La Citadelle

Very good film from King Vidor with a great look and a mostly excellent cast, take from the classic novel by A Cronin. Robert Donat as Dr. Manson, a highly-principled physician who struggles with the conflicting demands of his profession, provides an uneven central performance. It is sometimes hard to understand his motivations and this is the film's biggest weakness. Rosalind Russell does a fine job as his ever-faithful, often suffering wife. Her performance is perfect, and does provide a moral core to the film. The film wisely avoids a lot of details of the novel that would have muddied up the storyline. (In the book, Dr. Manson has an affair with one of society patients.) The film also boasts some fine performances from a very young Rex Harrison and Ralph Richardson. In fact, Richardson's role as an idealistic, though flawed doctor steals the spotlight every time he is on the screen. The film also has a great look, especially the outdoor scenes of the British villages.

I found the performances of Donat and Russel fascinating so many years after the film was made. A J Cronyn's story is relevant even today and that makes the film entertaining. King Vidor needs to be complimented on getting such wonderful performances out of the leading pair as well as Rex Harrison and Ralph Richardson. Mary Clare as Mrs Orlando was also an interesting though brief performance. Harry Stradling's camerawork is impressive, if taken in perspective of the film's vintage.

What is a shame is that Rosalind Russel was not picked up by good directors for meaty serious roles, after this noteworthy performance.

A morality tale of medicine, this film brilliantly illustrates the plight of a doctor who truly cares for healing the sick -- yet even finds his patients to be dishonest. Robert Donat is superb in his transformation from a good doctor to a money making doctor for the rich. Roselyn Russell compliments his performance with her own emotional struggle, as she watches her husband all but lose his heart. Brilliant direction from early veteran director King Vidor gives this film a worthy place in film history. This is a must see for any doctor -- IMHO.

A.J. Cronin's book "The Citadel" was adapted for a 1938 film starring Robert Donat, Rosalind Russell, Ralph Richardson, Rex Harrison, and Emlyn Williams, directed by King Vidor.

Donat plays Andrew, a young, idealistic new doctor who goes to work in a small Welsh mining town, where he marries a pretty schoolteacher, Christine (Rosalind Russell). Many of the miners have a persistent cough, and he becomes interested in finding the cause. But the miners have little understanding of the big picture and just want the "pink medicine" the old doctor gave them, which just helped their symptoms.

Thwarted at every turn, Andrew and Christine move to London, where Andrew opens a practice. Then he has a change of fortune when he runs into an old friend (Rex Harrison) who gets him on the society doctor track, where he gets big money for treating hypochondriacal patients and by merely being present while a surgery is being performed, or taking a referral.

A beautiful movie with the underrated Donat turning in a wonderful performance of quiet intensity. Russell's expressions say more than her words - you know exactly how she's feeling. Ralph Richardson -- was he ever bad? - plays Andrew's old friend Denny, who notices the change in Andrew's goals.

A.J. Cronin was one of the authors whose novels were often adapted for film in the old days: "The Spanish Gardener," "The Green Years,", "Keys of the Kingdom," "Bright Victory," "Vigil in the Night," and others. Some of his stories involve medicine/science and sacrifice/dedication. Those books made for some inspiring films in the '30s and '40s.

I wasn't too sure what to think of Vidor after Our Daily Bread. Usually, filmmakers who have a message to get across, and who don't do it all that subtly, rub me the wrong way. But after seeing The Citadel i'm starting to rethink King Vidor. Indeed i thought Our Daily Bread a very fine film, certainly from the standpoint of direction. But what Bread lacked in the two lead performances (which are quite corny and camp), has been perfected in The Citadel, where we are given two marvellous performances from Robert Donat and Rosalind Russell. And i didn't have the same feeling about Vidor's message-making in Citadel that i did in Bread. It is more subtle in Citadel, and also for a better cause (altruism in the medical profession, a very noble thing, as opposed to socialism, the subject preached about in Our Daily Bread). But now i've started thinking this about Vidor:

He was a passionate artist - how much do i prefer this to someone like Rossellini who didn't think much of movies, or someone like Bergman, who often (he can be optimistic) depicts human nature as an empty, valueless abcess. The fact that he expresses such strong messages, and that in fact he has something that he finds of value, is immensely reassuring. I get so used to railing against preachy filmmakers that i seem to equate non-preachiness with cynicism, and even nihilism. Well, one doesn't have to dispise everything to make a wonderful film, which is what Vidor has done here.

Everything works in The Citadel. It draws you very nicely, without pomp or flashiness, but with immense skill, into its environment, and what a lovely environment it is. You so badly want nothing bad to happen to earnest, idealistic young doctor's assistant Dr Andrew Manson. I hesitate to use the word perfection, but there is a real perfection to this movie. And i was more than a little bit moved by it. I really enjoyed it, i just thought it was wonderful. Mr Vidor really was a king.