The Karnival Kid

The Karnival Kid (1929)

*** 1/2 (out of 4)

Here's another Mickey Mouse short that really doesn't contain too much of a plot but that really doesn't matter and especially when you consider that this here was the first film where we actually got to hear his voice. Mickey is working at the carnival selling hot dogs when he gets into a fight with a barker. After all that that it's his time to try and butter up Minnie. THE KARNIVAL KID is certainly a historic short but one really shouldn't expect the "voice" that America came to love. No, there's no doubt that Mickey sounds a bit strange here but if you watch the films in the order that they were released, as I was doing, it's interesting to note the various changes that would happen to the character. This here is certainly one of the most entertaining of these early shorts because of the fun times with the hot dogs and their personalities.

Another of the classic Iwerks/Disney collaborations from Walt Disney productions is this short that, unlike some of the other cartoons that the duo put out in 28/29, actually takes places in two time periods. Sure, it may just be day and night, but that's a small leap forward in the storytelling for Disney, who would usually just make things set in "real" time, far as the continuity went. This is set at a carnival where Mickey Mouse is selling hot dogs - we hear his voice, not sounding really like the Mouse we'd know later, perhaps Disney wasn't sure yet how to do it, like the early Homer Simpson voice work - and Minnie Mouse wants one.

The hot dogs, of course, have legs, and little arms, and can bite and be spanked when they're bad (!) so that's really the highlight here. The second half has Mickey trying to win Minnie over by having two cats "serenade" (really badly, of course) while he strums his guitar. The cat stuff goes on a bit too long - I might've liked actually full story with just the hot dogs, do they rebel, how can they eat the little cartoon hot dogs, oh, no wait, they're cartoons too, guess it makes sense - but it's still magical comedic stuff, genuine and just dumb-silly stuff.

This is a cute episode. There are two parts. The first involves our hero trying to impress Minnie. She is a shimmy dancer at the Carnival. He runs a hot dog cart but his products seem to be sentient creatures, so how could one eat them. In the second half, we have a serenade as Mickey and a couple of cats try to reach the heart of the fair damsel. It's good fun with some pretty awful early sound, including singing by the cat and mouse.

Up until "The Karnival Kat", the world had never heard Mickey Mouse speak. Well, when I heard him, I was in for a shock! Instead of the usual falsetto voice originally made by Walt Disney himself, Mickey has a gruff and unattractive voice--one that sounded very strange coming out of the world's most famous mouse! Well, apart from that, the sound itself was a big problem in this film--with a VERY scratchy and tinny soundtrack. Considering it came out in 1929, however, I will cut it some slack--but not when it comes to Mickey's lousy voice! Apparently, Walt and the rest must have agreed that this voice was all wrong, as it soon would become what we've all come to love.

As for the cartoon, although Mickey is in it selling hot dogs (much like he did in "All Wet") and you also see Minnie, they are only in the first portion of the cartoon. Much of it consists of showing carnival life as well as a large portion near the end devoted to a couple caterwauling cats. It's all rather cute but not up to the usual standards of a Mickey cartoon. Because of this, devoted fans will enjoy it but others might want to think about seeing some other cartoon instead.

UPDATE: I saw a copy of this posted on YouTube and the sound was a bit better.

From the very first shot of this animated short we know we're in Cartoon Dream World: the setting is a rowdy carnival in full swing, but our view of the festivities is blocked by swirling helium balloons. When the balloons drift away it's revealed that a cow is dangling from them, levitating over the crowd, grinning happily and blowing on a noise-maker that uncoils like a snake and emits a "Bronx cheer." Floating above a peanut vendor (who happens to be a pig), the cow razzes him with this device and scares him so badly that the pig leaps out of his clothes. Now clad in underwear, the angry porcine peanut vendor uses a sling-shot to burst the cow's balloons. The cow plummets to the ground but is cheerfully unaffected by the experience, which she demonstrates by turning to the camera and defiantly blowing a raspberry right in our faces. And that's just the first shot!

It looks very much like something produced by the Fleischer Studio, and we expect to see Koko the Clown and Betty Boop pop up any second, but in fact this is a Disney cartoon dating from the earliest days of Mickey Mouse. The atmosphere sure is different from what we might expect, based on familiarity with Mickey's later, buttoned-down adventures in suburbia; this cartoon has a low-down attitude quite unlike Disney's later output. Here, Minnie Mouse is a midway dancer who makes like Little Egypt, while a monkey beats out a tattoo rhythm on bongos and the barker promises "she'll put you in a trance/with her hoochy-coochy dance." Mickey is a hot dog vendor who sasses the barker and tries to make time with Minnie. The Karnival Kid marked the first occasion when the Disney animators gave the Mouse dialog to speak, but it was made before Walt himself began supplying the voice. It's not the familiar innocent squeak, either; as befits the setting, Mickey's voice is a bit raspy, as you'd expect from a carny worker.

There's a startling scene where Mickey sells Minnie a frankfurter, a scene that is far more suggestive what the Disney folks would tend to do later on. To pay for her purchase, Minnie reaches into her stocking for her money supply—which makes Mickey blush—but when she attempts to bite into the hot dog the thing suddenly comes to life, and attempts to escape. Mickey catches it, pulls down its "pants" and gives it a good spanking. (I'm not making this up!) The frankfurter pulls its pants back up, weeps with shame, then bites Mickey's finger and escapes again. And then, having no place else to go, our story culminates in a midnight serenade. Outside Minnie's trailer, under the moon, Mickey strums his guitar while two disreputable-looking cats yowl "Sweet Adeline" in weird, nasal tones. After this extended musical number the film wraps up with an anticlimactic gag, something quite unlike the neat resolutions we find in the Disney studio's mature work, and when the show is over you still feel like you've just watched a Fleischer cartoon.

This short is historically significant because it's Mickey Mouse's first real "talkie," but in a larger sense it signifies the road not taken for its production house. If you ever wondered what Disney cartoons might have looked like if the animators had been more loony and naughty, more like the gang at the Fleischer Studio or WB's Termite Terrace, then take a look at The Karnival Kid. I don't believe the guys at Disney ever again designed such a seamy setting for a Mickey cartoon, but perhaps that's just as well.