IMDb RATING
6.9/10
4.5K
YOUR RATING
A psychiatrist falls in love with the woman he's supposed to be nudging into marriage with someone else.A psychiatrist falls in love with the woman he's supposed to be nudging into marriage with someone else.A psychiatrist falls in love with the woman he's supposed to be nudging into marriage with someone else.
- Nominated for 3 Oscars
- 3 wins & 4 nominations total
The Robert Mitchell Boy Choir
- Vocal Ensemble
- (scenes deleted)
- (as Robert B. Mitchell and his St. Brendan's Boys)
Harry A. Bailey
- Sponsor
- (uncredited)
Bobby Barber
- Minor Role
- (uncredited)
Cliff Bergere
- Minor Role
- (uncredited)
Ralph Brooks
- Country Club Guest
- (uncredited)
James P. Burtis
- Glass Truck Driver
- (uncredited)
Harry Campbell
- Minor Role
- (uncredited)
James Carlisle
- Country Club Guest
- (uncredited)
Charles Coleman
- Doorman
- (uncredited)
Featured reviews
Hilarious and very stylish, this spellbinding art moderne musical is a real experiment in RKO craftsmanship. Did you know the dream sequences to the song "I used to be color blind" were originally filmed in color but the release abandoned because RKO couldn't get the tech specs right and the cost was going to be too high for the budget already set. It was a great idea and today might have made CAREFREE a more enduring success as there is no color footage of them as a dancing pair until 1949 at MGM.. Apart from the snazzy look of the art direction, Ginger's fantastic 'hearts and arrows' outfit and big black bewitching hat and the RKO world of the stone and timber country club, the music here is just terrific. The swing antics of the golf club bagpipe sequence had one audience I saw it with in rapturous applause. But I defy anyone to stay seated during THE YAM as they wing and swing their way all over the BIG SET Country club. CAREFREE is just great.
there is something specific about watching fred astaire and ginger rogers that just makes you want to dance. i think it's because they make it look so damn fun. and they are just so astonishingly good!! the plot here is a tad crazier than, say "top hat", and therefore that much less believable (come on ... going all out with freud and hypnosis, but then again that's just speaking from what is known today, so no problem letting that pass). irving berlin's music is a hoot at times (there's a song about yams) and classic and familiar at others ("change partners") and ginger rogers is nearly at her sassy best.
Tony Flagg (Fred Astaire) agrees to psychoanalyze the girlfriend of his pal Steve (Ralph Bellamy) because she can't make up her mind as to whether or not she wants to marry him. The girlfriend, Amanda (Ginger Rogers), decides in short order that she actually loves Tony, but he has decided she's perfectly normal and doesn't need his help. So she contrives a ridiculous dream so that he thinks she is abnormal and will continue to treat her.
This film should have been renamed "Conscience Free" as none of the three central players seems to have one. Astaire comically abuses his license to heal to hypnotize Rogers to try to control her emotions. When he realizes he's fallen for her, he tries to re-direct her affections for Bellamy to him. Rogers, when told under hypnosis to follow every impulse, escapes Astaire's office before she can be taken out of her trance, decides it would be fun to knock the canes away from old people and watch them fall down and to throw rocks through windows. And Bellamy, upon hearing that Rogers really loves Astaire, and that she is only marrying him as a result of hypnosis, is perfectly OK with that.
The Irving Berlin music, what there is of it, is fine. But there is little of the usual chemistry between Astaire and Rogers. Bright spots include an early career appearance by Jack Carson showing his flair for comedy and Clarence Kolb as a family friend and judge acting like The Monopoly Man personified. This was the only Astaire & Rogers film to lose money at the box office.
This film should have been renamed "Conscience Free" as none of the three central players seems to have one. Astaire comically abuses his license to heal to hypnotize Rogers to try to control her emotions. When he realizes he's fallen for her, he tries to re-direct her affections for Bellamy to him. Rogers, when told under hypnosis to follow every impulse, escapes Astaire's office before she can be taken out of her trance, decides it would be fun to knock the canes away from old people and watch them fall down and to throw rocks through windows. And Bellamy, upon hearing that Rogers really loves Astaire, and that she is only marrying him as a result of hypnosis, is perfectly OK with that.
The Irving Berlin music, what there is of it, is fine. But there is little of the usual chemistry between Astaire and Rogers. Bright spots include an early career appearance by Jack Carson showing his flair for comedy and Clarence Kolb as a family friend and judge acting like The Monopoly Man personified. This was the only Astaire & Rogers film to lose money at the box office.
The upper-class Stephen Arden (Ralph Bellamy) brings his fiancée, the radio singer Amanda Cooper (Ginger Rogers), to be consulted by his friend, the psychoanalyst Dr. Tony Flagg (Fred Astaire), to improve their relationship. Amanda listens to the record made by Dr. Flagg about her and has an initial friction with the shrink. But sooner she falls in love with him and discloses her feelings to Dr. Flagg. He decides to hypnotize Amanda to loath him and love Stephen. However his subconscious makes him perceive that he also loves Amanda. But Stephen obtains a restrain order against his friend and he can not get close to Amanda to withdrawal his former hypnotic suggestion.
"Carefree" is a delightfully naive and adorable classic, with a silly story but wonderful dance numbers of the constant pair Fred Astaire and Ginger Rogers. Ginger "steals" the film not only dancing, but also with a funny performance. My vote is seven.
Title (Brazil): "Dance Comigo" ("Dance with Me")
"Carefree" is a delightfully naive and adorable classic, with a silly story but wonderful dance numbers of the constant pair Fred Astaire and Ginger Rogers. Ginger "steals" the film not only dancing, but also with a funny performance. My vote is seven.
Title (Brazil): "Dance Comigo" ("Dance with Me")
Fred Astaire and Ginger Rogers star in this delightful romantic musical comedy with a twist on the usual Fred and Ginger plot. Though odd and short in the musical number department, this teasing romantic romp features some of their best dancing and good humor to boot. Ginger Rogers is nothing short of stunning in this picture and Mr. Astaire's feet never touch the ground. Definitely their most underrated film.
Did you know
- TriviaThis was the first Fred Astaire-Ginger Rogers film to lose money on its initial release. It lost $68,000 (~ $1.48M in 2024) for RKO according to studio records.
- GoofsAs Amanda (Ginger Rogers) exits the taxicab and starts to cross the street for the theatre, you can see the reflection of the roof line behind her in the large piece of plate glass on the truck. On the roof line, you can see the rigging pipes for lights and other equipment showing it's a back lot set.
- Quotes
Stephen Arden: [drunkenly] Oh, uh, could you give me a little information?
Doorman: Yes sir.
Stephen Arden: Thank you.
[walks away]
- Crazy creditsDuring opening credits, a pair of hands finger-paints names, pauses, wipes them out, and writes the next set of names several times.
- ConnectionsFeatured in Fred Astaire: Puttin' on His Top Hat (1980)
- SoundtracksSince They Turned Loch Lomond into Swing
(1938) (uncredited)
Music by Irving Berlin
Danced by Fred Astaire
- How long is Carefree?Powered by Alexa
Details
Box office
- Budget
- $1,253,000 (estimated)
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 1.37 : 1
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