The Ticket of Leave Man

The oh so hammy Tod Slaughter is good as usual in this mediocre crime thriller - it's more of a crime drama than a thriller. The film is a bit dry to me - it's missing something... darker elements. The film seems to "bright" or a bit "cheery" for a crime thriller. If it was meant to be comedy then this film would be perfect for that but the film is not a comedy. It doesn't have the elements of twisted darkness that one would expect from a Tod Slaughter film.

The movie is exactly what the description says: an innocent man is falsely accused of counterfeiting, put in prison and must prove he is innocent. "The Tiger" is actually responsible for the murders.

It's not a horrible film - but it's not all that great. I'll have to rate this one somewhere in the middle ground.

4.5/10

thoroughly enjoyed this Todd Slaughter vehicle,, to be honest I never heard of him before till this movie,, he's very funny, entertaining, and just a joy to watch on the screen as the "Tiger".. a con man goes around London, killing people,, then decides it's time to pull the ultimate con,, he sets up a charity,,, called ticket of leave man,, a charity to help those who have just gotten out of jail,, and need a break,, i.e. a job... our main character is very nieve, and get's taken in by the nefarious tiger... he meets a beautiful young woman he intends to marry, but now their future is in jeopardly as he has lost faith in being an honest man,, and is contemplating a life of crime, to better his financial situation, and take care of his girl...

"A criminal mastermind known as 'The Tiger' has set his sights upon the beautiful fiancée of a bank teller. Hoping to eliminate his rival, the criminal plots to frame the young man for passing counterfeit money, thus have him sent to prison and freeing him to pursue the girl. After the man serves his time for the crime he didn't commit, he returns home to win his love over and stop 'The Tiger'," according to the DVD sleeve's synopsis.

Barnstorming Tod Slaughter (as James "The Tiger" Dalton) breathes some life into this old English chestnut. Earnest John Warwick and soprano Marjorie Taylor are the pretty fiancée and bank teller. The men wear phony sideburns. Mr. Slaughter kissing the fainted body of Ms. Taylor is a memorable moment. And, both "The Tiger" and hawk-nosed "moneylender" Frank Cochran (as Melter Moss) are more properly disposed of than in the original play.

***** The Ticket of Leave Man (10/37) George King ~ Tod Slaughter, John Warwick, Marjorie Taylor

I have never heard of the phrase 'Ticket of Leave', but I can safely assume from watching the story that it is referring to a person who is paroled out of prison.

The basic idea behind "The Ticket of Leave Man" is decent and the story should have been a lot better. After all, it does involve an evil criminal who not only steals but garrotes his victims! And, the guy later frames an innocent man only because he hopes to one day use him in his gang--but first he needs to break the man! However, the story itself is quite poor--mostly because of some horrible over-acting by Tod Slaughter who plays the evil killer. Subtle his performance isn't--and he even snickers a bit like Snidely Whiplash! Additionally, a few of the other performances are less than stellar. Because of the high cheese factor, it's really hard to recommend the film--unless you are making up a list of movies that SHOULD have been better or ones that featured very hammy performances.

On the positive aspect of the film, there is a villain who thinks on his feet in addition to planning his way to the financial top. There's something to be said about society's notion of 'good character' and credit as well as a quickly wrapped up moral at the end.

Dialogue was laborious both in detail and cliché. Motivations and execution are certainly questionable. Maybe some of this style of theatre got lost in translation from stage to film. All characters were pretty much static and stereotypical. I'm not sure who the target audience for the film would be. Maybe a young couple afraid of the rich and/or powerful?