karl Dane, Ernest Torrence, and John Miljan did their best -- which is very good! -- but the predictable story and Haines' performance prevent "Speedway" from being worthwhile.

Remember that William Haines had given some great performances in the past. Maybe you will want to see this just to complete your knowledge of him and his career. When, a few years later, he retired from pictures, he became probably the number one most sought-after interior decorator in Los Angeles.

My favorite William Haines quote: "I can only tell you this -- I would rather have taste than either love or money."

Practical-joking, annoyingly funny William Haines was one of the few silent screen stars to cross over to sound films. And, quite naturally, he brought his variation of a cocky, offbeat character right with him. He was quite good in this type of role, the abrasive anti-hero, basically out of the circle because of his arrogance, also chasing after the girl who won't give him the time of day --and winning back both his career and lady in the end.

Any other actor may not have faired as well with this type of character, but Haines was a natural and enormously popular in his day. Same scenario with SPEEDWAY, one of his best silent films; he's up to his ears in trouble, destined to enter a challenging race at the Indianapolis Speedway, and beautiful Anita Page has caught his eye.

What a tangled web Haines weaves, but it's so much fun watching the adult "Peck's Bad Boy" get in and out and back into trouble, and all with a smirk that makes you laugh. Why we will never forget Bill Haines.

Always on remastered dvd for completists. Thanks much to TCM for running these golden oldies.

Speedway (1929)

** (out of 4)

William Haines' final silent film has him playing the same type of part he did throughout the decade. In the film he plays Bill Whipple, a cocky race car driver who thinks he's the greatest thing in the world. He eventually sells out his best friend (Ernest Torrence) and gets overlooked by a girl (Anita Page) he has his eye on but soon Bill starts to realize that he's not as great as he thought. SPEEDWAY isn't a very memorable film and it's safe to say that the screenwriters simply copied earlier Haines' films as this thing doesn't offer anything original or fresh. If you really want to see Haines in a good role and film it's best to check out TELL IT TO THE MARINES or SPRING FEVER because this one here just doesn't cut it. I think when you mention Haines' name today you're going to find many film buffs who simply hate him and I can understand this. The characters he played were such jerks that it's easy to see why so many people might be turned off but in terms of a performance I thought he was terrific because of how well and easy he made this character seem annoying. It's the characters that are annoying and not Haines' himself so I can't fault his performance. I do think this film goes way too far in terms of that cockiness because even I started to really hate this guy and I couldn't care what happened to him. One example takes place when Haines walks into a restaurant and gets upset because the menu isn't clean. Fine, a bad joke. However, instead of just letting it go this scene continues to play out to the point where it's certainly not funny and you can't help but really start to hate the character because of how he's acting. Haines and Page appeared in a few films together but their chemistry here really isn't where it should be as the romance side of things never comes across. On their own both give fine performances but together there's just no spark. Torrence and Karl Dane are wasted in their supporting roles. The one interesting thing about this otherwise bland movie is that the race at the end was actually shot at the 1929 Indianapolis 500 and featured that events winner Ray Keech doing some work for this picture. It's strange to note that a man was killed during this actual race and that Keech himself would be killed during another race seventeen days later. Being able to see the actual event and how it looked in 1929 was certainly the highlight of the movie and the only real reason to watch this otherwise forgettable picture.

Boastful race-car enthusiast William Haines (as William "Bill" Whipple) works for mentor driver Ernest Torrence (as Jim "Mac" MacDonald), who has been trying to win the Indianapolis 500 since its inception in 1911. When Mr. Torrence is sidetracked due to a weak heart, Mr. Haines enters the race, along with mechanic pal Karl Dane (as Dugan) and rival John Miljan (as Lee Renny). Haines also romances beautiful Anita Page (as Patricia "Pat" Bonner), who helps teach him a lesson. This is your typical Haines vehicle. It is most notable as one of MGM's last silent features, and includes actual Indy 500 location footage. "Speedway" has Haines and the MGM crew in good form, but the silent era was ending. After Greta Garbo's successful "The Kiss" appeared in November, all the big stars were being heard.

****** Speedway (9/7/29) Harry Beaumont ~ William Haines, Anita Page, Ernest Torrence, Karl Dane