Sh! The Octopus

A mad scramble of haunted (light)house, mad scientist, monster movie, and buddy-cop story elements; usually I hate this type of ending, but in this case it might have been the only one that makes some sense. The film's stage origins are all-too-obvious, but there is an impressively well-done "transformation" scene. Hugh Herbert and Allen Jenkins, in rare leading roles, have some terrific moments together; still, you can sort of see why they connected more with the public in supporting parts. ** out of 4.

... if you don't' watch to the last scene, in which he inanity of everything that preceded it is clearly explained. Walk away with five minutes or more of the film to spare, and you'll most likely agree with the current low rating this film has.

It is true that almost from the first scene of what appears to be a comedy/thriller nothing makes sense, but please stick around and just go with it. I won't even begin to try to explain the plot, but be prepared for people that have first one identity and then are all revealed to be federal law enforcement agents of one type or another, a human criminal mastermind that is called "the octopus" whose actual identity is unknown that they all are seeking, and an actual octopus whose tentacles are repeatedly reaching out from the walls of the old abandoned lighthouse into which everyone is congregated in order to grab someone. Warner contract players Allen Jenkins and Hugh Herbert as two local cops are probably the best known actors here, and they provide the outright comedy to counterbalance the ham served up by the dramatic overacting of the rest of the cast. After you've seen the whole thing you'll have to marvel at how this film comes together. It's hard to overact in such a way that the audience gets that this is all tongue-in-cheek versus believing that you're simply giving a poor dramatic performance.

The final scene has what could almost be considered a precode moment, but it is quickly explained that what is being implied is not at all the case. I'm being intentionally vague here because I don't want to spoil it for you. If you like older cult comedy films, I believe you'll really like this one. Since Jack Warner generally didn't like to take chances, I don't know how he ever let this one slip by.

Sh! The Octopus was recommended to me by a friend who bought a few lobby cards from the film. I wondered why he had such an interest in a movie that I had never heard of. He told me he was afraid to tell me too much because it might spoil the fun, but that I should definitely see if I had the chance.

My time arrived.

The story begins with a sea-faring man selling the deed to a lighthouse to a polished-looking gentleman in a suit. In comes Captain Hook (that's right- Captain Hook!), a crazy sailor who goes insane at the sound of a ticking clock. Cut to two cops, Kelly (Hugh Herbert) and Dempsey (Allen Jenkins), who are racing to the hospital on a rainy night because Kelly's wife is having a baby. But they get a flat tire, and in the midst of their struggle to fix it, a woman comes tearing through the woods at them, begging for help. She has just seen her step-father's dead body in the lighthouse! The plot is laughable, and thankfully the actors and the director seem to be in on how ridiculous the story is, because it is presented as a comedy. Therefore, we're allowed to laugh at how silly it is that the villain is a murderous octopus with tentacles that creep in through doorways. And it is okay to laugh at the exaggerated plights of the characters and their overzealous performances. And we're expected to giggle at the constant twists and turns that often make no sense.

So why do I rate this movie so highly? Simply for the amount of fun I had watching it! It is packed with hilarious bits, by two comics who are generally relegated to being the 2nd or 3rd banana. Now, they're the leads, and they pull it off quite nicely. Jenkins is a great blend of comic and straight-man. He's too stupid to be taken seriously, but he is tame compared to his partner. Herbert, who often rubs people the wrong way with his giddiness, contributes nicely to the show.

This film is sort of a "nautical" version of the Ritz Bros. "the Gorilla". A criminal known as the "Octopus" is trying to get a secret device from an inventor stranded on an island (with a lighthouse), along with many suspicious characters. (One of whom is the "Octopus"!).

As in the "Gorilla", the plot of this film doesn't make much sense, but sit back & enjoy the thrills & jitters of the secret panels, clutching octopus tentacles (!) and spooky atmosphere! This film is for pure enjoyment; and not to be "analyzed"!

One interesting note: at the end of the film, one of the suspects turns into the "Octopus"& the effect is AMAZING! I pride myself on how they did special effects back then, but I can't figure this out, as the film does NOT "stop action" & change the person into the Octopus; it happens "live"!

Get out the popcorn & enjoy this great escapist film!

Entertaining comedy. While I was watching this, many of the lines were said in a way that reminded me of some other people. Martin and Lewis came to mind. Bing and Bob came to mind. But then it "HIT" me. They are really, Abbott and Costello. 3-4 years early. And the act works. I am thinking that by the time A&C came along, the formula had been perfected, or at least improved on, and that the time for this type of team comedy was ready to take off. Even down to the way lines are said, many that Hugh Herbert makes down in the basement of the lighthouse, when he is alone, is totally Lou Costello. I am wondering if A&C were just mimicking this style of comedy with their own spin. Great as they were. I enjoyed them very much, as well as the others I mentioned.

The movie, as a movie, is very enjoyable and moves along at a good pace. I had a good time, and that was the point, then as now.