Le mystérieux docteur Clitterhouse

The prominent Dr. Clitterhouse (Edward G. Robinson) becomes a burglar to study the criminal mind. After four heist, he meets the fence Jo Keller (Claire Trevor) that has a hotel to cover-up her activities. He decides to team-up with her gang to observe the thieves in action using the alias The Professor and becomes close to Jo. However the gangster "Rocks" Valentine (Humphrey Bogart) decides to get rid of The Professor and double-crosses him up during the heist of a store. When Rocks discover the true identity of The Professor, he blackmails Dr. Clitterhouse that sees only the ultimate crime to resolve the situation: murder. What will happen to Rocks and Dr. Clitterhouse?

"The Amazing Dr. Clitterhouse" is a cynical black-humor comedy with Edward G. Robinson and Humphrey Bogart and screenplay by John Huston. The plot is funny, with hilarious situations of Dr. Clitterhouse, a prominent doctor that uses his relationship with the high-society and the chief of police to rob and understand the criminal mind. In the end, is Dr. Clitterhouse sane or insane? My vote is seven.

Title (Brazil): Not Available on Blu-Ray or DVD.

This film is an excellent gangster film. The negative reviews I've read here are the remarks of mere quibblers, people who don't have a true appreciation for the 1930's Gangster Film. I used to have a 16mm print of this film. And every time I screened it people would come up afterward and say how much they liked it. No self respecting fan of Warner's gangster films would dare say a bad word about this film and others I've seen poorly reviewed on this site. Perhaps people brought up on Good Fellas and The Godfather cannot help but try holding older films up to current sensibilities. I don't know. But I see it a lot.

Anyway, don't believe the hype: Edward G. Robinson and Humphrey Bogart are great as are the rest of the cast. Character roles are well cast. Writing is solid. There's a great scene where Bogart gets slapped for misinterpreting a double entendre.

This film has something that I think is significant for the time. It deals with possible psychological reasons for crime. The good doctor who is doing experiments to fully understand the criminal mind was probably represents some sort of extension of public interest as well as paying lip service to the growing acceptance of psychology as we currently know it. The fact that the doctor is actually corrupted by the excitement and challenge of crime and getting away with it are interesting to note and may, again, parallel public interest.

The ending has an irresistible twist as the doctor incorrigibly revels in his bizarre circumstances as the camera closes in on an excited Robinson as chaos ensues all around.

I rate this film a strong 8 and recommend that Ivars give this film another chance.

"The Amazing Dr. Clitterhouse" from 1938 stars Edward G. Robinson in the title role, that of a prominent physician studying the psychology of the criminal mind. He becomes a jewel thief himself studies his responses for his book, Crime and Research.

He learns the name of a fence, Jo Keller, finds out he owns a hotel, and goes to meet what he thinks is a man. Instead, it's a woman (Claire Trevor) with whom he joins forces. One of her thieves, Rocks (Bogart), dislikes Dr. Clitterhouse because Jo is attracted to him and suddenly, he's not the big boss anymore.

After Clitterhouse's research, he leaves, without anyone knowing his identity. Will matters stay that way?

This is a real black comedy with terrific performances. Robinson's Clitterhouse is so sure of himself, and so clinical -- he doesn't see what he's doing as criminal, just important research. Bogart, about two years away from his breakthrough role, is marvelous as a jealous thief. Trevor is tough but beautiful and vulnerable.

Well directed by Anatole Litvak and co-written by John Huston, "The Amazing Dr. Clitterhouse" can't miss and doesn't. Loved the ending.

The Amazing Dr. Clitterhouse that Warner Brothers presented in 1938 is an adaption of a British play which had been done in London a few years back with Sir Cedric Hardwicke in the title role that Edward G. Robinson does here. Of course the difference in personal styles and country cultures made it a different Clitterhouse than originally presented.

But both are medical doctors doing research into the pathology of the criminal mind. How better to do it than to become a criminal oneself in the interest of science. He does some burglaries on his own and then with the unsuspecting help of police inspector Donald Crisp finds a fence in the person of Claire Trevor and the gang she does business with.

He works his way into the mob earning everyone's trust even though they find the "professor" a little eccentric. All that is except Humphrey Bogart who resents his presence.

It's an interesting idea for a story and the film does have some good plot twists that I'm sure the audience won't figure out if they haven't seen it. The key to remember as Robinson remembers that at all times he's a man of science.

What a fun movie!

Edward G. Robinson plays a respected doctor who decides that the only way to truly understand criminal behavior for an academic study he is writing is to become a criminal himself. He joins a thieving ring run by Jo Keller (Claire Trevor, looking hotsy-totsy) and proceeds to both help the thieves with their crimes while at the same time studying them for the biological and psychological effects of their actions. Trouble arises when Jo's right-hand man, played by Humphrey Bogart, begins to feel like a third wheel, and blackmails Robinson when he discovers his true identity.

This film is a real treat. It's funny, creepy and suspenseful, all at the same time. Robinson begins to enjoy being a criminal, and his detached approach to crime makes him capable of committing murder without a second thought. Is he sane or insane? That's the question a jury must answer at the film's climax, and one the viewer still won't be able to answer after the movie's over.

Robinson, Trevor and Bogart have enough chemistry together to start a fire, and the three of them would team up again 10 years later for another terrific film, John Huston's "Key Largo." Anatole Litvak provides the fluid direction.

Grade: A-