Charlie Chan à Honolulu

Sidney Toler makes his debut as Lieutenant Charlie Chan in this who-done-it mystery where the writer actually plants sufficient clues that the alert viewer might be able to ascertain the guilty party before all is revealed at the end. Bravo - the Warner Oland Chan movies rarely offer such a treat. Toler plays a more animated Chan than did Oland - most fans have their preference. This Chan moves fast and points out more clues along the way.

The Toler series opens with a Chan family gathering and an impending birth of his first grandchild. Chan admits to having a total of 13 children of which 10 are sons. Son Lee's absence is explained as being in art school in New York and Victor Sen Yung (billed as Sen Yung) is introduced as Chan's #2 son James (as shown in closing credits). Jimmy both aids his Pop and hinders the investigation but wants to become a detective.

In Charlie Chan at the Circus, Chan's #2 son is Charlie Jr., played by Layne Tom, Jr. In this new film, Layne Tom plays #5 son Tommy but the IMDb listing and all reviews show him as Willie. The closing credits clearly show Layne Tom playing the role of Tommy Chan and I never heard anyone refer to him by name - except perhaps the ship's Captain who says he is tired of this `tommyrot.' In this film, the Chan family is awaiting birth of first grandchild - this theme forming the basis of some good comedy throughout.

The bulk of the story takes place aboard the freighter Susan B. Jennings that is taking a mixed cargo from China to the US. The cargo includes animals for a San Francisco zoo - to include Oscar the lion and Eddie Collins as a great comedic keeper. George Zucco is superb as the eccentric psychiatrist Dr. Cardigan who is keeping alive the brain of Chinese murderer Chan Ho Ping. The rest of the supporting cast does a credible job and the viewer is offered a menu of suspicious characters and planted clues. `Opinion like tea leaf in hot water - both need time for brewing.' Just stick to the main clues as they are revealed and you might just get to the end along with Lieutenant Chan.

There are fewer racial slurs in this offering although the elder Chan makes reference to the `wrong flavor' when viewing a newly born black child. Probably too much time is spent with Oscar and Al but he is funny.

Chan gathers everyone together at the end in the Captain's Cabin where he tricks the guilty party into taking a final incriminating step. The last scene is interrupted by a phone call from the hospital and the lights being turned off, but in the end, justice prevails. As in earlier Chan movies, the detective knows some facts that the viewer cannot know, but in this film those facts are not vital to figuring out the solution.

By the way, the grandchild is a boy. Recommended.

This has to be the wildest of the Charlie Chan movies I've seen. It was Sidney Toler's first effort in the lead role, replacing Warner Oland, and it featured more comedy than any other Chan film to that point.

In this film, Chan and his number two son Tommy, his number five son Charlie Jr., and others including a doctor who keeps a live brain in his suitcase, all provide laughs. Along the way is a funny-faced lunatic animal keeper and a lion on the loose. They provide a lot of laughs.

As far as suspects go, there is a strange psychiatrist (the one with the portable brain), two pretty women, two ship's captains, a guy disguised as a cop and his suspect. I told you it was wild. It's too difficult to figure out "whodunnit," so you just sit back and enjoy the wild action and humor.

Yeah, it's silly.....but it''s tremendously enjoyable.

This was the first Chan film in which Sidney Toler took over the main role from Warner Oland, and he is immediately masterful and acceptable in the part of the Asian detective. I didn't expect to enjoy Toler, not only since I am an Oland fan, but because my first exposure to him was through seeing one of his later mediocre Monogram Chan quickies from the '40s. But this debut has Toler in fine and confident form.

The film begins with a humorous dinner at the Chan home, with Charlie's wife and 10+ children. We quickly establish who the detective is and where he comes from, and then we see that his enthusiastic #2 son Jimmy (well played by Victor Sen Yung) is as excited about being a detective as his older #1 brother Lee had been in the Oland series. When a call arrives for Chan to investigate a murder aboard a small freighter, son Jimmy intercepts and decides to impersonate his dad to get some quality sleuthing in. Some fun happenings ensue before Charlie Chan himself gets wind of it and ultimately joins Jimmy on board to handle the case.

This is an all-around entertaining chapter in the series, with assistance too from George Zucco, as one of the mysterious suspects aboard the ship who collects criminal brains. There are some annoying bits by one of those typical "silly 1930s funnymen" used for comic relief in the mix, but what makes it all work is how effortlessly Sidney Toler and Sen Yung slip into their roles formerly undertaken by Warner Oland and Keye Luke, as the new father and son. *** out of ****

"Charlie Chan in Honolulu" is Sidney Toler's first Charlie Chan, and the difference between him in this and in his last films is very noticeable. Here he is much more lively.

As this story unfolds, Charlie's daughter is about to give birth, and while he and his wife are at the hospital, the police call Charlie at home and ask him to go to a ship where someone has been murdered. Aspiring detective Jimmy Chan (Sen Yung, Bonanza's Hop Sing) intercepts the call, and he and #5 son Tommy (Layne Tom Jr. Who in real life became a distinguished architect) decide to take on the case.

Tommy immediately gets stuck in an area where wild animals are being kept for importation to the zoo; chaos ensues. This takes up some footage at the beginning.

Charlie finally arrives and tries to sort out the mess, but there's another murder, and a missing and reappearing $10,000, a mysterious doctor (George Zucco) who pretends to be deaf and has an interesting science experiment on board, a fast-talking detective and his charge -- meanwhile, Charlie keeps getting calls from his son-in-law.

They really threw the book at this one, complete with very dramatic music, as Toler's debut. He's delightful.

One of the crazier Chan films, but it's nice to see Toler so energetic, and the Chan family is fun.

A fun opening scene: a dinner table crowded with Chans of all sizes. Charlie (Sidney Toler) tries briefly to quiet down his offspring and enforce some manners; they listen politely to his proverb and then go right back to grabbing food and yelling.

Lots of family involvement in this Charlie Chan picture, especially in the first half. A Chan daughter is about to deliver a first grandchild, to the excitement of all. Number two son Jimmy (Sen Yung) wants to be a detective and has even made business cards: "I bet I could be the best in the islands," he tells his pop, "with your help." 10-year-old Tommy Chan (the hilarious Layne Tom, Jr.) has the same detecting bug as Jimmy.

With Charlie off at the maternity hospital, a case inevitably develops—it's a murder on a ship just arrived in port. Jimmy and Tommy ill-advisedly start the investigation on their own; soon enough, Jimmy nearly gets himself thrown overboard for impersonating an officer. Of course, Charlie arrives on board just in time to rescue him: "Young squirt merely chip masquerading as block."

Eventually, the picture does settle down into a nice study of several suspects. The great George Zucco is suspicious-looking Dr. Cardigan; Phyllis Brooks is a woman travelling with $300,000 in cash and is the only witness to the murder; Richard Lane and Marc Lawrence are a cop and prisoner on their way home to the States; Claire Dodd is a mysterious female who may be keeping some secrets; and Robert Barrat is the ship's captain who can't wait to get his cargo back out to sea. Eddie Collins is comic relief as a scaredy-cat animal trainer in charge of a lower hold full of zoo animals.

It's a pretty good mystery and throws suspicion back and forth quite well; although I've seen this one before, I couldn't remember who did it and I couldn't guess, either!

While this is the first film in the series for both Sidney Toler and Sen Yung, both seem so familiar in their roles that it's hard to evaluate them as newcomers—apparently that's a good indication that both stepped in and became instantly at home.

More humor than most Chan pictures, but solid all the way around.