SOS vertu!

In some ways, "Wise Girl" is much like "You Can't Take it With You"- -the film that won the Oscar for Best Picture and Best Director just one year after "Wise Girl" debuted. However, despite its similarities (as both are about goofy rooming houses filled with weirdos), the film is inferior mostly because the film seems very forced--as if the director and actors act loudly in order to convey how wacky the film is supposed to be.

When the film begins, you learn that the Fletchers are very rich and they are horrified that John O'Halloran (Ray Milland) is raising two little girls who belonged to the sister of Susan Fletcher (Miriam Hopkins). After all, John is poor and lives a crazy bohemian lifestyle in a strange boarding house...and he doesn't even send these two little girls to school! Susan decides to investigate all this undercover and befriends this odd family...and naturally John feels stabbed in the back when he later learns that she and her father are going to court to take the kids! However, inexplicably, Susan has fallen in love with John and also has determined to make a success of him whether he likes it or not!

This film does have some cute moments though I had a hard time believing any of this and the film often got louder instead of more clever. Worth seeing but a pale imitation of the goofiness of "You Can't Take it With You".

Witty, high-energy comedy with a script to die for. You'll meet more memorable characters than you can possibly remember. Ray Milland is a charming artist and free spirit who lives in Greenwich Village, taking care of his dead brother's two young daughters. Their rich, beautiful, snobbish aunt (Mariam Hopkins) goes to the Village incognito to win the little girls' affection and steal them away from Milland so they can be raised by her rich daddy. The dialogue is incredibly good, the performances are Oscar-quality, and the plot is filled with more convolutions than Einstein's gray matter. `Wise Girl' should be considered one of the great comedy classics of all time

A girl and her rich father are keen to look after her deceased sister's daughters. However, her late brother-in-law granted custody to his brother who is an artist with a bohemian lifestyle. Lawyers say that they can do nothing so the daughter investigates.

Reasonable comedy with a serious message that money cannot buy everything. Miriam Hopkins and Ray Milland star and show their comedy talents. Do watch out for James Finlayson and also Margaret Dumont in cameos.

Forced, cloying, formulaic. Do these adjectives make you want to run to rent his? Miriam Hopkins was brilliant in the original "Dr. Jekyl and Mr. Hyde." A few other early movies of hers, notably "The Story of Temple Drake," are never shown but said to be excellent.

Here, she is cutesy, bossy, and thoroughly unappealing. Ray Milland as a Greeniwch Village bohemian not at all convincing.

The two child performers are creepy and also bear no relation to the Village as it was then.

Speaking as a native of Greenwich Village, I find the setting ersatz, generic, and phony. Not that I was around for a couple generations but my relatives were there in 1937. It isn't funny. It isn't remotely authentic. We don't care about the characters.

So many movies were made about the struggling masses vs the capitalists at this time, and done with elan. "Easy Living" comes to mind. It didn't take place in the Village. But it rings very true. This rings with a thudding knell.

Society heiress Susan Fletcher (Hopkins) and her wealthy father Simon Fletcher (Henry Stephenson) are vexed that their young nieces Joan (Betty Philson) and Katie (Marianna Strelby) are living a Bohemian lifestyle in Greenwich Village with their artist uncle John (Milland) after the death of their parents (Susan's sister and John's brother). Simon has given up trying to convince John to allow he and Susan to take care of the children and have resorted to using private detectives to catch him in either unbecoming behavior or unemployed and therefore unable to care for the children properly. Susan finally decides to take matters into her own hands and goes to Greenwich Village herself, posing as an actress, to try to gain information and/or persuade him to see reason. What she discovers however, is that she not only likes the free and artistic lifestyle John and his friends are living and that the girls are being brought up well, but that she is quickly falling in love with John. Inevitably, her true identity is discovered and she is faced with the task of convincing everyone on both sides of the custody debate who should belong with whom.

I really enjoyed this film, and found that its very short running time (70 minutes) was the perfect length to spin this simple but endearing story. Miriam Hopkins, one of the great 1930's-1940's actresses is delightful in this film. Her energy, style and wholesome beauty really lend themselves to creating an endearing character, even though you know that she's pulling a fast one on the people she quickly befriends. This is the earliest film I've seen Ray Milland in, and he was actually young and non-patrician looking. (And apparently three years younger than his co-star) His energy and carefree manner in "Wise Girl" were a refreshing change to the demeanor he affects in his usual, darker, films. Honestly, though I am usually not remotely a fan of child actors, I really enjoyed the two young girls who played Susan's nieces. They were endearingly precocious, and were really the jewels of the film. Unfortunately, I can't dig up any other films that either of them were subsequently in after this one, which is a shame since both exhibited a large amount of natural talent.

"Wise Girl" was a film that was made three years after the Hollywood Code was instated, and to some extent, this was abundantly clear by the quick, happy ending, and the pie in the sky loftiness and ease with which the characters lived. The alleged Bohemian co-op was in fact a gorgeous cul-de-sac where the artists lived for free or for trade, and everything is tied up very nicely throughout. Fortunately, this was a light enough film and the characters were charming enough to make allowances for its fluffiness and short-comings and I was able to just take "Wise Girl" for what it was; a good old-fashioned love story that was as entertaining as it was endearing. Unfortunately, films of the romantic comedy/drama genre today are considerably less intelligent and entertaining, or I wouldn't find myself continuously returning to the classics. 7/10