Smart Blonde

Glenda Farrell was just getting into hollywood as the talkies were starting. This is the first of the many "Torchy Blane" reporter films. The film begins with Torchy running to jump onto a fast moving train, so we know she's tough as nails! when a promoter is gunned down in front of her, she is determined to figure out who is responsible. sidekick role for Jane Wyman as Dixie. and of course, Tom Kennedy as the bumbling police officer Gahagan, a role he would play in many Torchy films. like most of these, it's okay. an early example of a competent female working hard to get to the truth years before it was fashionable. Farrell started with Warner Brothers, but when that contract was up, she moved around to the various studios. Directed by Frank McDonald. made TONS of films with Gene Autrey.

It was nice seeing Barton MacClane as the good guy. Glenda Farrell and Ginger Rogers are look alikes. At first sight I though it was Ginger. Also got a kick out of seeing a very young Jane Wyman as Dixie. The mystery was a bit contrived but I'd see the movie again.

A taxi races along beside a moving train. The passenger leans forward: "Driver, let me off at the next crossing, will you?" She hops out, takes a few running steps, then leaps aboard the very last car as the train rolls by. –That's our first glimpse of Torchy Blane, ace reporter.

This snappy opening is a good introduction to our heroine: fast talking, quick witted, and pretty much fearless. Boarding a moving train is typical of Torchy's style—she simply wants to snag an interview with an incoming businessman before his arrival in town, so she hops the train he's on. Sure enough, she gets the interview…and gets herself a mystery along with her scoop when the man is murdered a few hours later.

Glenda Farrell is just about perfect as Torchy—sweet smile, rapid fire delivery, irrepressible charm. Also on the case is Barton McLane as Torchy's boyfriend, Lieutenant Steve McBride. Torchy appreciates his manliness ("All he needs is a leopard skin"), but she is consistently a step or two ahead of him in the investigation—which fact he grudgingly admires but finds annoying as well.

Tom Kennedy is wonderfully goofy as an assisting cop named Gahagan who loves life and composes poetry ("I love the night!" he exclaims, more or less at random). And a young Jane Wyman is hilarious in a small role as a hat check girl who, among other adventures, comes home from a party with a St. Bernard: "I wish I knew where I got that dog," she muses.

A nice plot keeps us guessing and ties up neatly; likable characters and lively dialog add up to a very entertaining quickie.

My favorite exchange comes when Torchy is trying to talk her way into a murder scene. (She's there well ahead of Steve, naturally.) "I'm from the Herald," she argues to the cop guarding the door, "I'm Torchy Blane." His deadpan response: "I don't care if you're Flaming Youth, you can't go in there."

This 1937 "Torchy Blane" film, "Smart Blonde" has Torchy Blane (Glenda Farrell) trying to find out who killed an entrepreneur who just purchased a night club and some gambling establishments. Torchy is a witness to the murder. Later on, one of the suspects, the dead man's bodyguard, is also found dead. Torchy and her some time boyfriend, Lt. McBride (Barton MacLane), as usual, are at odds as far as who the killer is.

There were quite a few of these films, this being the first, starring character actress Farrell, with MacLane as McBride. The two have great chemistry. These films were always lively and the real story always seemed to be about Torchy and McBride's relationship rather than any actual mystery, though the mysteries certainly were present.

Fast-talking, smart Torchy is an independent woman along the lines of Hildy in "His Girl Friday" and the Torchy Blane series was the first (I think) to star a woman; the Maisie series began in 1939.

Always entertaining.

Smart Blonde is the first film of the Torchy Blane series with Glenda Farrell as former showgirl turned reporter with a real keen sense of a scoop. She works the police beat where she constantly runs up against her boyfriend, homicide cop Barton MacLane.

Depending on how you view things, Torchy's a help or a hindrance. But in this case she was literally on top of the story. Seconds after being interviewed by her, nightclub impresario Joseph Crehan is shot down in Union Station.

Crehan was going to buy a nightclub owned by Addison Richards who was getting out of the business and getting ready to marry Charlotte Wynters and go into the real estate business with her and her brother Robert Paige, leaving his club singer Wini Shaw all in distress. Another one in distress is Max Wagner, Richards's gunsill because there's not much call for his line of work in real estate.

One murder later of course Torchy's put it all together for MacLane and gets her paper the scoop. But the plot does take an interesting twist or two, it's not who you think it is.

Jane Wyman has a small supporting role as a hatcheck girl with a tendency to gossip which aids Farrell in her story. This was of course at the beginning of Wyman's career which included a film as Torchy Blane herself when Farrell quit the series.

Smart Blonde proves how popular the Torchy Blane series was at Warner Brothers and why it was so well received in the late Thirties.