IMDb RATING
6.3/10
345
YOUR RATING
Inspector investigates a murder in Calcutta by holding a seance attended by suspects. The medium, unexpectedly, attempts to solve the case, revealing ulterior motives.Inspector investigates a murder in Calcutta by holding a seance attended by suspects. The medium, unexpectedly, attempts to solve the case, revealing ulterior motives.Inspector investigates a murder in Calcutta by holding a seance attended by suspects. The medium, unexpectedly, attempts to solve the case, revealing ulterior motives.
May Whitty
- Mme. Rosalie La Grange
- (as Dame May Whitty)
Matthew Boulton
- Commissioner Grimshaw
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Remake of the play, and the 1929 film version. This one has some great hollywood names -- May Whitty, Lewis Stone, Madge Evans. When a murder is committed in India, Inspector Marney is brought over to find the murderer. Friend John Whales (Henry Daniell) has the idea of holding a seance to try to get clues on the case. while Daniell was in some HUGE films, he certainly played forget-able parts... Philadelphia Story, the Great Dictator. May Whitty is Madam LaGrange, who holds the seance; she does her best to tell the crowd her act is just for entertainment, but they want to do it just to see the reactions on the participants. the highlight here is the actual seance, where yet another person dies. possibly to keep him or her from speaking ? and who and what did Madam LaGrange already know ? Directed by George Seitz, who was very successful in the silents, and moved into the talkies. he died quite young, at 56, but cause of death not given anywhere that I have found. this one is pretty good!
This has to be my favorite seance movie. Dame May Whitty is in her one and only main lead feature role here. She plays a medium of humble background who is sought by society people for her 'powers.' She enters a big grand house and has to endure all the skeptical jokes bandied upon her. However she is able to rebound jokes back at her well-heeled customers. Henry Daniell plays the man who believes in her powers. He has instigated the seance in order to find the name of a murderer. Rather than wondering about the whodunit aspect of the story, I found myself more concerned for the proven innocence of one of the suspects. It's revealed that the medium is more involved with one of the suspects than we know at the beginning. After the first seance produces another murder, a second seance is held. The medium finds true inspiration at last and fetches out the murderer at her second attempt.
Madame La Grange, psychic medium, admits that "Most of the time it's a fake" when she gives a reading. Tonight, however, she insists that she will play no tricks: she's at the English governor's residence in Calcutta, summoned to assist in investigating the murder of a most unpopular man.
Dame May Witty plays the medium with appropriate gravity and mystery. Madge Evans wears a worried look as the beautiful secretary who is in love with the governor's son. She also, we soon learn, is the mysterious medium's daughter.
Henry Daniell is moody and edgy as a friend of the murder victim. He wants answers from the police, who are represented by Lewis Stone, a Scotland Yard man who's been shipped in specially to look into the case.
A couple of spooky séance scenes succeed in sending some shivers down the spine. Particularly effective is a bit when the lights are off and the screen is totally black for a long moment: we hear voices, then Daniell asking "Who killed you?"—and then just perfect silence and darkness for what seems an exceptionally long stretch. (When they do finally turn on the lights, there's another dead body.)
It's a solid if not brilliant plot; it builds nicely to an exciting climax and a surprising solution.
Witty has the most colorful role and is clearly the featured performer here; she is quite good. Lewis Stone's role, I have to say, I found annoying – he is one sententious police detective but not exactly the smartest. (Judge Hardy would never have come so close to totally blowing a case.)
This one won't cause any nightmares but it is atmospheric, fast-moving, and plenty entertaining.
Dame May Witty plays the medium with appropriate gravity and mystery. Madge Evans wears a worried look as the beautiful secretary who is in love with the governor's son. She also, we soon learn, is the mysterious medium's daughter.
Henry Daniell is moody and edgy as a friend of the murder victim. He wants answers from the police, who are represented by Lewis Stone, a Scotland Yard man who's been shipped in specially to look into the case.
A couple of spooky séance scenes succeed in sending some shivers down the spine. Particularly effective is a bit when the lights are off and the screen is totally black for a long moment: we hear voices, then Daniell asking "Who killed you?"—and then just perfect silence and darkness for what seems an exceptionally long stretch. (When they do finally turn on the lights, there's another dead body.)
It's a solid if not brilliant plot; it builds nicely to an exciting climax and a surprising solution.
Witty has the most colorful role and is clearly the featured performer here; she is quite good. Lewis Stone's role, I have to say, I found annoying – he is one sententious police detective but not exactly the smartest. (Judge Hardy would never have come so close to totally blowing a case.)
This one won't cause any nightmares but it is atmospheric, fast-moving, and plenty entertaining.
There is nothing wrong with this film. It's just pretty lightweight. It does have a nice cast and the theme of the supernatural helps keep one's interest. When the chief character admits to being a charlatan, we would think there would be a slide downward. However, Dame Mae Witty, who is no stranger to mystery, having played the role of Agatha Christie's Miss Marple in several films, manages to put life in this when she has to abandon her "talents" and figure out a way to solve the case and keep an innocent person from being charged with murder. There are other supporting actors who are great characters and a tight little plot that takes only a little over an hour to run its course. I have a soft place in my heart for these early British detective pieces.
The Thirteenth Chair (1937)
** 1/2 (out of 4)
Remake of the 1929 Tod Browning film (which itself was a remake of a 1920 film) about a medium (Dame May Witty) who is brought into try and solve the murder of a man but during the séance another man ends up murdered. Now the detective (Lewis Stone) must try and figure out which person done it. This version of THE THIRTEENTH CHAIR is actually better than the previous one thanks in large part to some nice performances, good direction by George B. Seitz and a good story. If you've seen the 1929 version then you're going to notice that there haven't been too many changes here story-wise but what really makes this one work better is that Seitz does a much better job in the director's chair. Whereas that 1929 version was incredibly flat, this one here actually moves at a very nice pace and there are some effective moments throughout. The séance scenes are also extremely well-done and especially the one where the medium works alone. The opening title card gives Witty a huge credit and she is quite good here. She'll always be best remembered for her role in Hitchcock's THE LADY VANISHES but she's very believable here. The supporting cast is equally good with Stone turning in a fun performance as the detective and we've also got Henry Daniell playing one of the members of the party. Madge Evans, Elissa Landi and Thomas Beck are also good. The story itself has a few questionable moments but it's still effective enough for this type of "B" movie. Fans of this type of murder-mystery should really enjoy this one.
** 1/2 (out of 4)
Remake of the 1929 Tod Browning film (which itself was a remake of a 1920 film) about a medium (Dame May Witty) who is brought into try and solve the murder of a man but during the séance another man ends up murdered. Now the detective (Lewis Stone) must try and figure out which person done it. This version of THE THIRTEENTH CHAIR is actually better than the previous one thanks in large part to some nice performances, good direction by George B. Seitz and a good story. If you've seen the 1929 version then you're going to notice that there haven't been too many changes here story-wise but what really makes this one work better is that Seitz does a much better job in the director's chair. Whereas that 1929 version was incredibly flat, this one here actually moves at a very nice pace and there are some effective moments throughout. The séance scenes are also extremely well-done and especially the one where the medium works alone. The opening title card gives Witty a huge credit and she is quite good here. She'll always be best remembered for her role in Hitchcock's THE LADY VANISHES but she's very believable here. The supporting cast is equally good with Stone turning in a fun performance as the detective and we've also got Henry Daniell playing one of the members of the party. Madge Evans, Elissa Landi and Thomas Beck are also good. The story itself has a few questionable moments but it's still effective enough for this type of "B" movie. Fans of this type of murder-mystery should really enjoy this one.
Did you know
- TriviaThe play opened on Broadway in New York City, New York, USA on 20 November 1916 and had 328 performances. Margaret Wycherly played the role of Rosalie La Grange, as she also did in the 1929 film version.
- ConnectionsReferenced in Arabesque: Death Casts a Spell (1984)
Details
- Release date
- Country of origin
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- Also known as
- The Thirteenth Chair
- Filming locations
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- Runtime
- 1h 6m(66 min)
- Color
- Aspect ratio
- 1.37 : 1
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