Varsity Show

For die-hard Berkeley fans only--this collegiate musical is certainly more a mirror of it's time than most, with lots of college men over 30 clad in beanies swooning in song over long-skirted coeds; simple plot--all the students want to present the hot new rhythms of the New Varsity Show, but the fuddy-duddy professor (Walter Catlett in usual sputtering mode) won't let them. Enter former alum and Broadway Star Dick Powell, all dimples and smiles, intent on Saving The Day With Music! The whole enterprise is a build up to the sensational Busby Berkeley finale with hundreds of dancing coeds in astounding geometrical designs; unfortunately, the less-than-memorable music is not by Al Dubin and Harry Warren (who composed the Gold Diggers series).

According to Tony Thomas's Busby Berkeley book, and reliable film historian Leslie Halliwell (and numerous other sources), this should be a 120 minute film; why has Turner, usually the standard for accuracy, released an 80 minute print--40 minutes shorter? Some collector, somewhere, must be sitting on an old studio print and, if anybody is able, the intrepid folks at Turner will track it down and we can see what will probably make this the dynamic vintage musical it should be.

No need to repeat details exhaustively provided by other reviewers. I caught the 80-minute truncated version on TCM and it's a shame despite the lively cast and Berkeley's big production number. Comparing the playlist with what's on screen, most of the musical numbers that survived the edit appear condensed into the closing medley of songs—hardly a fair representation. And what's left intact is musically pleasant but hardly memorable. Generally, the same can be said of the truncated movie as a whole.

(In passing—note the rebellious college students impatient with the stodgy musical tastes of their elders. Seems like musical rebellion among the young extends further back than the 1950's and Elvis. More obscurely-- note how the kids at one juncture perform a brief sit-down strike to make their point. The year is 1937, the same period as the historic General Motors Sitdown Strike of 1936-37. Looks to me like a topical reference even in a movie piece of fluff.)

Why watch Varsity Show? Two words: John Bubbles, the man Fred Astaire said was the greatest tap dancer of his generation. John Sublette (John Bubbles was his stage name) and his partner, Ford Washington Lee, were Buck and Bubbles, with Buck primarily at the piano and Bubbles dancing and singing. They were major stars in vaudeville. I can't explain dancing any more than an infant can explain milk, but I know the good stuff when I see it. John Bubbles combined tap, a sort of fast shuffle and ingenious rhythm into something I wouldn't argue with Astaire about. He has a couple of short numbers in this inane college musical and one Buck and Bubbles short production number to "Have You Got Any Castles, Baby?" They make watching the movie something special.

Among the aged aspects of Varsity Show that you have to get past to enjoy the tap artistry of John Bubbles are...the jokes are so corny even Iowa wouldn't take credit for them...the pacing is just about as matter-of-fact as that bland title...several of the students have long since past their college years...ironically, Dick Powell seems too young for the part...and Fred Waring as the drama teacher is so sincere, so constantly smiling and so solicitous of the students as to be creepy.

Still, the Richard Whiting and Johnny Mercer songs aren't bad. "We're working Our Way Through College," sung by Powell and the students as they stride through the campus, is bouncy and funny.

"We're working our way through college / To get a lot of knowledge / That we'll probably never ever use again.

It's swell to tell what parallel and parallax is, / But after graduation will it pay our taxes?"

For those fond of choral music there's Waring and his Pennsylvanians (they're in the movie as college students) doing some fine singing. Aficionados of college pep songs will hear a bunch of them at the big smash close. And for those with a morbid fondness for stories about alcoholics, there's Ted Healy in a major role and Lee Dixon in a minor one. Healy, who's the reason there was a Three Stooges, wound up in Hollywood as one of the highest paid comedy actors. His specialty was the big grump. Let me tell you, he was good. He also was a big-time alcoholic. He got into a drunken fight the night his first child was born (the year Varsity Show was released) and died several hours later. He was 41. Lee Dixon was big and blond, an eccentric dancer in the early Buddy Ebsen style. He was handsome enough with an open, quizzical kind of face. He towered over everyone else. He was 23 when he made Varsity Show and played one of the students, had a few lines and a couple of brief dance steps. By the early Forties he was drinking so heavily no one wanted to take a chance on him. Rodgers and Hammerstein offered him the part of Will Smith in Oklahoma! after extracting the promise he wouldn't hit the bottle. He received great reviews with his two numbers, "Kansas City" and "All Er Nuthin'" (with Celeste Holm as Ado Annie). All was well for a year or so, then he started sneaking drinks, then more and more. That was that. He faded fast and died at 39 in 1954. What's the moral to Healy and Dixon? You've got me.

The story? The kids at Winfield College are putting on the annual varsity show but their professor adviser insists that there'll be nothing "swinging" or "modern." A group of them decide to go to New York and ask Chuck Daly (Dick Powell), famous Broadway producer and Winfield graduate, to take over the show. They've got a lot of great songs and ideas. They don't know that Daly has had three flops in a row and is broke. We can skip the next hour. The show is a smash, on Broadway no less, with a Busby Berkeley finale. Chuck wins a co- ed's love with Rosemary Lane the co-ed. She's second billed after Powell. Her sister, Priscilla, is third billed and gets a song to sing and a few dance steps to share with Dixon. Priscilla Lane has never done much for me, but here, at 22 and in her first movie, she's a cutie pie.

College musicals always seem to give off that indulgent condescension that so many adults reserve, usually to their regret, for the young. Still, some can be a lot of fun. There are three I like a lot. Too Many Girls has a book as inane as Varsity Show, but it has a great Rodgers and Hart score and a terrific Lucille Ball performance. Best Foot Forward has a fine Hugh Martin and Ralph Blane score, including that rouser, "Buckle Down, Winsocki," plus Ball again, and a great cast that includes June Allyson and Nancy Walker. Good News is a lot of fun, just as corny as the rest, but June Allyson is appealing, Peter Lawford avoids being appalling, and best of all there's Joan McCracken and Ray McDonald dancing. "Pass that Peace Pipe" is a showcase for both of them, especially McCracken.

I was looking forward to seeing Varsity Show because of the fact that I owned the four Dick Powell Decca recordings that were made from songs in this film. The Tony Thomas book, the Films of Dick Powell also said that it was a 2 hour film.

In the abbreviated 80 minute version I saw of it, I'm thinking there was a lot of material that was left out and may in fact now be lost. Two of those songs Powell did not sing on the screen, Have You Got Any Castles Baby and Love Is On The Air Tonight. He did do a very nice version of You've Got Something There with Rosemary Lane and the song Moonlight On The Campus seems to have been edited out all together.

Still even in the shortened version Varsity Show is an entertaining bit of nonsense about a Broadway producer played by Powell who's had a run of bad luck, but answers the call of the student body of his alma mater to produce their Varsity Show. It was the kind of light weight material that Powell was desperately trying to get out of doing at Warner Brothers, but Jack Warner wouldn't see him in anything else.

Jack did give him a good cast to work with however with a lot of very familiar character actors going through their paces. Standing out are Ted Healy on loan from MGM playing Powell's assistant, Edward Brophy as the theater manager who's about to have a stroke because he can't get an advance for rent from the college kids, and Walter Catlett who is very funny as the faculty adviser for the show who knows as much about putting on a show as Ginger Rogers running the Brooklyn Dodgers to quote another Dick Powell song from another film.

Fred Waring and his Pennsylvanians are here to supply the music and chorus and Rosemary's sister Priscilla Lane is another student. The dancing talent is tops with Lee Dixon who had co-starred with Powell in Golddiggers of 1937 and the great team of Buck and Bubbles who I still remember from the Ed Sullivan Show as a lad. Richard Whiting and Johnny Mercer wrote the original songs that I liked so much.

Varsity Show got an Academy Award nomination for Busby Berkeley in the category of Dance Direction which was discarded in the Forties. Berkeley did one of his patented extravaganzas for a finale using the theme songs from several colleges and it's quite an eyeful and most entertaining.

I hope one day we can get a restored version of Varsity Show. I'm betting a lot of good material might be lost as it stands right now. I have a feeling I'd rate Varsity Show higher if we saw the director's cut.

This movie probably won't appeal to anyone under the age of 50 - the generation gap is too great. College boys in shirts and ties, girls in saddle shoes and calf-length skirts, and riding around in 'jalopies' with topical slogans on them - not today. And the cast of this picture contains some of the oldest college kids ever seen on campus. But, if you are of a certain age, it all works.

There is a great deal of energy in each scene, which is how it would be on a college campus, and there are some very tuneful songs to be found, although most of them forgotten. The most durable is probably "She's Working Her Way Through College", but several others were written by Richard Whiting and Johnny Mercer. In addition, here is a chance to see Buck and Bubbles, a legendary song and dance team. They differed from the Nicholas Brothers, who were strictly dancers. Buck and Bubbles both sang, both danced and both played the piano, hence a more talented team.

The story is unimportant, about Dick Powell returning to his alma mater to help put on a show, but the cast is good and the pace is brisk. Two of the Lane sisters are the female leads opposite Powell and comic relief is done in heavy-handed fashion by Ted Healy. There is also lots of able support, and there is a great finale provided by none other than Busby Berkeley. There is lots to like in "Varsity Show", a better-than-average musical of its kind.